Las Inocentes (2016)
Narra la historia real de unas monjas polacas embarazadas tras ser violadas por las tropas rusas tras terminar la II Guerra Mundial. Agosto de 1945. Un monasterio cerca de Varsovia (Polonia) alberga un oscuro secreto. Mathilde Beaulieu es una joven médico enviada por la Cruz Roja con el fin de garantizar la repatriación de los prisioneros franceses heridos en la frontera entre Alemania y Polonia. Pero la sorpresa llega cuando descubre que una gran parte de las hermanas del convento están embarazadas por soldados del Ejército Rojo. Aunque Mathilde es inexperta, deberá aprender a sacar adelante esta inusual situación y ayudar a las hermanas.
Directora:
Anne Fontaine
Escritores:
Sabrina B. Karine, Alice Vial.
| Crew | Jarosław Golec | Stunt Coordinator |
| Production | Anna Różalska | Production Consultant |
| Lighting | Piotr Michalski | Master Lighting Artist |
| Costume & Make-Up | Michał Kacprzycki | Special Effects Makeup Artist |
| Sound | Francis Wargnier | Sound Editor |
| Editing | Annette Dutertre | Editor |
| Directing | Anne Fontaine | Director |
| Art | Kinga Babczyńska | Set Decoration |
| Visual Effects | Sophie Denize | Visual Effects Producer |
| Camera | Caroline Champetier | Director of Photography |
| Sound | Olivier Thys | Foley |
| Costume & Make-Up | Anna Nobel | Makeup Department Head |
| Editing | Virginie Seguin | First Assistant Editor |
| Production | Nicolas Altmayer | Producer |
| Costume & Make-Up | Marcin Rodak | Makeup Artist |
| Costume & Make-Up | Katarzyna Lewińska | Costume Design |
| Crew | Grzegorz Rzepecki | Property Master |
| Camera | Jarosław Wierzbicki | Steadicam Operator |
| Lighting | Stéphane Bourgoin | Gaffer |
| Crew | Janusz Bykowski | Special Effects |
| Crew | Boguslaw Piotrowski | Property Master |
| Art | Joanna Macha | Production Design |
| Writing | Anne Fontaine | Adaptation |
| Art | Anna Pabisiak | Art Direction |
| Visual Effects | Guillaume Pondard | Visual Effects Supervisor |
| Writing | Sabrina B. Karine | Screenplay |
| Production | Weronika Migoń | Casting |
| Lighting | Mateusz Kuźniak | Gaffer |
| Writing | Pascal Bonitzer | Adaptation |
| Camera | Martin Roux | First Assistant Camera |
| Writing | Alice Vial | Screenplay |
| Sound | Cyrille Richard | Sound Editor |
| Production | Eric Altmayer | Producer |
| Costume & Make-Up | Anna Nobel | Key Hair Stylist |
| Writing | Anne Fontaine | Dialogue |
| Production | Philippe Carcassonne | Associate Producer |
| Production | Dagmara Bończyk | Production Manager |
| Directing | Anna Zenowicz | Script Supervisor |
| Production | Thibault Mattei | Production Manager |
| Writing | Philippe Maynial | Idea |
| Production | Pascale Béraud | Casting |
| Production | Eliza Oczkowska-Edelman | Co-Producer |
| Production | Isabelle Grellat | Associate Producer |
| Sound | Grégoire Hetzel | Original Music Composer |
| Directing | Bogusław Bielański | First Assistant Director |
| Production | Klaudia Śmieja-Rostworowska | Co-Producer |
| Writing | Pascal Bonitzer | Dialogue |
| Sound | Olivier Mauvezin | Sound |
| Sound | Jean-Pierre Laforce | Sound |
| Production | Beata Rzeźniczek | Post Production Coordinator |
| Production | Patricia Colombat | Post Production Coordinator |
| Crew | Maciej A. Maciejewski | Stunt Coordinator |
