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Karl Freund


Karl Freund

Birthday:

01/16/1890

Place of birth:

Königinhof, Bohemia, Czech Republic:

Biography:

​From Wikipedia, the free encyclopedia.   Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.



Credits

You Can't Fool a Camera (1941)
as Himself
Michael (1924)
as LeBlanc - Art Dealer
The Golem (1960)
Director of Photography
I Love Lucy: The Movie (1953)
Director of Photography
Bright Leaf (1950)
Director of Photography
Montana (1950)
Director of Photography
South of St. Louis (1949)
Director of Photography
The Decision of Christopher Blake (1948)
Director of Photography
Key Largo (1948)
Director of Photography
Wallflower (1948)
Director of Photography
That Hagen Girl (1947)
Director of Photography
This Time for Keeps (1947)
Director of Photography
Undercurrent (1946)
Director of Photography
Two Smart People (1946)
Director of Photography
A Letter for Evie (1946)
Director of Photography
Dangerous Partners (1945)
Director of Photography
Without Love (1945)
Director of Photography
The Thin Man Goes Home (1944)
Director of Photography
The Seventh Cross (1944)
Director of Photography
A Guy Named Joe (1944)
Director of Photography
Cry 'Havoc' (1943)
Director of Photography
Du Barry Was a Lady (1943)
Director of Photography
A Yank at Eton (1942)
Director of Photography
The War Against Mrs. Hadley (1942)
Director of Photography
The Affairs of Martha (1942)
Director of Photography
Tortilla Flat (1942)
Director of Photography
The Chocolate Soldier (1941)
Director of Photography
Blossoms in the Dust (1941)
Director of Photography
Comrade X (1940)
Camera Operator
Pride and Prejudice (1940)
Director of Photography
We Who Are Young (1940)
Director of Photography
Florian (1940)
Director of Photography
Green Hell (1940)
Director of Photography
The Earl of Chicago (1940)
Director of Photography
Balalaika (1939)
Director of Photography
Barricade (1939)
Director of Photography
Golden Boy (1939)
Director of Photography
Rose of Washington Square (1939)
Director of Photography
Tail Spin (1939)
Director of Photography
Letter of Introduction (1938)
Director of Photography
Port of Seven Seas (1938)
Director of Photography
Three Comrades (1938)
Director of Photography
Man-Proof (1938)
Director of Photography
Conquest (1937)
Director of Photography
Parnell (1937)
Director of Photography
The Good Earth (1937)
Director of Photography
Camille (1936)
Director of Photography
The Great Ziegfeld (1936)
Director of Photography
Mad Love (1935)
Director
Gift of Gab (1934)
Director
I Give My Love (1934)
Director
Uncertain Lady (1934)
Director
The Countess of Monte Cristo (1934)
Director
Madame Spy (1934)
Director
Moonlight and Pretzels (1933)
Director
The Kiss Before the Mirror (1933)
Director of Photography
The Mummy (1932)
Director
Afraid to Talk (1932)
Director of Photography
Air Mail (1932)
Director of Photography
Back Street (1932)
Director of Photography
Scandal for Sale (1932)
Director of Photography
Murders in the Rue Morgue (1932)
Director of Photography
Strictly Dishonorable (1931)
Director of Photography
Personal Maid (1931)
Director of Photography
Up for Murder (1931)
Director of Photography
The Bad Sister (1931)
Director of Photography
Dracula (1931)
Director of Photography
Dracula (1931)
Co-Director
The Boudoir Diplomat (1930)
Director of Photography
The Lottery Bride (1930)
Director of Photography
All Quiet on the Western Front (1930)
Director of Photography
Sleeping Partners (1930)
Director of Photography
Fräulein Else (1929)
Director of Photography
Eine Nacht In London (1928)
Director of Photography
Doña Juana (1928)
Director of Photography
Berlin, die Symphonie der Großstadt (1927)
Director of Photography
Berlin, die Symphonie der Großstadt (1927)
Producer
Metropolis (1927)
Director of Photography
Metropolis (1927)
Camera Operator
Madame wünscht keine Kinder (1926)
Producer
Die Abenteuer eines Zehnmarkscheines (1926)
Production Supervisor
Manon Lescaut (1926)
Director of Photography
Herr Tartüff (1926)
Director of Photography
Varieté (1925)
Director of Photography
Der letzte Mann (1924)
Director of Photography
Michael (1924)
Director of Photography
Die Finanzen des Großherzogs (1924)
Director of Photography
Die Austreibung (1923)
Director of Photography
Der Tiger des Zirkus Farini (1923)
Director of Photography
Herzog Ferrantes Ende (1922)
Director of Photography
Lucrezia Borgia (1922)
Director of Photography
Der brennende Acker (1922)
Director of Photography
Marizza, genannt die Schmuggler-Madonna (1922)
Director of Photography
Das blinde Glück (1922)
Director of Photography
Verlogene Moral (1921)
Director of Photography
Die Ratten (1921)
Director of Photography
Der Knabe in Blau (1921)
Director of Photography
Der verlorene Schatten (1921)
Director of Photography
Der Golem, wie er in die Welt kam (1920)
Director of Photography
Catherine the Great (1920)
Cinematography
Der Schrecken im Hause Ardon (1920)
Director of Photography
Der Janus-Kopf (1920)
Director of Photography
Der Bucklige und die Tänzerin (1920)
Director of Photography
Die Nacht auf Goldenhall (1920)
Director of Photography
Die Spinnen, 2. Teil - Das Brillantenschiff (1920)
Director of Photography
Satanas (1920)
Director of Photography
Die Spinnen, 1. Teil - Der Goldene See (1919)
Director of Photography
Die Arche. 2. Teil: Die letzten Menschen (1919)
Director of Photography
Die Arche (1919)
Director of Photography
Rausch (1919)
Director of Photography
Augen (1919)
Cinematography
Augen (1919)
Camera Department Manager
Phantome des Lebens (1919)
Director of Photography
Die Dame, der Teufel und die Probiermamsell (1918)
Director of Photography
Die blaue Laterne (1918)
Director of Photography
Die Heimkehr des Odysseus (1918)
Director of Photography
Das Maskenfest des Lebens (1918)
Director of Photography
Agnes Arnau und ihre drei Freier (1918)
Director of Photography
Das Geschlecht derer von Ringwall (1918)
Director of Photography
Auf Probe gestellt (1918)
Director of Photography
Gräfin Küchenfee (1918)
Director of Photography
Die Faust des Riesen (1917)
Director of Photography
Die Claudi vom Geiserhof (1917)
Director of Photography
Gefangene Seele (1917)
Director of Photography
Christa Hartungen (1917)
Director of Photography
Der Liebesbrief der Königin (1917)
Director of Photography
Die Ehe der Luise Rohrbach (1917)
Director of Photography
Die weißen Rosen (1916)
Director of Photography
Die Räuberbraut (1916)
Director of Photography
Das wandernde Licht (1916)
Director of Photography
Engeleins Hochzeit (1916)
Camera Operator
Frau Eva (1916)
Director of Photography
Bummelstudenten (1916)
Director of Photography
Der Mann im Spiegel (1916)
Director of Photography
Der Hund von Baskerville (1914)
Director of Photography
Eine venezianische Nacht (1914)
Director of Photography
Das Feuer (1914)
Writer
Zapatas Bande (1914)
Director of Photography
Engelein (1914)
Director of Photography
Die Filmprimadonna (1913)
Director of Photography
Die Suffragette (1913)
Director of Photography
Jadna majka (1912)
Director of Photography