12/11/1903
Tokyo, Tokyo Prefecture, Japan:
Yasujirō Ozu was a Japanese film director and screenwriter. He began his career during the era of silent films. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. Marriage and family, especially the relationships between the generations, are prominent themes in Ozu's work. His most lauded films include Late Spring (1949), Tokyo Story (1953), Floating Weeds (1959), and An Autumn Afternoon (1962). His reputation has continued to grow since his death, and he is widely regarded as one of the world's most influential directors. In the 2012 Sight & Sound poll, Ozu's Tokyo Story was voted the greatest film of all time by world directors.
|
Proust Palimpsesto: Pastiches e Misturas (2026) as Self (archive footage) (uncredited) |
|
The Ozu Diaries (2025) as Self (archive footage) |
|
Yasujiro Ozu and the Taste of Sake (1978) as Self (archive footage) |
|
Lil’ Tokyo Story (2016) Writer |
|
娘の結婚 (2003) Original Film Writer |
|
秋刀魚の味 (2003) Screenplay |
|
Der Himmel über Berlin (1987) In Memory Of |
|
大根と人参 (1965) Story |
|
私のベレット (1964) Script Supervisor |
|
私のベレット (1964) Writer |
|
青春放課後 (1963) Writer |
|
秋刀魚の味 (1962) Director |
|
秋刀魚の味 (1962) Screenplay |
|
小早川家の秋 (1961) Director |
|
小早川家の秋 (1961) Screenplay |
|
秋日和 (1960) Director |
|
秋日和 (1960) Screenplay |
|
浮草 (1959) Director |
|
浮草 (1959) Screenplay |
|
お早よう (1959) Director |
|
お早よう (1959) Screenplay |
|
彼岸花 (1958) Director |
|
彼岸花 (1958) Screenplay |
|
東京暮色 (1957) Director |
|
東京暮色 (1957) Screenplay |
|
早春 (1956) Director |
|
早春 (1956) Screenplay |
|
月は上りぬ (1955) Screenplay |
|
東京物語 (1953) Director |
|
東京物語 (1953) Screenplay |
|
お茶漬けの味 (1952) Director |
|
お茶漬けの味 (1952) Screenplay |
|
麦秋 (1951) Director |
|
麦秋 (1951) Screenplay |
|
宗方姉妹 (1950) Screenplay |
|
宗方姉妹 (1950) Director |
|
晩春 (1949) Screenplay |
|
晩春 (1949) Director |
|
風の中の牝鶏 (1948) Director |
|
風の中の牝鶏 (1948) Screenplay |
|
長屋紳士録 (1947) Director |
|
長屋紳士録 (1947) Screenplay |
|
父ありき (1942) Director |
|
父ありき (1942) Writer |
|
戸田家の兄妹 (1941) Director |
|
戸田家の兄妹 (1941) Writer |
|
限りなき前進 (1937) Story |
|
淑女は何を忘れたか (1937) Director |
|
淑女は何を忘れたか (1937) Writer |
|
一人息子 (1936) Story |
|
一人息子 (1936) Director |
|
菊五郎の鏡獅子 (1936) Director |
|
大学よいとこ (1936) Director |
|
大学よいとこ (1936) Writer |
|
東京の宿 (1935) Director |
|
東京の宿 (1935) Story |
|
箱入娘 (1935) Director |
|
浮草物語 (1934) Director |
|
浮草物語 (1934) Story |
|
母を恋はずや (1934) Director |
|
母を恋はずや (1934) Story |
|
出来ごころ (1933) Director |
|
出来ごころ (1933) Story |
|
非常線の女 (1933) Director |
|
非常線の女 (1933) Story |
|
東京の女 (1933) Director |
|
東京の女 (1933) Story |
|
また逢ふ日まで (1932) Director |
|
青春の夢いまいづこ (1932) Director |
|
大人の見る繪本 生れてはみたけれど (1932) Director |
|
大人の見る繪本 生れてはみたけれど (1932) Idea |
|
春は御婦人から (1932) Director |
|
春は御婦人から (1932) Story |
|
東京の合唱 (1931) Director |
|
美人哀愁 (1931) Director |
|
美人哀愁 (1931) Writer |
|
淑女と髭 (1931) Director |
|
お嬢さん (1930) Director |
|
お嬢さん (1930) Idea |
|
足に触った幸運 (1930) Director |
|
エロ神の怨霊 (1930) Director |
|
その夜の妻 (1930) Director |
|
落第はしたけれど (1930) Director |
|
落第はしたけれど (1930) Story |
|
朗かに歩め (1930) Director |
|
結婚学入門 (1930) Director |
|
突貫小僧 (1929) Director |
|
会社員生活 (1929) Director |
|
会社員生活 (1929) Story |
|
大学は出たけれど (1929) Director |
|
和製喧嘩友達 (1929) Director |
|
学生ロマンス 若き日 (1929) Director |
|
学生ロマンス 若き日 (1929) Writer |
|
宝の山 (1929) Director |
|
宝の山 (1929) Story |
|
肉体美 (1928) Director |
|
肉体美 (1928) Dialogue |
|
引越し夫婦 (1928) Director |
|
カボチャ (1928) Director |
|
カボチャ (1928) Story |
|
女房紛失 (1928) Director |
|
若人の夢 (1928) Director |
|
若人の夢 (1928) Writer |
|
懺悔の刃 (1927) Director |