Memphis Belle (1990)
Drama ambientado en la Segunda Guerra Mundial basado en los documentales realizados durante 1943 por el director americano William Wyler. La historia se centra en la tripulación de "Memphis Belle", un enorme bombardero del ejército aliado. Los diez jóvenes americanos que componen su tripulación han sobrevivido a veinticuatro incursiones, y esperan recibir instrucciones para su última misión antes de volver a casa. Piensan que se tratará de algo sencillo, pero para su sorpresa, reciben la orden de bombardear Dresden, Alemania. Ésto supone un gran riesgo, y posiblemente alguno de ellos pierda la vida.
Directora:
Michael Caton-Jones
Escritor:
Monte Merrick
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Matthew Modine as Dennis Dearborn |
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Eric Stoltz as Danny Daly |
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Tate Donovan as Luke Sinclair |
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D. B. Sweeney as Phil Lowenthal |
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Billy Zane as Val Kozlowski |
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Sean Astin as Richard "Rascal" Moore |
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Harry Connick Jr. as Clay Busby |
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Bradley Lavelle as Sergeant |
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Reed Diamond as Virgil Hoogesteger |
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Courtney Gains as Eugene McVey |
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Neil Giuntoli as Jack Bocci |
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David Strathairn as Craig Harriman |
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John Lithgow as Bruce Derringer |
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Jane Horrocks as Faith |
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Ben Browder as Rookie Captain |
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Steven Mackintosh as Stan |
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Martin McDougall as Footballer |
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Morag Siller as Farm Girl / Jitterbugger |
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Mac McDonald as Les |
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Jodie Brooke Wilson as Singer |
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Keith Edwards as S-2 |
| Production | Catherine Wyler | Producer |
| Writing | Monte Merrick | Screenplay |
| Production | David Puttnam | Producer |
| Sound | George Fenton | Original Music Composer |
| Editing | Jim Clark | Editor |
| Directing | Michael Caton-Jones | Director |
| Camera | David Watkin | Director of Photography |
| Production | Juliet Taylor | Casting |
| Costume & Make-Up | Jane Robinson | Costume Design |
| Production | Marion Dougherty | Casting |
| Art | Stuart Craig | Production Design |
| Crew | Cloe Chloerty | Scenic Artist |
| Crew | Doug Bishop | Scenic Artist |
| Sound | Paul Cridlin | Boom Operator |
| Crew | Brian Bishop | Scenic Artist |
| Art | John King | Art Direction |
| Sound | Michael Crouch | Sound Effects Editor |
| Production | Barbara Back | Location Manager |
| Art | Alan Tomkins | Art Direction |
| Directing | Angela Wharton | Script Supervisor |
| Crew | Bob Hollow | Special Effects |
| Visual Effects | Nicholas Brooks | Visual Effects |
| Production | Allan James | Location Manager |
| Crew | David Toguri | Choreographer |
| Art | Ian Giladjian | Set Decoration |
| Costume & Make-Up | Joan Hills | Makeup Artist |
| Art | Bill Welch | Construction Foreman |
| Editing | Martin Evans | Dialogue Editor |
| Sound | Ian Fuller | Supervising Sound Editor |
| Art | Jim Morahan | Draughtsman |
| Art | Norman Dorme | Supervising Art Director |
| Sound | Mark Holding | Sound Recordist |
| Art | Peter Hancock | Property Master |
| Camera | Mike Rutter | Aerial Camera |
| Camera | David Appleby | Still Photographer |
| Camera | Mark Milsome | Clapper Loader |
| Directing | Adam Somner | Third Assistant Director |
| Directing | Cliff Lanning | Third Assistant Director |
| Lighting | Chuck Finch | Gaffer |
| Crew | John Romain | Pilot |
