Shocker, 100.000 voltios de terror (1989)
Cuando el despiadado asesino en masa Horace Pinker es electrocutado por sus horribles crímenes, un pacto con el diablo le transforma en algo incluso más aterrador, un demonio sobrecargado capaz de poseer el cuerpo y la mente de los demás... y está decidido a seguir con su escalada de violencia.
Directora: Wes Craven
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Michael Murphy as Lt. Don Parker |
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Mitch Pileggi as Horace Pinker |
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Peter Berg as Jonathan Parker |
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Camille Cooper as Alison |
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Sam Scarber as Cooper |
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Richard Brooks as Rhino |
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Vincent Guastaferro as Pastori |
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Ted Raimi as Pac Man |
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Heather Langenkamp as Victim |
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John Tesh as TV Newscaster |
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Christopher Kriesa as Guard #2 |
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Timothy Leary as TV Evangelist |
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Wes Craven as Man Neighbor |
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Bruce Wagner as Executioner |
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Ernie Lively as Warden |
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Lindsay Parker as Little Girl |
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Kane Roberts as Road Worker |
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Michael C. Matthews as Evil Mouth |
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Brent Spiner as Talk Show Guest (uncredited) |
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Jessica Craven as Counterperson |
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Virginia Morris as Diane |
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Emily Samuel as Sally |
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Janne Peters as Doctor |
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Jonathan Craven as Jogger |
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Dendrie Taylor as Young Mother |
| Camera | Jacques Haitkin | Director of Photography |
| Production | Wes Craven | Executive Producer |
| Production | Shep Gordon | Executive Producer |
| Sound | William Goldstein | Original Music Composer |
| Production | Marianne Maddalena | Producer |
| Editing | Andy Blumenthal | Editor |
| Directing | Wes Craven | Director |
| Production | Barin Kumar | Producer |
| Writing | Wes Craven | Writer |
| Crew | Dane Farwell | Stunt Double |
| Crew | Tim Trella | Stunts |
| Art | Naomi Shohan | Set Decoration |
| Costume & Make-Up | Isis Mussenden | Costume Design |
| Lighting | Patric J. Abaravich | Rigging Grip |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Costume & Make-Up | Laura Gorman | Hairstylist |
| Art | Randy Moore | Art Direction |
| Directing | Lori Gerson | Script Supervisor |
| Lighting | Alan Brownstein | Gaffer |
| Sound | Wayne Heitman | Sound Re-Recording Mixer |
| Sound | Richard Shorr | Supervising Sound Editor |
| Sound | Laura Perlman | Music Editor |
| Sound | Desmond Child | Music Supervisor |
| Sound | Robert Heffernan | ADR & Dubbing |
| Costume & Make-Up | Suzanne Parker Sanders | Key Hair Stylist |
| Camera | Allen Blaisdell | Camera Operator |
| Sound | Michael P. Redbourn | Supervising Sound Editor |
| Art | Cynthia Kay Charette | Production Design |
| Camera | Peter Iovino | Still Photographer |
| Production | Gary M. Zuckerbrod | Casting |
| Sound | Richard Shorr | Music Editor |
| Sound | Robert Friedman | Foley |
| Camera | Randy Nolen | Steadicam Operator |
| Camera | Mark O'Kane | Steadicam Operator |
| Lighting | John Bertram | Gaffer |
| Lighting | Charles W. Belisle | Rigging Grip |
| Directing | Susan Bierbaum | Script Supervisor |
| Lighting | Paul McIlvaine | Rigging Gaffer |
| Visual Effects | Jonathan Craven | Visual Effects Coordinator |
| Sound | George Borghi | Foley |
| Visual Effects | Samuel E. Recinos | Animation Supervisor |
| Crew | Robert Yamamoto | Visual Effects Editor |
| Sound | Keith Olson | Foley |
| Crew | Patricia Tallman | Stunts |
| Art | Mark C. Haskins | Set Dresser |
| Crew | Dennis Madalone | Stunts |
| Editing | Jonathan Craven | Additional Editor |
