La novena configuración (1980)
El Coronel Hudson Kane llega para hacerse cargo de una institución psiquiátrica ubicada en un castillo en Nueva Inglaterra, es para oficiales militares que se han vuelto locos durante el ejercicio de su deber. Su trabajo es decidir si los hombres están realmente locos o no; tiene métodos inusualmente eficaces. Considerada por su director la verdadera secuela de "El exorcista".
Directora:
William Peter Blatty
Escritor:
William Peter Blatty
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Stacy Keach as Col. Hudson Kane |
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Scott Wilson as Capt. Billy Cutshaw |
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Jason Miller as Lt. Frankie Reno |
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Ed Flanders as Col. Richard Fell |
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Neville Brand as Maj. Marvin Groper |
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George DiCenzo as Capt. Fairbanks |
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Moses Gunn as Maj. Nammack |
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Robert Loggia as Lt. Bennish |
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Joe Spinell as Lt. Spinell |
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Alejandro Rey as Lt. Gomez |
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Tom Atkins as Sgt. Krebs |
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Steve Sandor as 1st Cyclist |
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Richard Lynch as 2nd Cyclist |
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William Peter Blatty as Dr. Fromme (uncredited) |
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Bruce Boa as Sergeant in combat shack |
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Gordon Mark as Sgt. Gilman |
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William Lucking as Highway Patrolman |
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Stephen Powers as Sgt. Christian |
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David Healy as 1st General |
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William Paul as 2nd General |
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Tom Shaw as Priest |
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Gordon K. Kee as Inmate |
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Linda Blatty as Waitress |
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Hobby Gilman as Marine Corporal |
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Marilyn Raymon as Cyclist |
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Bobby Bass as Driver |
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Billy Blatty as Young Kane |
| Directing | William Peter Blatty | Director |
| Writing | William Peter Blatty | Novel |
| Writing | William Peter Blatty | Screenplay |
| Sound | Barry De Vorzon | Original Music Composer |
| Production | William Paul | Executive Producer |
| Editing | Peter Lee-Thompson | Editor |
| Editing | Battle Davis | Editor |
| Production | William Peter Blatty | Producer |
| Editing | Tony de Zarraga | Editor |
| Camera | Gerry Fisher | Director of Photography |
| Art | Bill Malley | Production Design |
| Art | J. Dennis Washington | Art Direction |
| Editing | Roberto Silvi | Editor |
| Crew | Bobby Bass | Stunt Coordinator |
| Production | Tom Shaw | Associate Producer |
| Sound | Lon Bender | Assistant Sound Editor |
| Sound | Colin Charles | Sound |
| Sound | David Pettijohn | Sound Editor |
| Sound | Jim Cook | Sound Re-Recording Mixer |
| Crew | Willard Flanagin | Special Effects |
| Sound | Marvin Walowitz | Sound Editor |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Sound | Andrew London | Sound Editor |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Production | Anne Shaw | Production Coordinator |
| Editing | Peter Taylor | Supervising Editor |
| Crew | Tim Rossovich | Stunts |
| Camera | Jimmy Waters | Key Grip |
| Production | Jack Baur | Casting Consultant |
| Art | Tom Shaw Jr. | Property Master |
| Production | Gordon K. Kee | Production Accountant |
| Crew | Gary Epper | Stunts |
| Sound | Stan Gilbert | Dialogue Editor |
| Costume & Make-Up | Tom Bronson | Costume Design |
| Directing | John Franco | Script Supervisor |
| Camera | Egon Endrényi | Still Photographer |
| Camera | Steve Stafford | Camera Operator |
| Art | Sydney Ann Smith-Kee | Set Decoration |
| Sound | John Caper Jr. | Music Editor |
| Lighting | Laurie Shane | Gaffer |
| Sound | Gordon Ecker | Supervising Sound Editor |
| Crew | Jeannie Epper | Stunts |
| Camera | Mike Rutter | Assistant Camera |
