El mundo que viene (1979)
El planeta Tierra es un territorio devastado y la humanidad vive ahora en ciudades- refugio de la Luna. La supervivencia de la humanidad depende de un medicamento contra la radiación que sólo está disponible en el planeta Delta Three, que ha sido conquistado por Omus, un mecánico brillante pero loco que no da ningún valor a la vida humana. Omus quiere llegar a la Luna para gobernar y tiene la intención de atacarla con una embestida robot controlada por naves espaciales desde lo alto. El Dr. John Caball, su hijo Jason, un amigo de éste , Kim, y un robot llamado Sparks se embarcarán en crucero espacial llamado Caball en una misión no autorizada dehacia Delta Three para poner freno a Omus.
Directora:
George McCowan
Escritor:
Martin Lager
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Jack Palance as Omus |
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Carol Lynley as Nikki |
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Barry Morse as Dr. John Caball |
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John Ireland as Senator Smedley |
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Nicholas Campbell as Jason Caball |
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Anne-Marie Martin as Kim Smedley |
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Greg Swanson as Sparks (voice) |
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Mark Parr as Sparks |
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William Hutt as Lomax (voice) |
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Ardon Bess as Merrick |
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Lynda Mason Green as Lunar technician |
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Albert Humphries as Robot technician |
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Bill Lake as Spacesuited man |
| Writing | Mike Cheda | Adaptation |
| Writing | H. G. Wells | Novel |
| Writing | Joseph Glazner | Adaptation |
| Directing | George McCowan | Director |
| Editing | Stan Cole | Editor |
| Production | William Davidson | Producer |
| Crew | Bill Wood | Special Effects |
| Art | Gerry Holmes | Art Direction |
| Camera | Reginald H. Morris | Director of Photography |
| Visual Effects | Wally Gentleman | Visual Effects |
| Production | Harry Alan Towers | Executive Producer |
| Sound | Paul Hoffert | Original Music Composer |
| Production | John Danylkiw | Associate Producer |
| Writing | Martin Lager | Screenplay |
| Crew | Robert Hannah | Stunt Coordinator |
| Art | Wilf Culley | Property Master |
| Production | Marilyn Stonehouse | Production Manager |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Sound | Steven Cole | Assistant Sound Editor |
| Camera | Gordon Langevin | Focus Puller |
| Production | Tony Lucibello | Location Manager |
| Lighting | Chris Holmes | Gaffer |
| Directing | David Shepherd | Second Assistant Director |
| Production | Ali Karnick | Casting |
| Sound | Paul Hoffert | Orchestrator |
| Art | Fred Geringer | Assistant Art Director |
| Directing | Gord Robinson | First Assistant Director |
| Camera | Tom Finnen | Key Grip |
| Art | Earle Fiset | Set Decoration |
| Editing | Bruce Lange | Assistant Editor |
| Production | Maria Armstrong | Casting |
| Directing | Michael MacDonald | Third Assistant Director |
| Production | Kristine M. Gilbert | Production Secretary |
| Costume & Make-Up | Bill Morgan | Makeup Artist |
| Costume & Make-Up | James Keeler | Hairdresser |
| Camera | Matt Tundo | Camera Operator |
| Costume & Make-Up | Larry S. Wells | Costume Designer |
| Sound | Don White | Sound Re-Recording Mixer |
| Editing | Michael O'Farrell | Assistant Editor |
| Camera | Anthony Bliss | Still Photographer |
| Sound | Patrick Drummond | Supervising Sound Editor |
| Sound | Dennis Drummond | Sound Editor |
| Sound | Lydia Wazana | Sound Editor |
| Camera | Gordon Eldridge | Best Boy Grip |
| Art | Kenny Porter | Assistant Set Decoration |
| Production | Joan Hounsell | Publicist |
| Sound | Jack Richardson | Music Producer |
| Directing | Blanche McDermaid | Continuity |
| Sound | Herb Heritage | Boom Operator |
| Costume & Make-Up | Mary E. McLeod | Wardrobe Master |
| Sound | Michael Asti-Rose | Assistant Sound Editor |
| Sound | Karl Scherer | Sound Mixer |
| Sound | Fred Brennan | Sound Editor |
| Production | Barry Leyland | Production Accountant |
| Sound | Paul Hoffert | Music Director |
