Drácula (1931)
El conde Drácula abandona los Cárpatos y se traslada a Londres, llevándose como sirviente a un contable. Una vez instalado, se enamora de una joven que ya está prometida. Empieza a a visitarla por las noches y va bebiendo su sangre poco a poco para convertirla así en su esposa. Pero el malestar que sufre la joven alerta a su familia, que busca la ayuda del doctor Van Helsing.
Directora:
Tod Browning
Escritor:
Garrett Fort
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Lugosi Béla as Count Dracula |
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Helen Chandler as Mina |
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David Manners as John Harker |
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Dwight Frye as Renfield |
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Edward Van Sloan as Van Helsing |
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Herbert Bunston as Doctor Seward |
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Frances Dade as Lucy |
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Joan Standing as Maid |
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Charles K. Gerrard as Martin |
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Anna Bakacs as Innkeeper's Daughter (uncredited) |
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Bunny Beatty as Flower Girl (uncredited) |
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Nicholas Bela as Coach Passenger (uncredited) |
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Daisy Belmore as Coach Passenger (uncredited) |
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William A. Boardway as Concertgoer Outside Theatre (uncredited) |
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Barbara Bozoky as Innkeeper's Wife (uncredited) |
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Tod Browning as Harbormaster (voice) (uncredited) |
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Moon Carroll as Maid (uncredited) |
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Geraldine Dvorak as Dracula's Bride (uncredited) |
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John George as Small Scientist (uncredited) |
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Anita Harder as Bit (uncredited) |
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Carla Laemmle as Coach Passenger (uncredited) |
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Wyndham Standing as Surgeon (uncredited) |
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Cornelia Thaw as Dracula's Bride (uncredited) |
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Dorothy Tree as Dracula's Bride (uncredited) |
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Josephine Velez as Grace, English Nurse (uncredited) |
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Michael Visaroff as Innkeeper (uncredited) |
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Florence Wix as Concertgoer Outside Theater (uncredited) |
| Directing | Tod Browning | Director |
| Production | Carl Laemmle Jr. | Producer |
| Writing | Bram Stoker | Novel |
| Production | Tod Browning | Producer |
| Sound | C. Roy Hunter | Recording Supervision |
| Art | Charles D. Hall | Art Direction |
| Editing | Maurice Pivar | Supervising Film Editor |
| Writing | Hamilton Deane | Theatre Play |
| Writing | John L. Balderston | Theatre Play |
| Camera | Karl Freund | Director of Photography |
| Editing | Milton Carruth | Editor |
| Crew | Charles A. Logue | Scenic Artist |
| Directing | Charles Logue | Script Supervisor |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Directing | Karl Freund | Co-Director |
| Sound | Heinz Roemheld | Music Supervisor |
| Production | E.M. Asher | Associate Producer |
| Camera | Joseph Brotherton | Second Unit Director of Photography |
| Writing | Dudley Murphy | Dialogue |
| Writing | Frederick Stephani | Writer |
| Writing | Louis Stevens | Writer |
| Directing | Scott R. Beal | First Assistant Director |
| Sound | Jack Foley | Foley Artist |
| Art | William Davidson | Production Illustrator |
| Art | Herman Rosse | Production Design |
| Directing | Dudley Murphy | Continuity |
| Writing | Garrett Fort | Screenplay |
| Production | Phil M. Friedman | Casting |
| Directing | Herman Schlom | Second Assistant Director |
| Art | Herman Rosse | Set Designer |
| Visual Effects | John P. Fulton | Matte Painter |
| Sound | William Hedgcock | Sound Mixer |
| Production | Nan Grant | Researcher |
| Writing | Louis Bromfield | Writer |
| Writing | Tod Browning | Writer |
| Costume & Make-Up | Ed Ware | Costume Design |
| Camera | King D. Gray | First Assistant Camera |
| Sound | Heinz Roemheld | Conductor |
| Sound | Jack Bolger | Boom Operator |
| Writing | Max Cohen | Other |
| Crew | Dudley Murphy | Additional Dialogue |
| Directing | Aileen Webster | Script Supervisor |
| Visual Effects | Frank H. Booth | Effects Supervisor |
| Crew | Carl Laemmle | Presenter |
| Costume & Make-Up | Vera West | Costume Design |
| Camera | Frank H. Booth | Second Assistant Camera |
| Art | Max Cohen | Title Designer |
| Art | Russell A. Gausman | Set Decoration |
| Art | John Hoffman | Production Design |
| Art | John Hoffman | Set Designer |
| Camera | Roman Freulich | Still Photographer |
