Luna de papel (1973)
Estados Unidos, años 30. Durante la época de la Gran Depresión y la Ley Seca, un estafador de poca monta que intenta vender biblias a las viudas, se hace cargo a regañadientes del cuidado de la hija de una antigua amante. La niña no sólo aprende rápidamente todos los trucos del oficio de su protector, sino que incluso le ayuda, en algunas ocasiones, a salir de apuros. Una comedia dramática con excelentes críticas, especialmente en Estados Unidos.
Directora:
Peter Bogdanovich
Escritor:
Alvin Sargent
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Tatum O'Neal as Addie Loggins |
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Ryan O'Neal as Moses Pray |
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Madeline Kahn as Trixie Delight |
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John Hillerman as Deputy Hardin / Jess Hardin |
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Jessie Lee Fulton as Miss Ollie |
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Noble Willingham as Mr. Robertson |
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Randy Quaid as Leroy |
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P.J. Johnson as Imogene |
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James N. Harrell as The Minister |
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Burton Gilliam as Floyd (Desk Clerk) |
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Hugh Gillin as 2nd Deputy |
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Desmond Dhooge as Cotton Candy Man |
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Art Ellison as Silver Mine Gentleman |
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Lila Waters as The Minister's Wife |
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Bob Young as Gas Station Attendant |
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Jack Saunders as Station Master |
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Jody Wilbur as Cafe Waitress |
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Liz Ross as The Widow Morgan - Pearl |
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Yvonne Harrison as The Widow Bates - Marie |
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Ed Reed as The Lawman - Bates' Home |
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Dorothy Price as Ribbon Saleslady |
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Eleanor Bogart as The Widow Stanley - Elvira |
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Dorothy Forster as The Widow Huff - Edna |
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Lana Daniel as Moze's Girlfriend |
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Herschel Morris as The Barber |
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Dejah Moore as Salesgirl - $20 Bill |
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Ralph Coder as Store Manager |
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Harriet Ketchum as Store Customer |
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Kenneth Hughes as Harem Tent Barker |
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George Lillie as The Photographer |
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Floyd Mahaney as Beau - Hardin's Deputy |
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Gilbert Milton as Leroy's Father |
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Tandy Arnold as Leroy's Brother |
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Dennis Beden as Leroy's Brother |
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Vernon Schwanke as Leroy's Brother |
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Rose-Mary Rumbley as Aunt Billie (as Rosemary Rumbley) |
| Directing | Peter Bogdanovich | Director |
| Writing | Joe David Brown | Novel |
| Writing | Alvin Sargent | Screenplay |
| Production | Peter Bogdanovich | Producer |
| Camera | László Kovács | Director of Photography |
| Editing | Verna Fields | Editor |
| Production | Gary Chason | Casting Director |
| Costume & Make-Up | Rolf Miller | Makeup Artist |
| Art | Mark Wade | Property Master |
| Production | Frank Marshall | Associate Producer |
| Art | Polly Platt | Production Design |
| Art | John P. Austin | Set Decoration |
| Costume & Make-Up | Polly Platt | Costume Design |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Directing | Ray Gosnell Jr. | Assistant Director |
| Directing | Gary Daigler | Assistant Director |
| Art | James H. Spencer | Set Designer |
| Sound | Les Fresholtz | Sound mixer |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Kay Rose | Sound Editor |
| Sound | Frank E. Warner | Sound Editor |
| Sound | William C. Carruth | Sound Editor |
| Lighting | Richmond L. Aguilar | Gaffer |
| Camera | Bobby Byrne | Camera Operator |
| Camera | George Hill | Grip |
| Lighting | Paul Caven | Electrician |
| Camera | Dick Colean | First Assistant Camera |
| Crew | Rick Fields | Post Production Assistant |
| Directing | Karen Hale Wookey | Script Supervisor |
| Production | Ralph M. Leo | Production Accountant |
| Crew | Jack Benny | Thanks |
| Crew | Bing Crosby | Thanks |
| Crew | Jim Jordan | Thanks |
| Crew | Marian Jordan | Thanks |
| Crew | Frank Luther | Thanks |
| Crew | Dick Powell | Thanks |
| Crew | Larry Stewart | Thanks |
| Crew | Don Wilson | Thanks |
| Art | Ed Shanley | Construction Coordinator |
| Production | Francis Ford Coppola | Executive Producer |
| Production | William Friedkin | Executive Producer |
