El más allá (1981)
Louisiana, 1927. Un pintor que vive en un hotel y es conocido en los alrededores como adorador del diablo es torturado y emparedado por un grupo de lugareños. Pasados 50 años, una joven e independiente mujer (McColl) hereda el hotel y pronto descubre que éste esconde una de las siete entradas al infierno que están repartidas por todo el mundo.
Directora:
Lucio Fulci
Escritores:
Giorgio Mariuzzo, Lucio Fulci, Dardano Sacchetti.
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Catriona MacColl as Liza Merril |
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David Warbeck as John McCabe |
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Cinzia Monreale as Emily |
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Antoine Saint-John as Schweick |
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Veronica Lazăr as Martha |
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Larry Ray as Larry |
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Al Cliver as Dr. Harris |
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Michele Mirabella as Martin Avery |
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Giampaolo Saccarola as Arthur |
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Maria Pia Marsala as Jill |
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Laura De Marchi as Mary-Ann |
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Calogero Azzaretto as Zombie at Hospital (uncredited) |
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Ottaviano Dell'Acqua as Zombie at Hospital (uncredited) |
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Roberto Dell'Acqua as Glass-Smashing Zombie (uncredited) |
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Lucio Fulci as Town Clerk (uncredited) |
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Gilberto Galimberti as Zombie (uncredited) |
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T. David Pash as Mob Leader (uncredited) |
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Tonino Pulci as Joe the Plumber (uncredited) |
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Dardano Sacchetti as Mob Member (uncredited) |
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Amedeo Salamon as Zombie at Hospital (uncredited) |
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Sergio Salvati as Mob Member (uncredited) |
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Fernando Arcangeli as Hospital Zombie in the Body Bag (uncredited) |
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Armando Tortorici as Hospital Zombie (uncredited) |
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Giovanni De Nava as Sweick mummificato |
| Editing | Vincenzo Tomassi | Editor |
| Production | Fabrizio De Angelis | Producer |
| Writing | Giorgio Mariuzzo | Screenplay |
| Directing | Lucio Fulci | Director |
| Writing | Lucio Fulci | Screenplay |
| Writing | Dardano Sacchetti | Screenplay |
| Art | Massimo Lentini | Production Design |
| Sound | Ugo Celani | Sound Engineer |
| Crew | Nazzareno Cardinali | Stunt Coordinator |
| Camera | Alberto Corchi | Still Photographer |
| Crew | Germano Natali | Special Effects |
| Camera | Franco Bruni | Camera Operator |
| Writing | Dardano Sacchetti | Story |
| Sound | Fabio Frizzi | Original Music Composer |
| Camera | Sergio Salvati | Director of Photography |
| Directing | Roberto Giandalia | Assistant Director |
| Costume & Make-Up | Luciana Pieri Palombi | Hairstylist |
| Costume & Make-Up | Maurizio Trani | Makeup Artist |
| Costume & Make-Up | Massimo Lentini | Costume Designer |
| Directing | Rita Agostini | Continuity |
| Production | Fabrizio De Martino | Production Secretary |
| Camera | Maurizio Lucchini | Assistant Camera |
| Art | Alfredo D'Angelo | Set Dresser |
| Sound | Bruno Moreal | Sound Mixer |
| Editing | Pietro Tomassi | Assistant Editor |
| Sound | Eros Giustini | Boom Operator |
| Camera | Wade Hanks | Assistant Camera |
| Costume & Make-Up | Mary Marrow | Costumer |
| Art | Larry Ray | Location Scout |
| Sound | Agostino Marangolo | Musician |
| Lighting | Joe Catalanotto | Gaffer |
| Camera | Joe Catalanotto | Key Grip |
| Sound | Giacomo Dell'Orso | Orchestrator |
| Costume & Make-Up | Giannetto De Rossi | Makeup Artist |
| Sound | Maurizio Guarini | Musician |
| Production | Larry Ray | Production Manager |
| Crew | Enzo Diliberto | Special Sound Effects |
| Camera | Lamberto Del Bene | Key Grip |
| Art | Franco Rinaldi | Assistant Property Master |
| Lighting | Alfredo Fedeli | Electrician |
| Production | Tullio Lullo | Unit Manager |
| Art | Claudia Giammona | Assistant Set Designer |
| Editing | Armando Pace | Assistant Editor |
| Sound | Giacomo Dell'Orso | Conductor |
| Art | Rodolfo Ruzza | Property Master |
| Visual Effects | Giannetto De Rossi | VFX Artist |
| Production | T. David Pash | Unit Manager |
| Production | Paolo Gargano | Accountant |
| Production | Otello Tomassini | Administration |
| Production | Otello Tomassini | Accountant |
