Mochila de plomo (2018)
El día en que el asesino de su papá sale de la cárcel, Tomás un chico de doce años recorre su pueblo con un arma en la mochila. En éste día tan particular, el pasado cobra otro sentido para él; nunca nadie le contó quién era realmente su papá ni las circunstancias de su muerte.
Directora:
Darío Mascambroni
Escritores:
Miguel Angel Papalini, Florencia Wehbe, Darío Mascambroni.
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Facundo Underwood as Tomás |
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Gerardo Pascual as Pichín |
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Elisa Gagliano as Andrea |
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Osvaldo Wehbe as Pancho |
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Rubén Gattino as Jejé |
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Agustín Rittano as Nenino |
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Ignacio Álvarez as Gringo |
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Franco Grazzia as César |
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Jeremías Britos as Tula |
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Beto Bermúdez as Fran |
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Marcelo Arbach as Preceptor |
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María Belén Pistone as Tía |
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Marcelo Benejan as Ricardo |
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Ramiro Maestrello as Daniel |
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Lucas Zárate as Hermano mayor de Pichín |
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Sebastián Galíndez as Chico pelea |
| Production | Fernanda Rocca Lada | Executive Producer |
| Directing | Darío Mascambroni | Director |
| Camera | Nadir Medina | Director of Photography |
| Editing | Lucía Torres Minoldo | Editor |
| Sound | Martín Alaluf | Sound Director |
| Production | Fernanda Rocca Lada | Producer |
| Production | Yanina Moyano | Producer's Assistant |
| Camera | Ezequiel Matcovich | Assistant Camera |
| Production | Marcela Zilli | Administration |
| Costume & Make-Up | Mariana Asis | Costume Design |
| Camera | Nadir Medina | Camera Operator |
| Art | Anita Chacon | Art Direction |
| Production | Paula Verónica Rodríguez | Administration |
| Art | Julia Pesce | Set Decoration |
| Art | Rodrigo Alabart | Props |
| Sound | Federico Disandro | Boom Operator |
| Sound | Santiago Rozadas | Foley Artist |
| Editing | Leandro Mirotti | Assistant Editor |
| Directing | Florencia Wehbe | Assistant Director |
| Lighting | Andres Grabois | Lighting Manager |
| Lighting | Maximiliano Wendler | Lighting Technician |
| Camera | Santiago Vallejo | Key Grip |
| Crew | Nicolas Crespo | Special Effects |
| Sound | Santiago Rozadas | Foley Editor |
| Directing | Ricardo Ryser | First Assistant Director |
| Production | Catalina Crocco | Production Trainee |
| Camera | Martín Velasco | Additional Camera |
| Costume & Make-Up | Yanina Pastor | Assistant Costume Designer |
| Lighting | Santiago Vallejo | Lighting Technician |
| Sound | Mariano Morcos | Dialogue Editor |
| Editing | Christian Leiva | Color Grading |
| Sound | Mariano Morcos | Foley Mixer |
| Production | Franco Álvarez Ujfalusi | Production Trainee |
| Lighting | Maximiliano Wendler | Lighting Manager |
| Sound | Martín Alaluf | Sound Effects Editor |
| Production | Ernesto López Jove | Production Trainee |
| Sound | Ezequiel Brodsky | Boom Operator |
| Lighting | Octavio Bertone | Gaffer |
| Sound | Martín Alaluf | Sound Effects |
| Directing | Miguel Angel Papalini | Continuity |
| Camera | Federico Piatti | First Assistant Camera |
| Costume & Make-Up | Melina Araya | Makeup Designer |
| Art | Jessicca Johanna Putero | Assistant Set Decoration |
| Sound | Erwin Otoño | Sound Technical Supervisor |
| Sound | Jorge Nazar | Original Music Composer |
| Writing | Miguel Angel Papalini | Screenplay |
| Production | Darío Mascambroni | Producer |
| Sound | Jerónimo Piazza | Original Music Composer |
| Production | Dalmira Tobal | Production Manager |
| Sound | Mariano Morcos | Sound Re-Recording Mixer |
| Writing | Florencia Wehbe | Screenplay |
| Writing | Darío Mascambroni | Screenplay |
| Lighting | Baltasar Albrecht | Electrician |
