A la luz del fuego (1998)
Inglaterra, 1838. Para poder pagar las cuantiosas deudas de su padre, una hermosa institutriz acepta ser madre de alquiler y dar a luz al hijo de un anónimo hacendado inglés. Según lo acordado, nada más nacer da al niño en adopción. Siete años más tarde es contratada como institutriz de una niña en un remoto paraje de Sussex. El padre de la niña, Charles Godwin, resulta ser el anónimo terrateniente.
Directora: William Nicholson
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Sophie Marceau as Elisabeth Laurier |
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Stephen Dillane as Charles Godwin |
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Dominique Belcourt as Louisa Godwin |
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Kevin Anderson as John Taylor |
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Joss Ackland as Lord Clare |
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Lia Williams as Constance |
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Sally Dexter as Molly Holland |
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Emma Amos as Ellen |
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Maggie McCarthy as Mrs. Jago |
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Wolf Kahler as Sussman |
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Annabel Giles as Amy Godwin |
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John Flanagan as Robert Ames |
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Valerie Minifie as Hannah |
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Diana Payan as Mrs. Maidment |
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John Hodgkinson as Carlo |
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Anthony Dutton as Dodds |
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Hugh Walters as Dr. Geddes |
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Peter Needham as Rector |
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Melissa Knatchbull as Mrs. Hurst |
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Mark Chapman as Servant Jake |
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Ian Crowe as Thomas |
| Directing | William Nicholson | Director |
| Camera | Nic Morris | Director of Photography |
| Production | Nancy Klopper | Casting |
| Directing | Adam Green | Third Assistant Director |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Crew | Miguel Ángel Poveda | Post Production Supervisor |
| Production | Nigel Gostelow | Location Manager |
| Crew | Grahame Ménage | Scenic Artist |
| Camera | Roger Pearce | Camera Operator |
| Sound | Nick Lowe | Dialogue Editor |
| Sound | Ian Fuller | Supervising Sound Editor |
| Directing | Adam Goodman | Second Assistant Director |
| Camera | Graham Hall | Focus Puller |
| Camera | Keith Hamshere | Still Photographer |
| Lighting | Steve Kitchen | Gaffer |
| Sound | Paul Botham | Boom Operator |
| Sound | Sandy MacRae | Sound Mixer |
| Art | Helen Xenopoulos | Assistant Art Director |
| Lighting | Bernie Pochetty | Electrician |
| Camera | Mike Valentine | Underwater Camera |
| Crew | Graham Povey | Special Effects Technician |
| Writing | William Nicholson | Writer |
| Directing | Sarah Garner | Script Supervisor |
| Crew | Lyndon S. Hellewell | Stunts |
| Editing | Tony Tromp | Assistant Editor |
| Directing | Edward Brett | First Assistant Director |
| Camera | Tom Maslen | Grip |
| Costume & Make-Up | Suzan Broad | Makeup Supervisor |
| Editing | David Hamme | Colorist |
| Costume & Make-Up | Suzan Broad | Hair Supervisor |
| Directing | Connie Boylan | Third Assistant Director |
| Sound | Julian Rodd | Sound Editor |
| Sound | Ruth Sullivan | Foley Artist |
| Camera | Ian Coffey | Clapper Loader |
| Lighting | Tom Shirley | Electrician |
| Art | Mickey Lennon | Property Master |
| Production | John Hubbard | Casting |
| Editing | Chris Wimble | Editor |
| Production | Brian Eastman | Producer |
| Sound | Christopher Gunning | Original Music Composer |
| Production | Ros Hubbard | Casting |
| Production | Rick Leed | Executive Producer |
| Production | Matt Williams | Executive Producer |
| Costume & Make-Up | Andrea Galer | Costume Design |
| Production | Carmen Finestra | Executive Producer |
| Production | David McFadzean | Executive Producer |
| Production | Ted Morley | Executive Producer |
| Art | Peter Wenham | Art Direction |
| Production | Susan Cartsonis | Co-Executive Producer |
| Art | Caroline Smith | Set Decoration |
| Art | Rob Harris | Production Design |
