Drum (1976)
Secuela de la exitosa Mandingo que tiene como protagonista a Ken Norton, campeón del mundo de los pesos pesados. Ambientada a mediados del siglo XIX, narra la brutalmente honesta historia de un esclavo mulato, dividido entre su éxito como luchador en el mundo de los hombres blancos y su sentimiento contra la ultrajante injusticia que sufren los negros.
Directora:
Steve Carver
Escritor:
Norman Wexler
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Warren Oates as Hammond Maxwell |
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Pam Grier as Regine |
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Ken Norton as Drum |
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Isela Vega as Marianna |
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Yaphet Kotto as Blase |
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John Colicos as Bernard DeMarigny |
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Fiona Lewis as Augusta Chauvet |
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Paula Kelly as Rachel |
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Royal Dano as Zeke Montgomery |
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Brenda Sykes as Calinda |
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Cheryl Smith as Sophie Maxwell |
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Lillian Hayman as Lucretia Borgia |
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Alain Patrick as Lazare |
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Clay Tanner as Mr. Holcomb |
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Lila Finn as Mrs. Holcomb |
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Henry Wills as Mr. Gassaway |
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Donna Garrett as Mrs. Gassaway |
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Harvey Parry as Dr. Redfield |
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May Boss as Mrs. Redfield |
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Ilona Wilson as Elly Bee Rowe |
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Monique Madnes as Mary Ruth Rowe |
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Eddie Smith as Bruno |
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S.A. Lewis as Babouin |
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Harold Jones as Slave #1 |
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Maurice Emanuel as Slave #2 |
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Larry Williams as Slave #3 |
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Adina Ross as Woman Guest #1 (as Julie Ann Johnston) |
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Jeannie Epper as Woman Guest #2 |
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Bob Minor as Cuban Slave |
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John Vernon as |
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Amedee Frederick as Jacque |
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Hector Freeman as Slave |
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Sharmagne Leland-St. John as Demimonde |
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Roger E. Mosley as Slave |
| Production | Dino De Laurentiis | Producer |
| Camera | Lucien Ballard | Director of Photography |
| Sound | Charlie Smalls | Music |
| Editing | Carl Kress | Editor |
| Directing | Steve Carver | Director |
| Writing | Norman Wexler | Screenplay |
| Costume & Make-Up | Ann Roth | Costume Design |
| Crew | Chuck Schulthies Jr. | Special Effects |
| Crew | Eddie Smith | Stunt Coordinator |
| Lighting | Ted Holt | Gaffer |
| Production | Jack Baur | Casting |
| Camera | Roger Shearman Jr. | Camera Operator |
| Directing | Terry Terrill | Script Supervisor |
| Costume & Make-Up | Mike Bacarella | Makeup Artist |
| Directing | Peter Bogart | Assistant Director |
| Camera | Harry Young | Other |
| Directing | Al Sheppard | Second Assistant Director |
| Camera | Clyde Hart | Key Grip |
| Production | Ralph B. Serpe | Producer |
| Costume & Make-Up | Kathryn Blondell | Hairstylist |
| Crew | Roger George | Special Effects |
| Sound | Kenneth Wannberg | Music Editor |
| Costume & Make-Up | William Turner | Makeup Artist |
| Art | Bill Kenney | Art Direction |
| Sound | Robert Gravenor | Sound Mixer |
| Sound | Bill Varney | Sound Re-Recording Mixer |
| Art | Don Record | Title Designer |
| Art | Stan Jolley | Production Design |
| Sound | Gilbert D. Marchant | Sound Effects Editor |
| Art | John McCarthy Jr. | Set Decoration |
| Art | V.R. Bud Shelton | Property Master |
| Sound | Joseph Kite | Boom Operator |
| Crew | Richard Hazard | Additional Music |
| Writing | Kyle Onstott | Novel |
| Production | E. Darrell Hallenbeck | Unit Production Manager |
| Sound | Charles H. Coleman | Conductor |
| Art | Sam Moore | Property Master |
| Sound | Gordon Daniel | Sound Effects Editor |
| Sound | Charlie Smalls | Original Music Composer |
