Rouge à lèvres et arme à feu (2001)
Shannon, une infirmière, fréquente Ray, un jeune homme qui compose des morceaux de musique à partir de bribes de conversations téléphoniques enregistrées sur son scanner électronique. Comme celui-ci a oublié de lui souhaiter son anniversaire, Shannon sort en boîte en compagnie de son amie Frances, une actrice ayant du mal à percer. De retour de discothèque, celles-ci découvrent des discussions relatives à un hold-up sur l'ordinateur de Ray et en informent aussitôt la police qui n'y porte aucun intérêt. Les deux amies décident alors de faire chanter les braqueurs pour récupérer un pourcentage du butin. Mais leur plan apparemment simple va prendre une tournure désastreuse.
Directeur: Mel Smith
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Minnie Driver as Shannon |
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Mary McCormack as Frances |
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Kevin McNally as Mason |
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Danny Dyer as Danny |
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Michael Gambon as Kerrigan |
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Darren Boyd as Ray |
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Mark Williams as Tremaine |
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Simon Scardifield as Tony |
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Len Collin as Barry |
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Jane Partridge as Receptionist |
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Ranjit Krishnamma as Doctor |
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Ben Walden as Bloodied actor |
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Mark Meadows as Romantic actor |
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Danny Babington as Suspect |
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Kevin Eldon as McGill |
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Julian Wadham as Rogers |
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John Sessions as Director |
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Michael Attwell as Duty Sergeant |
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Jason Griffiths as Paramedic |
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Hugh Bonneville as Farmer |
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James Garbutt as Mr. Winters |
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Patrick Baladi as Car Driver |
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Tom Ellis as Uniformed Officer |
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Junior Simpson as Mickey |
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Mel Smith as Man at Train Station (uncredited) |
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Paul Bown as Barman (as Paul Brown) |
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Liam Noble as Delivery Man |
| Camera | Steven Chivers | Director of Photography |
| Production | Nicky Kentish Barnes | Producer |
| Production | Barnaby Thompson | Producer |
| Art | Roger Bowles | Art Direction |
| Directing | Mel Smith | Director |
| Art | Michael Pickwoad | Production Design |
| Writing | Georgia Pritchett | Author |
| Production | Deborah Aquila | Casting |
| Production | Kate Rhodes James | Casting |
| Costume & Make-Up | Jany Temime | Costume Design |
| Editing | Chris Blunden | Editor |
| Production | Kim Fuller | Producer |
| Writing | Kim Fuller | Author |
| Production | Uri Fruchtmann | Producer |
| Sound | Charlie Mole | Original Music Composer |
| Camera | Peter Wignall | Steadicam Operator |
| Costume & Make-Up | Claire Finlay-Thompson | Wardrobe Supervisor |
| Editing | Matthew Tucker | Assistant Editor |
| Production | Shellie Smith | Production Supervisor |
| Sound | Michael Crouch | Foley Editor |
| Sound | Colin Nicolson | Sound Mixer |
| Production | Sheryl Leonardo | Production Accountant |
| Editing | Jens Baylis | Assistant Editor |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Sound | Mark Heslop | Sound Effects Editor |
| Art | John Greaves | Storyboard Artist |
| Sound | Max Hoskins | Supervising Sound Editor |
| Sound | Tony Lewis | Music Editor |
| Sound | Susan French | Assistant Sound Editor |
| Sound | Graham Daniel | Sound Re-Recording Mixer |
| Directing | Emma Griffiths | Second Assistant Director |
| Lighting | Larry S. Prinz | Gaffer |
| Editing | Heidi Freeman | First Assistant Editor |
| Sound | Jack Stew | Foley Artist |
| Sound | Ray Merrin | Sound Re-Recording Mixer |
| Production | Sam Chandley | Casting Assistant |
| Writing | Kim Fuller | Writer |
