Anatomía de un asesinato (1959)
Frederick Manion, un teniente del ejército, asesina fríamente al presunto violador de su mujer Laura. Tras su detención, se celebra el juicio. Su mujer contrata como abogado defensor a Paul Biegler, un honrado hombre de leyes. Durante el juicio se reflejarán todo tipo de emociones y pasiones, desde los celos a la rabia.
Directora:
Otto Preminger
Escritor:
Wendell Mayes
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James Stewart as Paul "Pauly" Biegler |
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Lee Remick as Laura Manion |
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Ben Gazzara as Lieutenant Frederick "Manny" Manion |
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Arthur O'Connell as Parnell Emmett "Parn" McCarthy |
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Eve Arden as Maida Rutledge |
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Kathryn Grant as Mary Pilant |
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George C. Scott as AAG Claude Dancer |
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Orson Bean as Dr. Matthew Smith |
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Russ Brown as Deputy Sheriff George Lemon |
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Murray Hamilton as Alphonse "Al" Paquette |
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Brooks West as DA Mitchell "Mitch" Lodwick |
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Ken Lynch as Det. Sgt. James "Jim" Durgo |
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John Qualen as Deputy Sheriff Sulo Kangas |
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Howard McNear as Dr. Adelord Dompierre |
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Alexander Campbell as Dr. W. Gregory Harcourt |
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Ned Wever as Dr. Homer Raschid |
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Jimmy Conlin as Clarence "One-Shot" "Smoky" Madigan |
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Joseph N. Welch as Judge Harlan Weaver |
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Royal Beal as Sheriff Max Battisfore |
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Joseph Kearns as Lloyd Burke |
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Don Ross as Duane "Duke" Miller |
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Lloyd Le Vasseur as Court clerk |
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James Waters as Army Sergeant 1st Class |
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Duke Ellington as Pie Eye (uncredited) |
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Irv Kupcinet as Distinguished Gentleman (uncredited) |
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Chuck Ramsay as Orderly (uncredited) |
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Agnes Rodgers Brown as Juror (uncredited) |
| Directing | Otto Preminger | Director |
| Sound | Duke Ellington | Original Music Composer |
| Production | Otto Preminger | Producer |
| Camera | Sam Leavitt | Director of Photography |
| Editing | Louis R. Loeffler | Editor |
| Art | Boris Leven | Production Design |
| Sound | Richard Carruth | Sound Designer |
| Sound | Jack Solomon | Sound Designer |
| Camera | Irving Rosenberg | Camera Operator |
| Lighting | James Almond | Lighting Technician |
| Writing | Wendell Mayes | Screenplay |
| Costume & Make-Up | Madine Danks | Hairdresser |
| Art | Ken Walton | Props |
| Costume & Make-Up | Del Armstrong | Makeup Artist |
| Costume & Make-Up | Harry Ray | Makeup Artist |
| Costume & Make-Up | Norman Pringle | Makeup Artist |
| Production | Henry Weinberger | Production Manager |
| Directing | Hal W. Polaire | Assistant Director |
| Directing | David Silver | Assistant Director |
| Directing | Ray Taylor Jr. | Assistant Director |
| Crew | Irving W. Sindler | Property Master |
| Sound | Don Hall | Sound Effects Editor |
| Costume & Make-Up | Hope Bryce | Costume Design |
| Costume & Make-Up | Vou Lee Giokaris | Costume Design |
| Costume & Make-Up | Paula Giokaris | Costume Design |
| Editing | John Loeffler | Assistant Editor |
| Editing | Michael Vittes | Assistant Editor |
| Directing | Kathleen Fagan | Script Supervisor |
| Crew | John D. Voelker | Technical Supervisor |
| Camera | Gjon Mili | Still Photographer |
| Camera | Al St. Hilaire | Still Photographer |
| Writing | John D. Voelker | Novel |
| Camera | Leo McCreary | Key Grip |
| Costume & Make-Up | Myrl Stoltz | Hairdresser |
| Costume & Make-Up | Michael Harte | Wardrobe Master |
| Costume & Make-Up | Vou Lee Giokaris | Wardrobe Master |
| Sound | Jack Solomon | Sound |
| Sound | Richard Carruth | Music Editor |
| Art | Howard Bristol | Set Dresser |
| Production | Max Slater | Producer's Assistant |
| Costume & Make-Up | Hope Bryce | Costume Coordinator |
| Art | Saul Bass | Title Designer |
