El ojo de la aguja (1981)
Gran Bretaña, 1944, durante la Segunda Guerra Mundial. Perseguido implacablemente por varios agentes del MI5, Henry Faber la Aguja, un despiadado espía alemán que posee información vital sobre el Día D, se refugia en la isla de las Tormentas, una inhóspita tierra apenas habitada situada cerca de las costas del norte de Escocia.
Directora:
Richard Marquand
Escritor:
Stanley Mann
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Donald Sutherland as Faber |
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Kate Nelligan as Lucy |
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Ian Bannen as Godliman |
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Christopher Cazenove as David |
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Faith Brook as Lucy's Mother |
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Barbara Ewing as Mrs. Garden |
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David Hayman as Canter |
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Alex McCrindle as Tom |
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Philip Martin Brown as Billy Parkin |
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Stephen MacKenna as Lieutenant |
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George Belbin as Lucy's Father |
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Barbara Graley as David's Mother |
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George Lee as Constable |
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Arthur Lovegrove as Peterson |
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Colin Rix as Oliphant |
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Chris Jenkinson as German SS Officer |
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William Merrow as German Radio Operator |
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Patrick Connor as Inspector Harris |
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Rupert Frazer as Muller |
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Jonathan Nicholas Haley as Jo |
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John Bennett as Kleinmann |
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Sam Kydd as Lock Keeper |
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John Paul as Home Guard Captain |
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Richard Graydon as Home Guard Private |
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Michael Mellinger as Portuguese Man |
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Allan Surtees as Colonel Terry |
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Don Fellows as American Colonel |
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Stewart Harwood as Sailor #1 |
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Rik Mayall as Sailor #2 |
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Rory Edwards as Sailor #3 |
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Ellis Dale as Station Master |
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Bill Fraser as Mr. Porter |
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Michael Josephs as German Naval Captain |
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John Rees as German Naval Operator |
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John Grieve as Inspector Kincaid |
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Bruce White as Oban Policeman |
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David Ashton as Oban Radio Operator |
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Bill Nighy as Squadron Leader Blenkinsop |
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Stephen Phillips as Home Guard Corporal |
| Sound | Miklós Rózsa | Original Music Composer |
| Writing | Stanley Mann | Screenplay |
| Camera | Alan Hume | Director of Photography |
| Directing | Richard Marquand | Director |
| Directing | Roger Simons | Assistant Director |
| Camera | Alec Mills | Camera Operator |
| Camera | Mike Frift | Focus Puller |
| Production | Celestia Fox | Casting Director |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Directing | Anthony Squire | Second Unit Director |
| Art | Ken Pattenden | Construction Manager |
| Editing | Nick Hosker | Assistant Editor |
| Costume & Make-Up | Mark Nelson | Hairstylist |
| Production | John Comfort | Production Manager |
| Costume & Make-Up | John Bloomfield | Costume Designer |
| Costume & Make-Up | Wally Schneiderman | Makeup Artist |
| Costume & Make-Up | Joan Carpenter | Hairstylist |
| Production | Lee Bolon | Location Manager |
| Production | Claude Hudson | Production Supervisor |
| Crew | Jack Lowin | Second Unit Cinematographer |
| Directing | Valerie Booth | Continuity |
| Directing | Angela Allen | Continuity |
| Crew | Eddie Stacey | Stunt Coordinator |
| Camera | David Farrell | Still Photographer |
| Production | William Lang | Location Manager |
| Sound | Claude Hitchcock | Sound Recordist |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Art | Ken Softley | Construction Manager |
| Lighting | Bob Bremner | Gaffer |
| Art | Wilfred Shingleton | Production Design |
| Art | John Hoesli | Art Direction |
| Production | Stephen J. Friedman | Producer |
| Art | Bert Davey | Art Direction |
| Art | Hugh Scaife | Set Decoration |
| Editing | Sean Barton | Editor |
| Writing | Ken Follett | Novel |
| Crew | Jennifer Patrick | Dialogue Coach |
