El mundo que viene (1979)
El planeta Tierra es un territorio devastado y la humanidad vive ahora en ciudades- refugio de la Luna. La supervivencia de la humanidad depende de un medicamento contra la radiación que sólo está disponible en el planeta Delta Three, que ha sido conquistado por Omus, un mecánico brillante pero loco que no da ningún valor a la vida humana. Omus quiere llegar a la Luna para gobernar y tiene la intención de atacarla con una embestida robot controlada por naves espaciales desde lo alto. El Dr. John Caball, su hijo Jason, un amigo de éste , Kim, y un robot llamado Sparks se embarcarán en crucero espacial llamado Caball en una misión no autorizada dehacia Delta Three para poner freno a Omus.
Directora:
George McCowan
Escritor:
Martin Lager
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Jack Palance as Omus |
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Carol Lynley as Nikki |
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Barry Morse as Dr. John Caball |
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John Ireland as Senator Smedley |
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Nicholas Campbell as Jason Caball |
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Anne-Marie Martin as Kim Smedley |
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Greg Swanson as Sparks (voice) |
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Mark Parr as Sparks |
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William Hutt as Lomax (voice) |
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Ardon Bess as Merrick |
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Lynda Mason Green as Lunar technician |
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Albert Humphries as Robot technician |
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Bill Lake as Spacesuited man |
| Directing | George McCowan | Director |
| Writing | Joseph Glazner | Adaptation |
| Writing | Mike Cheda | Adaptation |
| Writing | H. G. Wells | Novel |
| Editing | Stan Cole | Editor |
| Crew | Bill Wood | Special Effects |
| Sound | Paul Hoffert | Original Music Composer |
| Production | Harry Alan Towers | Executive Producer |
| Production | William Davidson | Producer |
| Art | Gerry Holmes | Art Direction |
| Camera | Reginald H. Morris | Director of Photography |
| Visual Effects | Wally Gentleman | Visual Effects |
| Production | John Danylkiw | Associate Producer |
| Writing | Martin Lager | Screenplay |
| Art | Earle Fiset | Set Decoration |
| Art | Fred Geringer | Assistant Art Director |
| Directing | Michael MacDonald | Third Assistant Director |
| Lighting | Chris Holmes | Gaffer |
| Costume & Make-Up | Bill Morgan | Makeup Artist |
| Sound | Lydia Wazana | Sound Editor |
| Sound | Karl Scherer | Sound Mixer |
| Costume & Make-Up | Larry S. Wells | Costume Designer |
| Camera | Tom Finnen | Key Grip |
| Sound | Fred Brennan | Sound Editor |
| Production | Barry Leyland | Production Accountant |
| Directing | Blanche McDermaid | Continuity |
| Editing | Michael O'Farrell | Assistant Editor |
| Costume & Make-Up | James Keeler | Hairdresser |
| Sound | Dennis Drummond | Sound Editor |
| Production | Tony Lucibello | Location Manager |
| Crew | Robert Hannah | Stunt Coordinator |
| Directing | Gord Robinson | First Assistant Director |
| Camera | Gordon Langevin | Focus Puller |
| Production | Kristine M. Gilbert | Production Secretary |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Sound | Herb Heritage | Boom Operator |
| Costume & Make-Up | Mary E. McLeod | Wardrobe Master |
| Sound | Michael Asti-Rose | Assistant Sound Editor |
| Sound | Don White | Sound Re-Recording Mixer |
| Directing | David Shepherd | Second Assistant Director |
| Production | Ali Karnick | Casting |
| Sound | Paul Hoffert | Orchestrator |
| Camera | Gordon Eldridge | Best Boy Grip |
| Art | Kenny Porter | Assistant Set Decoration |
| Sound | Steven Cole | Assistant Sound Editor |
| Production | Joan Hounsell | Publicist |
| Sound | Patrick Drummond | Supervising Sound Editor |
| Production | Marilyn Stonehouse | Production Manager |
| Camera | Anthony Bliss | Still Photographer |
| Production | Maria Armstrong | Casting |
| Sound | Paul Hoffert | Music Director |
| Sound | Jack Richardson | Music Producer |
| Camera | Matt Tundo | Camera Operator |
| Art | Wilf Culley | Property Master |
| Editing | Bruce Lange | Assistant Editor |
