Esperemos que sea mujer (1986)
Elena vive en una granja en la Toscana, separada de su inútil marido Leonardo, que está más preocupado por su amante que por su esposa y sus dos hijas. Las tres viven con Claudia, hermana de Elena, y con Fosca, el ama de llaves, en un mundo prácticamente sin hombres. El único hombre de la casa es un viejo tío senil que pasa la mayor parte del tiempo haciendo punto. Este insólito y estable universo femenino pronto se verá sacudido por varias crisis.
Directora:
Mario Monicelli
Escritores:
Leonardo Benvenuti, Piero De Bernardi, Mario Monicelli, Tullio Pinelli, Suso Cecchi d'Amico.
 |
Liv Ullmann as Elena |
 |
Catherine Deneuve as Claudia |
 |
Philippe Noiret as Leonardo |
 |
Giuliana De Sio as Franca |
 |
Stefania Sandrelli as Lolli |
 |
Bernard Blier as Uncle Gugo |
 |
Giuliano Gemma as Nardoni |
 |
Athina Cenci as Fosca |
 |
Paolo Hendel as Giovannini |
 |
Lucrezia Lante della Rovere as Malvina |
 |
Adalberto Maria Merli as Cesare Molteni, amante di Claudia |
 |
Nuccia Fumo as Rosa Nardoni, mamma di Guido |
 |
Paul Müller as Prete direttore dell'ospizio |
 |
Carlo Monni as Autista |
 |
Francesca Calò as Martina, figlia di Claudia |
|
Simona Cera as Immacolata detta Imma, figlia di Fosca |
 |
Enio Drovandi as Don Maurizio |
|
Mario Cecchi as Mario il contadino |
|
Riccardo Diana as Franco il bracciante |
| Directing | Mario Monicelli | Director |
| Writing | Tullio Pinelli | Story |
| Camera | Roberto Luzzi | Assistant Camera |
| Costume & Make-Up | Renata Magnanti | Hairstylist |
| Production | Bruno Ridolfi | Production Manager |
| Camera | Roberto Brega | Camera Operator |
| Editing | Ambra Giombolini | Assistant Editor |
| Production | Raimondo Castelli | Production Coordinator |
| Art | Enrico Fiorentini | Production Design |
| Production | Antonio Tacchia | Production Supervisor |
| Directing | Francesca Roberti | Script Supervisor |
| Camera | Maurizio Piano | Assistant Camera |
| Lighting | Domizio Ercolani | Gaffer |
| Writing | Leonardo Benvenuti | Screenplay |
| Writing | Piero De Bernardi | Screenplay |
| Costume & Make-Up | Gerardo Raffaeli | Hairstylist |
| Editing | Gasperina Marani | Assistant Editor |
| Editing | Leda Bellini | Assistant Editor |
| Costume & Make-Up | Ezio Altieri | Costume Design |
| Editing | Ruggero Mastroianni | Editor |
| Sound | Nicola Piovani | Conductor |
| Sound | Marco Grillo | Boom Operator |
| Camera | Camillo Bazzoni | Director of Photography |
| Camera | Massimo Di Venanzo | Camera Operator |
| Writing | Mario Monicelli | Screenplay |
| Directing | Riccardo Milani | Second Assistant Director |
| Production | Giammaria Vismara | Production Supervisor |
| Production | Francesco Anniballi | Production Secretary |
| Costume & Make-Up | Mario Scutti | Makeup Department Head |
| Costume & Make-Up | Nadia Vitali | Assistant Costume Designer |
| Writing | Tullio Pinelli | Screenplay |
| Production | Giovanni Di Clemente | Producer |
| Sound | Graziano Ruzzeddu | Sound |
| Art | Giancarlo Capuani | Set Decoration |
| Writing | Suso Cecchi d'Amico | Screenplay |
| Sound | Nicola Piovani | Original Music Composer |
| Directing | Francesco Germi | Second Assistant Director |
| Camera | Gianfranco Salis | Still Photographer |
| Sound | Romano Pampaloni | Sound Mixer |
| Camera | Giacomo Tomaselli | Key Grip |
| Sound | Renato Marinelli | Foley Artist |
| Directing | Giacomo Campiotti | First Assistant Director |
