Futur immédiat, Los Angeles 1991 (1988)
Science-FictionCrimeThrillerAction
Dans le futur, des extra-terrestres se seront implantés sur Terre. Après des années passées sous quarantaine, ils sont libres d'aller et venir mais sont victimes d'une nouvelle forme de discrimination. Dans ce contexte, Sam Francisco est le premier officier de police extra-terrestre. Son partenaire est un vétéran de la police raciste. Ils devront surmonter leurs différences pour mettre à mal les complots des dirigeants extra-terrestres.
Directeur:
Graham Baker
écrivain:
Rockne S. O'Bannon
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James Caan as Matthew Sykes |
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Mandy Patinkin as Samuel 'George' Francisco |
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Terence Stamp as William Harcourt |
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Kevyn Major Howard as Rudyard Kipling |
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Leslie Bevis as Cassandra |
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Peter Jason as Fedorchuk |
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Conrad Dunn as Quint |
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Jeff Kober as Joshua Strader |
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Roger Aaron Brown as Bill Tuggle |
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Francis X. McCarthy as Captain Warner |
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Brian Thompson as Trent Porter |
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Tony Perez as Alterez |
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Tony Simotes as Wiltey |
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Jade Calegory as Mark |
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Angela O'Neill as Kristin Sykes |
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Lawrence Kopp as Human Cop #1 |
| Directing | Graham Baker | Director |
| Camera | Adam Greenberg | Director of Photography |
| Writing | Rockne S. O'Bannon | Screenplay |
| Production | Richard Kobritz | Producer |
| Sound | Curt Sobel | Original Music Composer |
| Production | Gale Anne Hurd | Producer |
| Editing | Kent Beyda | Editor |
| Art | Louis S. Fleming | Property Master |
| Crew | Glory Fioramonti | Stunts |
| Sound | Robert Renga | Sound Recordist |
| Crew | Simone Boisseree | Stunts |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Art | Nigel A. Boucher | Leadman |
| Sound | Mark Mangini | Supervising Sound Editor |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Joseph C. Nemec III | Art Direction |
| Production | Karen Rea | Casting |
| Art | John Warnke | Set Designer |
| Art | Jack T. Collis | Production Design |
| Art | Jim Duffy | Set Decoration |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Carlton Kaller | Music Editor |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Camera | Philip Caplan | Camera Operator |
| Sound | Daniel J. Johnson | Music Editor |
| Camera | Jane O'Neal | Still Photographer |
| Lighting | Jono Kouzouyan | Gaffer |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Costume & Make-Up | Michael J. Long | Costume Supervisor |
| Costume & Make-Up | Linda Serijan | Costume Supervisor |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Crew | Sarah Elgart | Choreographer |
| Camera | Mike Benson | Camera Operator |
| Costume & Make-Up | Janice Alexander | Hairstylist |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Costume & Make-Up | Katalin Elek | Makeup Artist |
| Crew | Dick Ziker | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Debbie Evans | Stunts |
| Sound | Wayne Allwine | Sound Editor |
| Crew | Crit Killen | Propmaker |
| Directing | Newt Arnold | First Assistant Director |
| Sound | Steve Bowerman | Boom Operator |
| Sound | Peter Tomaszewicz | Foley Editor |
| Directing | Herb Adelman | First Assistant Director |
| Sound | Christopher Flick | Foley Editor |
| Art | Steven E. Fegley | Construction Foreman |
| Sound | Jerry Trent | Foley Artist |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Gordon Webb | Boom Operator |
| Sound | Michael J. Benavente | Sound Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Costume & Make-Up | Dan Bronson | Costumer |
| Lighting | Donald Dahlquist | Best Boy Electric |
| Sound | Warren Hamilton Jr. | Sound Editor |
| Production | Franklyn Warren | Extras Casting |
| Production | Doreen Lane | Casting Assistant |
| Sound | Solange S. Schwalbe | Sound Editor |
| Sound | Donlee Jorgensen | Sound Editor |
| Camera | Frank M. Holgate | Second Unit Director of Photography |
| Production | Bill Borden | Production Executive |
| Sound | David MacMillan | Sound Mixer |
| Sound | Colin C. Mouat | Sound Editor |
| Camera | Vance Piper | First Assistant Camera |
| Crew | John Robles | Special Effects |
| Camera | Gene Kearney | Key Grip |
| Crew | Alan Rifkin | Special Effects |
| Crew | Bill Davis | Armorer |
| Camera | David Christie | Best Boy Grip |
| Production | Janis Benjamin Collister | Production Coordinator |
| Camera | Donald L. Hartley | Dolly Grip |
| Crew | Jeffrey Machit | Special Effects |
| Lighting | John Pierce | Best Boy Electric |
| Sound | Charles M. Wilborn | Sound Mixer |
| Crew | Richard Lopez | Special Effects |
| Crew | Michael P. Stipe | Special Effects |
| Sound | David Spence | Sound Editor |
| Sound | Lucy Coldsnow-Smith | Sound Editor |
| Visual Effects | Monty Shook | Visual Effects Designer |
| Camera | Bob Muñoz | Best Boy Grip |
| Camera | Alicia Craft | Second Assistant Camera |
| Directing | Anne Warner | Script Supervisor |
| Editing | Lorraine Salk | Assistant Editor |
| Editing | Jean Morrisey | Assistant Editor |
| Editing | Phil Downey | Color Timer |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Don Brochu | Additional Editor |
| Editing | Tracy Granger | Assistant Editor |
| Crew | George Fisher | Stunts |
| Crew | Erik Cord | Stunts |
| Art | Ernest Farino | Title Designer |
