Hondo (1953)
Los tambores de guerra apaches representan una clara y siniestra advertencia para Angie Lowe (Geraldine Page), una mujer que vive con su hijo Johnny en una granja aislada. Hondo Lane (John Wayne), un correo de la caballería, se convierte en protector de la testaruda mujer y en una figura paternal para su hijo. Angie, decidida a esperar el regreso de su marido, rehúsa dejar su hacienda a pesar de que el ataque de los indios es inminente. Al mismo tiempo, se siente cada vez más atraída por Hondo, un hombre endurecido por la vida, pero todavía capacitado para la simpatía, la amabilidad y el amor.
Directora:
John Farrow
Escritor:
James Edward Grant
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John Wayne as Hondo Lane |
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Geraldine Page as Angie Lowe |
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Ward Bond as Buffalo Baker |
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Michael Pate as Vittorio |
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James Arness as Lennie |
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Rodolfo Acosta as Silva |
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Leo Gordon as Ed Lowe |
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Tom Irish as Lt. McKay |
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Lee Aaker as Johnny Lowe |
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Paul Fix as Major Sherry |
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Rayford Barnes as Pete |
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Frank McGrath as Lowes Partner (uncredited) |
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Chuck Roberson as Kloori / Cavalry Sergeant Killed in Indian Attack (uncredited) |
| Production | Robert Fellows | Producer |
| Editing | Ralph Dawson | Editor |
| Sound | Hugo Friedhofer | Original Music Composer |
| Production | John Wayne | Producer |
| Writing | James Edward Grant | Screenplay |
| Camera | Archie Stout | Director of Photography |
| Camera | Robert Burks | Director of Photography |
| Directing | John Farrow | Director |
| Art | Alfred Ybarra | Art Direction |
| Costume & Make-Up | Web Overlander | Makeup Artist |
| Sound | Nicolás de la Rosa | Sound Recordist |
| Production | Andrew V. McLaglen | Unit Production Manager |
| Sound | Emil Newman | Original Music Composer |
| Production | Nate H. Edwards | Production Manager |
| Directing | Nathan Barragar | Assistant Director |
| Directing | Sam Freedle | Script Supervisor |
| Writing | Louis L'Amour | Short Story |
| Writing | Louis L'Amour | Story |
| Crew | Bobby Somers | Stunts |
| Crew | Chuck Hayward | Stunt Double |
| Crew | Chuck Roberson | Stunt Double |
