La importancia de llamarse Ernesto (2002)
Gran Bretaña, 1890. Jack Worthing tiene un secreto. Lleva una vida tranquila y respetable en el campo, donde ejerce como protector de la bella Cecily Cardew; pero cuando necesita divertirse, se escapa a Londres y se hace pasar por su imaginario hermano Ernesto, un hombre tan disoluto y extravagante como su íntimo amigo 'Algy' Algernon Moncrieff. Sin embargo, el objetivo de su último viaje a Londres es proponer matrimonio a la prima de Algy, Gwendolen Fairfax. La chica acepta la propuesta, pero su madre, la temible Lady Bracknell, que tiene otros planes para su hija, averigua que Jack, siendo un bebé, fue hallado en una bolsa abandonada en la Estación Victoria. Algy, aprovechando la preocupante situación de su amigo, visita a Cecily. Cuando se presenta como Ernesto, descubre encantado que la chica hace tiempo que sueña con casarse con el hermano errante. Pero, cuando Jack regresa con la noticia de que su hermano ha muerto, las cosas empiezan a complicarse.
Directora:
Oliver Parker
Escritor:
Oliver Parker
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Rupert Everett as Algernon “Algy” Moncrieff |
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Colin Firth as John “Jack” Worthing |
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Reese Witherspoon as Cecily Cardew |
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Judi Dench as Lady Bracknell |
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Tom Wilkinson as Dr. Chasuble |
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Frances O'Connor as Gwendolen Fairfax |
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Anna Massey as Miss Laetitia Prism |
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Edward Fox as Lane |
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Patrick Godfrey as Merriman |
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Charles Kay as Gribsby |
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Marsha Fitzalan as Dowager |
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Cyril Shaps as Pew Opener |
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Finty Williams as Young Lady Bracknell |
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Guy Bensley as Young Lord Bracknell |
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Kiera Chaplin as Girl in Gambling Club |
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Suzy Boyle as Dancer |
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Bernadette Iglich as Dancer |
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Elaine Tyler-Hall as Dancer |
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Gillian Winn as Dancer |
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Suzanne Thomas as Dancer |
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Charlie Mole as Musical Butler |
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Sacha Bennett as Jenkins the Gamekeeper (uncredited) |
| Directing | Oliver Parker | Director |
| Production | Uri Fruchtmann | Executive Producer |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Production | Barnaby Thompson | Producer |
| Writing | Oscar Wilde | Theatre Play |
| Writing | Oliver Parker | Screenplay |
| Editing | Guy Bensley | Editor |
| Sound | Charlie Mole | Original Music Composer |
| Costume & Make-Up | Paula Price | Hairstylist |
| Costume & Make-Up | Renata Gilbert | Makeup & Hair |
| Sound | Mark DeSimone | ADR Mixer |
| Art | Ian Whittaker | Set Decoration |
| Costume & Make-Up | Dianne Millar | Makeup & Hair |
| Costume & Make-Up | Jamie Pritchard | Hairstylist |
| Art | Paul Ghirardani | Art Direction |
| Costume & Make-Up | Susan Parkinson | Makeup & Hair |
| Costume & Make-Up | Maurizio Millenotti | Costume Design |
| Production | David Brown | Co-Producer |
| Sound | Ben Barker | Foley Editor |
| Sound | Adrian Rhodes | Sound Re-Recording Mixer |
| Sound | Colin Cooper | ADR Recordist |
| Costume & Make-Up | Joe Hopker | Makeup Artist |
| Costume & Make-Up | Barbara Taylor | Makeup & Hair |
| Production | Celestia Fox | Casting |
| Costume & Make-Up | Charmaine Fuller | Hairstylist |
| Costume & Make-Up | Peter Swords King | Makeup & Hair |
| Costume & Make-Up | Pat Hay | Makeup Artist |
| Art | Luciana Arrighi | Production Design |
| Sound | Matthew Gough | Sound Re-Recording Mixer |