L'Arme à l'œil (1981)
Grande-Bretagne, 1944, pendant la Seconde Guerre mondiale. Poursuivi sans relâche par plusieurs agents du MI5, Henry Faber l'Aiguille, un impitoyable espion allemand en possession d'informations vitales sur le Jour J, se réfugie sur Storm Island, une île inhospitalière et peu habitée au large des côtes du nord de l'Écosse.
Directeur:
Richard Marquand
écrivain:
Stanley Mann
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Donald Sutherland as Faber |
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Kate Nelligan as Lucy |
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Ian Bannen as Godliman |
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Christopher Cazenove as David |
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Faith Brook as Lucy's Mother |
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Barbara Ewing as Mrs. Garden |
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David Hayman as Canter |
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Alex McCrindle as Tom |
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Philip Martin Brown as Billy Parkin |
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Stephen MacKenna as Lieutenant |
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George Belbin as Lucy's Father |
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Barbara Graley as David's Mother |
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George Lee as Constable |
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Arthur Lovegrove as Peterson |
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Colin Rix as Oliphant |
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Chris Jenkinson as German SS Officer |
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William Merrow as German Radio Operator |
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Patrick Connor as Inspector Harris |
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Rupert Frazer as Muller |
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Jonathan Nicholas Haley as Jo |
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John Bennett as Kleinmann |
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Sam Kydd as Lock Keeper |
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John Paul as Home Guard Captain |
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Richard Graydon as Home Guard Private |
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Michael Mellinger as Portuguese Man |
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Allan Surtees as Colonel Terry |
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Don Fellows as American Colonel |
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Stewart Harwood as Sailor #1 |
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Rik Mayall as Sailor #2 |
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Rory Edwards as Sailor #3 |
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Ellis Dale as Station Master |
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Bill Fraser as Mr. Porter |
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Michael Josephs as German Naval Captain |
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John Rees as German Naval Operator |
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John Grieve as Inspector Kincaid |
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Bruce White as Oban Policeman |
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David Ashton as Oban Radio Operator |
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Bill Nighy as Squadron Leader Blenkinsop |
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Stephen Phillips as Home Guard Corporal |
| Writing | Stanley Mann | Screenplay |
| Camera | Alan Hume | Director of Photography |
| Directing | Richard Marquand | Director |
| Sound | Miklós Rózsa | Original Music Composer |
| Production | John Comfort | Production Manager |
| Camera | Alec Mills | Camera Operator |
| Costume & Make-Up | John Bloomfield | Costume Designer |
| Production | Celestia Fox | Casting Director |
| Costume & Make-Up | Wally Schneiderman | Makeup Artist |
| Directing | Angela Allen | Continuity |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Directing | Valerie Booth | Continuity |
| Camera | David Farrell | Still Photographer |
| Production | Claude Hudson | Production Supervisor |
| Sound | Claude Hitchcock | Sound Recordist |
| Costume & Make-Up | Mark Nelson | Hairstylist |
| Directing | Roger Simons | Assistant Director |
| Costume & Make-Up | Joan Carpenter | Hairstylist |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Art | Ken Pattenden | Construction Manager |
| Art | Ken Softley | Construction Manager |
| Editing | Nick Hosker | Assistant Editor |
| Crew | Jack Lowin | Second Unit Cinematographer |
| Production | William Lang | Location Manager |
| Camera | Mike Frift | Focus Puller |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Directing | Anthony Squire | Second Unit Director |
| Crew | Eddie Stacey | Stunt Coordinator |
| Production | Lee Bolon | Location Manager |
| Lighting | Bob Bremner | Gaffer |
| Art | Wilfred Shingleton | Production Design |
| Art | Hugh Scaife | Set Decoration |
| Production | Stephen J. Friedman | Producer |
| Art | John Hoesli | Art Direction |
| Writing | Ken Follett | Novel |
| Editing | Sean Barton | Editor |
| Art | Bert Davey | Art Direction |
| Crew | Jennifer Patrick | Dialogue Coach |
