La mujer del domingo (1975)
El comisario Santamaria, un romano de guardia en la Jefatura de Policía de Turín, está encargado de investigar el asesinato del famoso arquitecto Garrone. La presunta arma homicida -un falo de mármol- y ciertas circunstancias le llevan a sospechar de Anna Carla, una encantadora dama de la rica burguesía por la que el policía se siente inmediatamente atraído, y de Massimo, un amigo suyo que está unido por una especial amistad con Lello, un empleado municipal. La investigación se detiene por las pistas enmarañadas y las recomendaciones de los superiores que tienen miedo de agitar un avispero. Pero Lello, decidido a exonerar a Massimo, sigue un camino muy diferente al de Santamaría, y hurga entre las corrupciones documentadas en el catastro.
Directora:
Luigi Comencini
Escritores:
Age, Scarpelli.
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Marcello Mastroianni as Salvatore Santamaria |
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Jacqueline Bisset as Anna Carla Dosio |
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Jean-Louis Trintignant as Massimo Campi |
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Aldo Reggiani as Lello Riviera |
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Maria Teresa Albani as Virginia Tabusso |
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Omero Antonutti as Benito |
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Gigi Ballista as Vollero |
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Fortunato Cecilia as Nicosia |
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Claudio Gora as Garrone |
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Franco Nebbia as Bonetto |
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Lina Volonghi as Ines Tabusso |
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Pino Caruso as Police Commissioner De Palma |
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Mario Ferrero as Vittorio Dosio |
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Giuseppe Anatrelli as Chief of Police |
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Antonio Orlando as Barber |
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Ginette Marcelle Bron as |
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Jean-Claude Clément as |
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Antonino Faà di Bruno as Paolo Campi |
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Massimo Giuliani as Young Man in Trattoria |
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Mauro Vestri as Ragionier Giancarlo Cerioni |
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Ennio Antonelli as Zavattaro |
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Dante Fioretti as Geometra Bauchiero |
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Tina Lattanzi as Massimo's Mother |
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Clara Bindi as Benito's Wife |
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Eleonora Spinelli as |
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Nancy Lecchini as Colleague of Cerioni |
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Aurelio Bertola as |
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Gil Cagnè as Coiffeur (uncredited) |
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Guglielmo Molasso as Pepper Mill Seller (uncredited) |
| Sound | Antonio Catalano | Other |
| Costume & Make-Up | Vito Lattuada | Shoe Design |
| Camera | Romano Albani | Camera Operator |
| Directing | Luigi Patrizi | Second Assistant Director |
| Art | Filippo Moroni | Other |
| Production | Paolo Infascelli | Production Manager |
| Sound | Romano Checcacci | Sound Mixer |
| Art | Claudio Cinini | Set Decoration |
| Directing | Vincenzo D'Errico | Assistant Director |
| Camera | Michele Picciaredda | Assistant Camera |
| Camera | Sergio Strizzi | Still Photographer |
| Crew | Roberto Infascelli | Presenter |
| Costume & Make-Up | Mario Ambrosino | Costume Design |
| Production | Egidio Valentini | Unit Production Manager |
| Editing | Giuliano Corso | Assistant Editor |
| Directing | Grazia Baldanello | Script Supervisor |
| Art | Mario Ambrosino | Production Design |
| Directing | Amy Werba | Assistant Director |
| Sound | Giorgio Pallotta | Sound |
| Directing | Elio Girlanda | Assistant Director |
| Art | Ditta D'Angelo | Other |
| Sound | Massimo Anzellotti | Sound Effects Editor |
| Camera | Ettore Duranti | Grip |
| Production | Paolo Bistolfi | Production Secretary |
| Directing | Luigi Comencini | Director |
| Camera | Luciano Tovoli | Director of Photography |
| Sound | Ennio Morricone | Original Music Composer |
| Writing | Age | Screenplay |
| Writing | Carlo Fruttero | Novel |
| Production | Roberto Infascelli | Producer |
| Production | Marcello D'Amico | Producer |
| Editing | Antonio Siciliano | Editor |
| Writing | Franco Lucentini | Novel |
| Writing | Scarpelli | Screenplay |
