Les Ailes de la Nuit (1997)
Richard Dees, journaliste sans scrupule d'un magazine à scandale, se dispute avec Katherine Blair, une jeune journaliste. Katherine veut faire ses preuves en enquêtant sur des crimes commis par un tueur en série, mais Richard ne veut pas laisser sa place. Les deux journalistes vont alors devoir faire équipe pour débusquer ce tueur très particulier...
Directeur:
Mark Pavia
écrivains:
Jack O'Donnell, Mark Pavia.
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Miguel Ferrer as Richard Dees |
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Julie Entwisle as Katherine 'Jimmy' Blair |
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Dan Monahan as Merton Morrison |
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Michael H. Moss as Dwight Renfield |
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John Bennes as Ezra Hannon |
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Beverly Skinner as Selida McCamon |
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Rob Wilds as Buck Kendall |
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Richard K. Olsen as Claire Bowie |
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Elizabeth McCormick as Ellen Sarch |
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J.R. Rodriguez as Terminal Cop #1 |
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Robert Leon Casey as Terminal Cop #2 |
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Ashton Stewart as Nate Wilson |
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William Neely as Ray Sarch |
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Windy Wenderlich as Henry Gates |
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General Fermon Judd Jr. as Policeman |
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Randal Brown as Dream Vampire |
| Camera | David Connell | Director of Photography |
| Production | David R. Kappes | Executive Producer |
| Writing | Jack O'Donnell | Screenplay |
| Production | Richard P. Rubinstein | Producer |
| Sound | Brian Keane | Original Music Composer |
| Editing | Elizabeth Schwartz | Editor |
| Production | Mitchell Galin | Producer |
| Directing | Mark Pavia | Director |
| Writing | Mark Pavia | Screenplay |
| Costume & Make-Up | Pauline White-Kassulke | Costume Design |
| Production | Leonard Finger | Casting |
| Production | Lyn Richmond | Casting |
| Crew | Greg Nicotero | Makeup Effects |
| Art | Burton Rencher | Production Design |
| Production | Alfredo Cuomo | Co-Producer |
| Crew | Howard Berger | Makeup Effects |
| Crew | Robert Kurtzman | Makeup Effects |
| Art | Timothy Stepeck | Set Decoration |
| Production | Jack O'Donnell | Co-Producer |
| Camera | Alan Aldridge | First Assistant "D" Camera |
| Costume & Make-Up | Jeff Goodwin | Key Makeup Artist |
| Art | John Sanders | Property Master |
| Lighting | Eric Jennings | Electrician |
| Art | Peter Battistelli | Construction Coordinator |
| Art | Andrew Menzies | Set Designer |
| Camera | Dennis Zoppe | Key Grip |
| Camera | Fred Norris | Still Photographer |
| Camera | Laurel Hughes | Camera Loader |
| Crew | J.B. Long | Generator Operator |
| Visual Effects | Julie Goldberg | Visual Effects Producer |
| Camera | Brian Heller | Aerial Camera |
| Visual Effects | Oliver Rockwell | Visual Effects Supervisor |
| Lighting | Peter Girolami | Electrician |
| Costume & Make-Up | David Halsey | Key Hair Stylist |
| Lighting | John Ferguson | Gaffer |
| Costume & Make-Up | Amy Lilley | Wardrobe Supervisor |
| Lighting | Neil Beard | Electrician |
| Costume & Make-Up | Missy Anderson | Wardrobe Assistant |
| Lighting | Carson E. Mayne | Electrician |
| Costume & Make-Up | Vanessa Jenik | Costumer |
| Lighting | Thomas C. Nisbet | Best Boy Electric |
| Camera | Mike Repeta | Second Assistant Camera |
| Directing | Christine Moore | Script Supervisor |
| Visual Effects | André Mazzone | CG Artist |
| Camera | David R. Kappes | Camera Operator |
| Costume & Make-Up | Irene Hanson | Tailor |
| Editing | Stan Sztaba | Negative Cutter |
| Sound | Rick Wessler | Foley Artist |
| Sound | John Bowen | Supervising Sound Editor |
| Sound | Ken Hahn | Sound Re-Recording Mixer |
| Sound | Ray Palagy | Sound Effects Editor |
| Editing | Mark Ginsberg | Color Timer |
| Sound | Neil Cedar | ADR Recordist |
| Sound | Randy Smith | Boom Operator |
| Editing | Laura Congleton | Assistant Editor |
| Editing | Patricia Sztaba | Negative Cutter |
| Sound | Jay Meagher | Sound Mixer |
| Writing | Stephen King | Short Story |
| Production | Neal Marshall Stevens | Associate Producer |
