Campo de exterminio (1986)
Un autocine es en realidad, una trampa del Gobierno para atrapar a los revoltosos Car Boys (y demás escoria indeseable) y retenerlos allí. Así la sociedad se verá libre de los jovenes rebeldes que la incordian. Una vez dentro, y mientras completa el acto sexual con su novia, a Crabs le roban las ruedas del coche de su padrastro. El dueño del autocine, el siniestramente anodino señor Thompson, les informa que no hay manera de conseguir otras de recambio. Allí, además, no llegan taxis, autobuses ni se puede comunicar exteriormente con nadie. Van a tener que quedarse pasar la noche. Y pasa la noche y nada cambia, siguen allí. A su alrededor, todos los punks conviven en una especie de autocine fantasmal, con coches que no funcionan y que han sido convertidos en vivientes para sus habitantes. Todos los días comen hamburguesas, huevos y batidos en la cafetería y a las noches pasan una película de ultraviolencia y sadismo. Pero Crabs tiene una idea, y sabe que pueden huir.
Directora: Brian Trenchard-Smith
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Ned Manning as Crabs |
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Natalie McCurry as Carmen |
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Peter Whitford as Thompson |
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Wilbur Wilde as Hazza |
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Dave Gibson as Dave |
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Sandie Lillingston as Beth |
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Ollie Hall as Frank |
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Lyn Collingwood as Fay |
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Nikki McWaters as Shirl |
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Melissa Davis as Narelle |
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Margi Di Ferranti as Jill |
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Desirée Smith as Tracey |
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Murray Fahey as Mickey |
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Jeremy Shadlow as Jeff |
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Brett Climo as Don |
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Alan McQueen as Accident cop |
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Ken Snodgrass as Accident cop |
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Bill Lyle as Drive-In cop |
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Garry Who as Drive-In cop |
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Bernadette Foster as Momma |
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Ron Sinclair as News reporter |
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Gandhi MacIntyre as Indian |
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David Jones as TV newsreader |
| Directing | Brian Trenchard-Smith | Director |
| Writing | Peter Carey | Story |
| Costume & Make-Up | Lloyd James | Makeup Artist |
| Costume & Make-Up | Anthony Jones | Costume Design |
| Costume & Make-Up | Patricia Newton | Hairstylist |
| Costume & Make-Up | Annette Hardy | Makeup Artist |
| Art | Nicholas McCallum | Art Direction |
| Writing | Peter Smalley | Writer |
| Directing | Sian Fatouros | Continuity |
| Camera | Robbie Gribble | Still Photographer |
| Camera | John Platt | Clapper Loader |
| Camera | Wayne Marshall | Assistant Grip |
| Camera | John Lomax | Focus Puller |
| Camera | Noel McDonald | Key Grip |
| Camera | John Tate | Assistant Grip |
| Editing | Sue Blainey | First Assistant Editor |
| Lighting | Mick Morris | Gaffer |
| Lighting | Colin Chase | Gaffer |
| Camera | Kevan Lind | Camera Operator |
| Sound | Frank Strangio | Original Music Composer |
| Editing | Lee Smith | Editor |
| Camera | Paul Murphy | Director of Photography |
| Art | Lawrence Eastwood | Production Design |
| Editing | Alan Lake | Editor |
| Crew | Alan Maxwell | Special Effects |
| Directing | John Titley | Second Assistant Director |
| Sound | Martin Oswin | Sound Mixer |
| Sound | Les Fiddess | Sound |
| Visual Effects | Roger Cowland | Visual Effects |
| Sound | Troy Porter | ADR Mixer |
| Crew | Chris Murray | Special Effects Coordinator |
| Directing | Adrian Pickersgill | First Assistant Director |
| Crew | Peter Evans | Special Effects |
| Crew | Guy Norris | Stunt Coordinator |
| Production | Andrew Williams | Producer |
