Hoy, mañana, pasado mañana (1965)
Filme dividido en tres episodios. En "El hombre de los 5 globos" el protagonista es un hombre estresado que está a punto de casarse y que está empeñado en descubrir cuál es el límite de la resistencia de los globos antes de explotar. "La hora de partida" muestra el peculiar método utilizado por un marido (y copiado por todo el vecindario) para doblegar a su mujer. En "La esposa rubia", un marido trata de vender a su hermosa e inútil mujer a un millonario jeque árabe. (FILMAFFINITY)
Dirección: Marco Ferreri, Luciano Salce, Eduardo De Filippo.
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Marcello Mastroianni as Mario / Michele Profili / Mario Gasparri |
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Catherine Spaak as Giovanna |
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Virna Lisi as Dorotea |
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Luciano Salce as Arturo Rossi |
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Pamela Tiffin as Pepita |
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Marco Ferreri as (segment "L'uomo dei 5 palloni") (uncredited) |
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Ugo Tognazzi as Man With Car (segment "L'uomo dei 5 palloni") (uncredited) |
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Raimondo Vianello as Commissario (segment "La moglie bionda") |
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Sarah Ross as (segment "L'uomo dei 5 palloni") |
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Gian Luigi Polidoro as segment "L'uomo dei 5 palloni") |
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Giuseppe Marrocco as Man in Airport (segment "L'ora di punta") |
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Lelio Luttazzi as Rastrelli (segment "La moglie bionda") |
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Enzo La Torre as (segment "La moglie bionda") |
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Charlotte Folcher as (segment "L'uomo dei 5 palloni") |
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Antonio Ciani as (segment "La moglie bionda") |
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William Berger as Benny (segment "L'uomo dei 5 palloni") |
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Ennio Balbo as Brother of Mohamed (segment "L'uomo dei 5 palloni") |
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Antonio Altoviti as (segment "L'uomo dei 5 palloni") |
| Directing | Marco Ferreri | Director |
| Directing | Luciano Salce | Director |
| Directing | Eduardo De Filippo | Director |
| Writing | Eduardo De Filippo | Writer |
| Writing | Rafael Azcona | Writer |
| Writing | Luciano Salce | Writer |
| Writing | Marco Ferreri | Writer |
| Sound | Renato Cadueri | Sound |
| Camera | Mario Montuori | Director of Photography |
| Sound | Teo Usuelli | Original Music Composer |
| Editing | Adriana Novelli | Editor |
| Camera | Gianni Di Venanzo | Director of Photography |
| Camera | Aldo Tonti | Director of Photography |
| Camera | Emilio P. Miraglia | Assistant Camera |
| Art | Luigi Scaccianoce | Production Design |
| Sound | Luis Bacalov | Original Music Composer |
| Sound | Nino Rota | Original Music Composer |
| Sound | Domenico Curia | Sound |
| Art | Ferdinando Scarfiotti | Production Design |
| Art | Gabriele D'Angelo | Set Decoration |
| Sound | Ennio Sensi | Sound |
| Art | Carlo Egidi | Production Design |
| Camera | Luigi Kuveiller | Camera Operator |
| Art | Dante Ferretti | Set Decoration |
| Editing | Marcello Malvestito | Editor |
| Production | Carlo Ponti | Producer |
| Camera | Pasqualino De Santis | Camera Operator |
| Camera | Danilo Desideri | Camera Operator |
| Directing | Giancarlo Santi | Assistant Director |
| Editing | Renzo Lucidi | Editor |
| Art | Francesco Bronzi | Set Decoration |
