Al filo de la medianoche (1983)
Leo Kessler (Bronson) es un cínico policía de Los Ángeles que le sigue la pista a Warren Stacey (Gene Davis), un maníaco homicida que se desquita de las mujeres que lo rechazan asesinándolas. Cuando Stacey es puesto en libertad, Kessler se encarga de crear pruebas suficientes para encerrarlo de por vida. (FILMAFFINITY)
Directora: J. Lee Thompson
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Charles Bronson as Leo Kessler |
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Lisa Eilbacher as Laurie Kessler |
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Andrew Stevens as Paul McAnn |
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Geoffrey Lewis as Dave Dante |
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Gene Davis as Warren Stacy |
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Wilford Brimley as Clem Malone |
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Robert F. Lyons as Nathan Zager |
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Sydna Scott as Marge Johnson |
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Iva Lane as Bunny |
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Ola Ray as Ola |
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Kelly Preston as Doreen |
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Cosie Costa as Dudley |
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Paul McCallum as Lab Technician |
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Jeana Keough as Karen Smalley |
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June Gilbert as Betty Johnson |
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Arthur Hansel as Judge Mellen |
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Sam Chew Jr. as Minister |
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Katrina Parish as Tina |
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Shawn Schepps as Peg |
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Barbara Pilavin as Mrs. Byrd |
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Beau Billingslea as Desk Sergeant |
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Breck Costin as Tim Bailey |
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Carmen Filpi as Hotel Clerk |
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Deran Sarafian as Dale Anders |
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Jeane Manson as Margo |
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Patti Tippo as Party Girl |
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Bert Williams as Mr. Johnson |
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James Keane as Jerry |
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Jerome Thor as Medical Examiner |
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Lynette Harrison as Ticket Girl |
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Neal Fleming as Young Man |
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John Garwood as Millikan |
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Shay Duffin as Nestor |
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Daniel Ades as Ben Linker |
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Cynthia Ream as Hooker |
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Kyle Edward Cranston as Party Intern |
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Beth Reinglass as Office Girl |
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Monica Ekblad as Second Office Girl |
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Anne Lockhart as Murder Victim (uncredited) |
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Ron Preston as Orderly (uncredited) |
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Kyle J. Wood as Med. Student (uncredited) |
| Directing | J. Lee Thompson | Director |
| Writing | William Roberts | Writer |
| Writing | J. Lee Thompson | Story |
| Production | Lance Hool | Producer |
| Production | Pancho Kohner | Producer |
| Sound | Robert O. Ragland | Original Music Composer |
| Camera | Adam Greenberg | Director of Photography |
| Editing | Peter Lee-Thompson | Editor |
| Production | John Crowther | Casting |
| Art | Jim Freiburger | Art Direction |
| Production | Yoram Globus | Executive Producer |
| Production | Menahem Golan | Executive Producer |
| Costume & Make-Up | Laurie Loverde | Hairstylist |
| Costume & Make-Up | Alan Marshall | Makeup Artist |
| Directing | Terence D. Buchinsky | Second Assistant Director |
| Directing | Barbara Michaels | First Assistant Director |
| Sound | David Campling | Supervising Sound Editor |
| Sound | Craig Felburg | Production Sound Mixer |
| Sound | Jay M. Harding | Sound Re-Recording Mixer |
| Sound | Mike Le Mare | Sound Effects Editor |
| Sound | Michael P. Redbourn | ADR Editor |
| Sound | Paul Sharpe | Sound Re-Recording Mixer |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Art | Cecilia Rodarte | Set Decoration |
| Sound | Michael R. Sloan | Foley Editor |
| Lighting | Avraham Leibman | Gaffer |
| Camera | Dylan Shephard | Key Grip |
| Costume & Make-Up | Del Adey-Jones | Costumer |
| Costume & Make-Up | Poppy Cannon-Reese | Costume Supervisor |
| Costume & Make-Up | Robert Dale | Costumer |
| Crew | Ernie F. Orsatti | Stunt Coordinator |
| Crew | Karen Hoenig | Post Production Supervisor |
| Production | John Zane | Unit Production Manager |
| Sound | Michael Linn | Music Editor |
| Sound | Alan Oldfield | Music Supervisor |
| Directing | Karin Cooper | Script Supervisor |
