L'Arme à l'œil (1981)
Grande-Bretagne, 1944, pendant la Seconde Guerre mondiale. Poursuivi sans relâche par plusieurs agents du MI5, Henry Faber l'Aiguille, un impitoyable espion allemand en possession d'informations vitales sur le Jour J, se réfugie sur Storm Island, une île inhospitalière et peu habitée au large des côtes du nord de l'Écosse.
Directeur:
Richard Marquand
écrivain:
Stanley Mann
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Donald Sutherland as Faber |
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Kate Nelligan as Lucy |
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Ian Bannen as Godliman |
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Christopher Cazenove as David |
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Faith Brook as Lucy's Mother |
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Barbara Ewing as Mrs. Garden |
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David Hayman as Canter |
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Alex McCrindle as Tom |
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Philip Martin Brown as Billy Parkin |
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Stephen MacKenna as Lieutenant |
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George Belbin as Lucy's Father |
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Barbara Graley as David's Mother |
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George Lee as Constable |
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Arthur Lovegrove as Peterson |
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Colin Rix as Oliphant |
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Chris Jenkinson as German SS Officer |
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William Merrow as German Radio Operator |
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Patrick Connor as Inspector Harris |
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Rupert Frazer as Muller |
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Jonathan Nicholas Haley as Jo |
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John Bennett as Kleinmann |
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Sam Kydd as Lock Keeper |
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John Paul as Home Guard Captain |
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Richard Graydon as Home Guard Private |
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Michael Mellinger as Portuguese Man |
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Allan Surtees as Colonel Terry |
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Don Fellows as American Colonel |
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Stewart Harwood as Sailor #1 |
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Rik Mayall as Sailor #2 |
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Rory Edwards as Sailor #3 |
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Ellis Dale as Station Master |
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Bill Fraser as Mr. Porter |
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Michael Josephs as German Naval Captain |
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John Rees as German Naval Operator |
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John Grieve as Inspector Kincaid |
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Bruce White as Oban Policeman |
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David Ashton as Oban Radio Operator |
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Bill Nighy as Squadron Leader Blenkinsop |
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Stephen Phillips as Home Guard Corporal |
| Writing | Stanley Mann | Screenplay |
| Directing | Richard Marquand | Director |
| Camera | Alan Hume | Director of Photography |
| Sound | Miklós Rózsa | Original Music Composer |
| Production | Claude Hudson | Production Supervisor |
| Production | John Comfort | Production Manager |
| Directing | Roger Simons | Assistant Director |
| Camera | Alec Mills | Camera Operator |
| Camera | Mike Frift | Focus Puller |
| Sound | Claude Hitchcock | Sound Recordist |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Costume & Make-Up | John Bloomfield | Costume Designer |
| Production | Celestia Fox | Casting Director |
| Directing | Anthony Squire | Second Unit Director |
| Crew | Jack Lowin | Second Unit Cinematographer |
| Costume & Make-Up | Wally Schneiderman | Makeup Artist |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Costume & Make-Up | Mark Nelson | Hairstylist |
| Costume & Make-Up | Joan Carpenter | Hairstylist |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Directing | Angela Allen | Continuity |
| Directing | Valerie Booth | Continuity |
| Crew | Eddie Stacey | Stunt Coordinator |
| Camera | David Farrell | Still Photographer |
| Editing | Nick Hosker | Assistant Editor |
| Art | Ken Pattenden | Construction Manager |
| Art | Ken Softley | Construction Manager |
| Production | William Lang | Location Manager |
| Production | Lee Bolon | Location Manager |
| Lighting | Bob Bremner | Gaffer |
| Writing | Ken Follett | Novel |
| Production | Stephen J. Friedman | Producer |
| Editing | Sean Barton | Editor |
| Art | Wilfred Shingleton | Production Design |
| Art | Bert Davey | Art Direction |
| Art | John Hoesli | Art Direction |
| Art | Hugh Scaife | Set Decoration |
| Crew | Jennifer Patrick | Dialogue Coach |
