La diosa del asfalto (2000)
Un japonés joven y rico (Rikiya Kurokawa) viaja a Australia, para comprar un Citroën DS (apodado "La Diosa" porque la pronunciación de sus iniciales en francés suena como "déesse", diosa) que ha encontrado por Internet. Una vez allí, las cosas no salen como había planeado y acaba haciendo un viaje por carretera con una joven ciega (Rose Byrne).
Directora: Clara Law
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Rose Byrne as B.G. |
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川口力哉 as J.M. |
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Nicholas Hope as Grandpa |
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Elise McCredie as Marie |
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Tim Richards as Drummer Boy |
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Bree Beadman as Young B.G. |
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Satya Gumbert as Young Marie |
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Tina Bursill as Esther |
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Dominic Condon as Mr. Hughes |
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Tim McGarry as Detective |
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John Boxer as Barman |
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Harry Lawrence as Old Man in Bar |
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堺雅人 as Roadside Noodle Eater |
| Directing | Clara Law | Director |
| Writing | Clara Law | Writer |
| Writing | 方令正 | Writer |
| Production | Wouter Barendrecht | Executive Producer |
| Production | 方令正 | Producer |
| Production | Akiko Funatsu | Executive Producer |
| Production | Dennis Kiely | Line Producer |
| Production | Helen Loveridge | Executive Producer |
| Production | Peter Sainsbury | Executive Producer |
| Production | Michael J. Werner | Executive Producer |
| Art | Emma Lawes | Art Direction |
| Costume & Make-Up | Margaret Aston | Assistant Makeup Artist |
| Costume & Make-Up | Robyn Austin | Makeup Supervisor |
| Costume & Make-Up | Robyn Austin | Hair Supervisor |
| Crew | Christian Gazal | Post Production Supervisor |
| Production | Geoff Naylor | Unit Manager |
| Directing | Chris Webb | First Assistant Director |
| Directing | Tanya Jackson | Second Assistant Director |
| Directing | Scott Lovelock | Third Assistant Director |
| Directing | Geoff Willman | Third Assistant Director |
| Art | Geoff Howe | Construction Coordinator |
| Art | Dillon Yeats | Runner Art Department |
| Sound | Sue Kerr | Boom Operator |
| Sound | Gerry Long | Foley Artist |
| Sound | Robert Mackenzie | ADR Recordist |
| Sound | Skye Ritchie | Assistant Sound Editor |
| Sound | Livia Ruzic | Sound Editor |
| Sound | Roger Savage | Sound Mixer |
| Sound | Gareth Vanderhope | Sound Effects Designer |
| Visual Effects | Andrea Parkes | Visual Effects Producer |
| Visual Effects | Chris Schwarze | Visual Effects Producer |
| Visual Effects | Peter Webb | Visual Effects |
| Crew | Mick Corrigan | Stunts |
| Camera | Venetia Armstrong-Smith | Clapper Loader |
| Camera | John Balbi | Grip |
| Camera | Simon Cardwell | Still Photographer |
| Lighting | Nick De Laine | Gaffer |
| Camera | Jeremy Dibben | Assistant Camera |
| Camera | Sally Eccleston | First Assistant Camera |
| Lighting | Adam Hunter | Best Boy Electric |
| Camera | Benjamin Jasper | Focus Puller |
| Camera | Roy Mico | Key Grip |
| Visual Effects | Scott Otto Anderson | Animation Director |
| Production | Jane Norris | Casting Assistant |
| Production | Dani Skye | Casting Assistant |
| Crew | Billy Browne | Post Production Assistant |
| Editing | Arthur Cambridge | Color Grading |
| Editing | Adrian Hauser | Colorist |
| Editing | Caroline Scott | Assistant Editor |
| Production | Auslan Ismail | Location Manager |
| Directing | Claude Gonzalez | Continuity |
| Art | Scott Otto Anderson | Title Designer |
| Production | Katie Gordon | Production Coordinator |
| Crew | Sue Healy | Choreographer |
| Production | Lucy Vorst | Production Accountant |
| Sound | Peter Grace | Sound Recordist |
| Sound | Jen Anderson | Original Music Composer |
| Camera | Dion Beebe | Director of Photography |
| Editing | Kate Williams | Editor |
| Production | Yoko Narahashi | Casting |
| Production | Anousha Zarkesh | Casting |
| Art | Nicholas McCallum | Production Design |
| Costume & Make-Up | Annie Marshall | Costume Design |
| Costume & Make-Up | Helen Mather | Costume Design |
