02/05/2000
Potsdam - Germany:
After discovering his passion for high-quality sound as an intern at Burmester Audiosystems, Alexander shifted his focus at film school entirely to sound for film. Through various student film projects, he landed 2018 at rotor film, where he continued learning the ins and outs of sound for picture by working with sound designers and re-recording mixers from all around the world. Today he is an MPSE-nominated full-time re-recording mixer and the technical lead of rotor film's sound division. Continuing his 70 year old family tradition of working in the film business.
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She Said Maybe (2025) Sound Re-Recording Mixer |
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Feste feiern (2025) Sound Re-Recording Mixer |
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Grand Prix of Europe (2025) Sound Re-Recording Assistant |
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Die Tote vom Jakobsweg (2025) Sound Re-Recording Mixer |
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Haps (2025) Sound Re-Recording Mixer |
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Gier - Der Fall der Credit Suisse (2025) Sound Re-Recording Mixer |
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Kein Tier. So Wild. (2025) Foley Editor |
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The Assessment (2025) Sound Re-Recording Assistant |
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Köln 75 (2025) ADR Editor |
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September 5 (2024) Sound Re-Recording Assistant |
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In Liebe, eure Hilde (2024) Sound Re-Recording Assistant |
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Sterben (2024) Sound Re-Recording Assistant |
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Bannkorb (2024) Sound Re-Recording Mixer |
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Die Liebeskümmerer (2024) Dialogue Editor |
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Baghead (2023) Sound Re-Recording Mixer |
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Falling into Place (2023) Sound Re-Recording Assistant |
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Northern Comfort (2023) Sound Re-Recording Assistant |
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Triangle of Sadness (2022) Sound Editor |
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عنکبوت مقدس (2022) Sound Re-Recording Assistant |
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The Matrix Resurrections (2021) Sound Mix Technician |
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Gunpowder Milkshake (2021) Foley Editor |
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Himmelskörper () Sound Mixer |