02/14/1916
Otaru, Hokkaidō, Japan:
Masaki Kobayashi (February 14, 1916–October 4, 1996) was a Japanese director. Among his films is Kwaidan (1965), a collection of four ghost stories drawn from the book by Lafcadio Hearn, each of which has a surprise ending. Kobayashi also directed The Human Condition, a trilogy on the effects of World War II on a Japanese pacifist and socialist. The total length of the films is over 9 hours. Other notable films include Harakiri (1962) and Samurai Rebellion (1967). Harakiri won him an award at the 1963 Cannes Film Festival, solidifying his place in the history of cinema. In 1969, he was a member of the jury at the 19th Berlin International Film Festival. He was also a candidate for directing the Japanese sequences for Tora! Tora! Tora!, once Akira Kurosawa left the film. But instead Kinji Fukasaku and Toshio Masuda were chosen. Kobayashi, himself a pacifist, was drafted into the Imperial Japanese Army during World War II, but refused to fight and refused promotion to a rank higher than private. Description above from the Wikipedia article Masaki Kobayashi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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日本統一62 (2024) as |
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Masaki Kobayashi on 'The Human Condition' (1993) as Self |
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どら平太 (2000) Screenplay |
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食卓のない家 (1985) Director |
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食卓のない家 (1985) Screenplay |
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東京裁判 (1983) Director |
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東京裁判 (1983) Writer |
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燃える秋 (1978) Director |
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化石 (1975) Director |
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いのちぼうにふろう (1971) Director |
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どですかでん (1970) Executive Producer |
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日本の青春 (1968) Director |
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上意討ち 拝領妻始末 (1967) Director |
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東京オリンピック (1965) Thanks |
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怪談 (1965) Director |
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切腹 (1962) Director |
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からみ合い (1962) Director |
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からみ合い (1962) Producer |
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人間の條件 完結篇 (1961) Director |
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人間の條件 完結篇 (1961) Screenplay |
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人間の條件 完結篇 (1961) Producer |
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人間の條件 第3部望郷篇/第4部戦雲篇 (1959) Director |
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人間の條件 第3部望郷篇/第4部戦雲篇 (1959) Screenplay |
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人間の條件 第3部望郷篇/第4部戦雲篇 (1959) Producer |
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人間の條件 第1部純愛篇/第2部激怒篇 (1959) Director |
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人間の條件 第1部純愛篇/第2部激怒篇 (1959) Screenplay |
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黒い河 (1957) Director |
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あなた買います (1956) Director |
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壁あつき部屋 (1956) Director |
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泉 (1956) Director |
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美わしき歳月 (1955) Director |
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三つの愛 (1954) Director |
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三つの愛 (1954) Writer |
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この広い空のどこかに (1954) Director |
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まごころ (1953) Director |
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息子の青春 (1952) Director |
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カルメン故郷に帰る (1951) Assistant Director |
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破れ太鼓 (1949) Screenplay |
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破れ太鼓 (1949) Assistant Director |
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新釈四谷怪談 前篇 (1949) Assistant Director |
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破戒 (1948) Assistant Director |
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肖像 (1948) Assistant Director |
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仇討選手 (1931) Screenplay |