06/09/1930
Lanzo d'Intelvi, Italy:
Angelo Novi (9 June 1930 – 6 May 1997) worked for thirty years as the exclusive photographer with some of the most known Italian film directors of his time, such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini. He studied at the Brera Academy in Milan, and from 1952 on, started to work as a photojournalist. The ability to capture the decisive moment, inspired by idols like Henri Cartier-Bresson and Robert Capa, is an important gist for his photographic style, which later honed in his work as a set photographer. Novi told his own story through the scenic action captured by his photographs. Emphasis on the decisive moment, the contrast of proximity and distance, and the black and whites, are all attributes of Novi's work. With his photographs, Novi has made a comprehensive contribution to the cultural memory of the golden era of the Italian cinema. As a silent observer, he captured the moments at the film sets both behind the scenes and in action, revealing intimate aspects that cannot be found on the screen.
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Il mio nome è Nessuno (1973) as Bartender |
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Il buono, il brutto, il cattivo (1966) as Monk |
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Stealing Beauty (1996) Still Photographer |
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L'uomo delle stelle (1995) Still Photographer |
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Little Buddha (1993) Still Photographer |
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The Sheltering Sky (1990) Still Photographer |
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The Last Emperor (1987) Still Photographer |
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Il Bi e il Ba (1986) Still Photographer |
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Once Upon a Time in America (1984) Still Photographer |
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Borotalco (1982) Still Photographer |
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La tragedia di un uomo ridicolo (1981) Still Photographer |
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Novecento (1976) Still Photographer |
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Arrivano Joe e Margherito (1974) Still Photographer |
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Il baco di seta (1974) Still Photographer |
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Ultimo tango a Parigi (1972) Still Photographer |
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Giù la testa (1971) Still Photographer |
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Giornata nera per l'ariete (1971) Still Photographer |
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Il conformista (1971) Still Photographer |
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La collina degli stivali (1969) Still Photographer |
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C'era una volta il West (1968) Still Photographer |
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Teorema (1968) Still Photographer |
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Little Rita nel West (1967) Still Photographer |
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Io non protesto, io amo (1967) Still Photographer |
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Il buono, il brutto, il cattivo (1966) Still Photographer |
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Django (1966) Still Photographer |
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Sopralluoghi in Palestina per il vangelo secondo Matteo (1965) Set Photographer |
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Comizi d'amore (1965) Still Photographer |
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Il vangelo secondo Matteo (1965) Still Photographer |
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La corruzione (1963) Still Photographer |
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La bella di Lodi (1963) Still Photographer |
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Cronaca familiare (1962) Still Photographer |
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Mamma Roma (1962) Still Photographer |