Amor y Asfixia (2020)
Amor y Asfixia explora la relación entre el cuerpo y la danza a través del amor. La danza se convierte en un vehículo para mostrar las diferentes fases del amor. Consta de tres escenas que buscan desmontar ciertos estereotipos sociales vinculados al cuerpo de la mujer y su papel en la danza. Amor y asfixia es un cortometraje que experimenta con el cuerpo humano para iniciar una discusión más amplia.
Directora: Daniela Escolar
 |
Sharon Barenboim as |
| Directing | Daniela Escolar | Director |
| Camera | Belén Pellicano | Camera Operator |
| Crew | Gabriel Argüello | Cinematography |
| Production | Daniela Escolar | Producer |
| Camera | Joaquín Pulpeiro | Assistant Camera |
| Directing | Antonio Carrón | Assistant Director |
| Production | Camilo Benitez | Production Manager |
| Editing | Leonardo Cardemil | Editor |
| Sound | Francisco Nobile | Sound Mixer |
| Crew | Andrea Sarno | Post Production Supervisor |
| Art | Sara Barugel | Graphic Designer |
| Production | Theo Fernández | Production Assistant |
| Crew | Roberto Porta | Post Production Supervisor |
| Crew | Evgeniia Rylova | Post Production Supervisor |
| Crew | Miguel G. Massenio | Post Production Supervisor |
| Crew | José Andrés Geria | Post Production Supervisor |
| Sound | Camilo Molina | Sound Post Supervisor |
| Production | Belén Pellicano | Business Affairs Coordinator |
| Lighting | María Burgos Oviedo | Gaffer |
| Sound | Francisco Nobile | Foley |
| Sound | Theo Naishtat | Musician |
| Sound | Guido González | Musician |
| Camera | Lucila Rivas | Focus Puller |
| Editing | Julia Gestoso | Colorist |
| Sound | Martin Gorosito | Sound Post Supervisor |
| Camera | Gonzalo Crevatin | Steadicam Operator |
| Camera | Sofía Calderón | BTS Photographer |
| Art | Sara Barugel | Assistant Art Director |
| Art | Paula Monesterolo | Art Direction |
