Luchando por la libertad (2023)
A lo largo de dos años, How We Get Free sigue a Elisabeth Epps en su lucha por abolir la fianza en metálico en Colorado y poner fin a la criminalización de la pobreza. Epps es la fundadora del Colorado Freedom Fund, uno de los más de 100 fondos comunitarios para fianzas que existen en todo el país y que se pusieron en marcha para ayudar a las personas encarceladas que no pueden pagar su fianza antes del juicio. Para Epps, este trabajo es personal: ella misma pasó un tiempo en la cárcel, siendo testigo de las condiciones que está tan desesperada por cambiar. La película comienza en el otoño de 2020, mientras recorre Denver con miles de cheques de caja en la mano, pagando fianzas (o, como dice Epps, "rescates") y discutiendo con el sheriff local sobre el futuro de la policía. Pero tras años de activismo de base, y tras el ajuste de cuentas racial de 2020, Epps se enfrenta a un nuevo reto: las llamadas de su comunidad para que se presente como candidata a diputada estatal.
Dirección: Samantha M. Knowles, Geeta Gandbhir.
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Elisabeth Epps as Self |
| Directing | Samantha M. Knowles | Director |
| Directing | Geeta Gandbhir | Director |
| Production | Nicholas Kulish | Executive Producer |
| Production | Anya Rous | Executive Producer |
| Production | Sweta Vohra | Producer |
| Camera | Julia Liu | Director of Photography |
| Production | Sam Dolnick | Executive Producer |
| Sound | Laura Heinzinger | Original Music Composer |
| Editing | Rabab Haj Yahya | Editor |
| Production | Jess Devaney | Producer |
| Production | Kathleen Lingo | Producer |
| Production | Nancy Abraham | Executive Producer |
| Production | Sara Rodriguez | Executive Producer |
| Production | Lisa Heller | Executive Producer |
| Production | Ryah Aqel | Associate Producer |
| Sound | Abby Harrison | Assistant Sound Editor |
| Production | Erik Borenstein | Executive Producer |
| Production | Paulette Marte | Producer |
| Production | Jonathan Portee | Post Producer |
| Production | Jot Sahi | Associate Producer |
| Production | Alana Hauser | Coordinating Producer |
| Sound | Todd Yeager | Dialogue Editor |
| Camera | Brandon McKain-Miller | Grip |
| Editing | Julio Ramirez | Assistant Editor |
| Production | Sarah Yi Fineman | Production Coordinator |
| Crew | Reavis Page Jump | Legal Services |
| Crew | Stephanie Preiss | Thanks |
| Production | Morgan Hulquist | Production Coordinator |
| Crew | Michelle Lamardo | Legal Services |
| Crew | MJ Coleman | Thanks |
| Camera | Keith Heyward | Assistant Camera |
| Sound | Jessie Marek | Sound Recordist |
| Crew | Rachel B. Doyle | Thanks |
| Sound | Talal Jarbari | Sound Recordist |
| Sound | Jay Rubin | Sound Post Production Coordinator |
| Camera | Keith Heyward | Digital Imaging Technician |
| Crew | Dana Green | Legal Services |
| Production | Sara McFarlane | Business Affairs Coordinator |
| Crew | Nicole Page | Legal Services |
| Production | Jake Seymour | Finance |
| Crew | Katie Bigley | Legal Services |
| Sound | Filipe Messeder | Supervising Sound Editor |
| Production | Ameena Din | Finance |
| Crew | Clara Davies | Thanks |
| Crew | Sofia Smith | Thanks |
| Production | Rob Coca | Production Assistant |
| Sound | Emily Gilmer | Sound Post Supervisor |
| Crew | Daria Serna | Thanks |
| Crew | Grace Mendenhall | Post Production Supervisor |
| Crew | Kwasi Craigwell | Thanks |
| Crew | Qusair Mohamedbhai | Thanks |
| Sound | Yong Shu Ling | Sound Recordist |
| Art | Juan Salvo | Art Direction |
| Camera | Asad Faruqi | Additional Camera |
| Production | Paula Andrea Gonzalez-Nasser | Additional Production Assistant |
| Crew | Jessica Howard | Thanks |
| Camera | Rob Coca | Additional Camera |
| Lighting | Mary Jeanes | Gaffer |
| Crew | Caitlin Roper | Thanks |
| Crew | Eric Sloss | Thanks |
| Crew | Ylana Stumer Hersh | Legal Services |
| Crew | Alexis Galfas | Thanks |
| Crew | Anna Richman | Thanks |
| Crew | Jason Stallman | Thanks |
| Production | Pablo Pedroso | Production Assistant |
| Sound | Jairo Garcia | Sound Mix Technician |
