La colline a des yeux (1977)
En route pour la Californie, la famille de Bobby Carter se retrouve immobilisée en plein coeur du désert du Nevada. Le gérant d'une station-service leur révèle qu'il est le père d'un monstre nommé Jupiter. C'est alors que le colosse surgit et tue son père avant de capturer Bobby et de le torturer…
Directeur: Wes Craven
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Susan Lanier as Brenda Carter |
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Robert Houston as Bobby Carter |
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Martin Speer as Doug Wood |
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Dee Wallace as Lynne Wood |
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Russ Grieve as Big Bob Carter |
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John Steadman as Fred |
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James Whitworth as Jupiter |
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Virginia Vincent as Ethel Carter |
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Lance Gordon as Mars |
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Michael Berryman as Pluto |
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Janus Blythe as Ruby |
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Cordy Clark as Mama |
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Brenda Marinoff as Katy |
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Peter Locke as Mercury |
| Directing | Wes Craven | Director |
| Production | Peter Locke | Producer |
| Sound | Don Peake | Original Music Composer |
| Camera | Eric Saarinen | Director of Photography |
| Editing | Wes Craven | Editor |
| Production | Gus Schirmer | Casting |
| Costume & Make-Up | Joanne Jaffe | Costume Design |
| Writing | Wes Craven | Writer |
| Crew | Peter Locke | Presenter |
| Crew | Moe DiSesso | Animal Coordinator |
| Crew | Tom Morrocco | Animal Coordinator |
| Crew | Ron Stein | Stunt Coordinator |
| Crew | Ron Stein | Stunts |
| Crew | Al Jones | Stunts |
| Crew | John Frazier | Special Effects |
| Crew | Greg Auer | Special Effects |
| Crew | Jim Dannaldson | Animal Coordinator |
| Camera | Leslie Otis | Assistant Camera |
| Directing | Joanie Blum | Script Supervisor |
| Sound | Jan Schulte | Sound Mixer |
| Sound | D. G. Fisher | Assistant Sound Designer |
| Lighting | Dennis Bishop | Gaffer |
| Costume & Make-Up | Paula Cain | Wardrobe Supervisor |
| Camera | Ken Wheeland | Best Boy Grip |
| Camera | Richard Scheid | Grip |
| Camera | Bill Moore | Grip |
| Camera | Larry Boyd | Grip |
| Production | Rose Marie Yurinko | Producer's Assistant |
| Production | Rhonda Hopkins | Production Assistant |
| Production | Florence M. Amico | Production Assistant |
| Art | J. Larry Carroll | Set Designer |
| Camera | Ray Fischer | Still Photographer |
| Art | Tom Pickette | Location Scout |
| Production | Tom Pickette | Location Coordinator |
| Crew | Tim Wawrzeniac | Second Unit |
| Crew | Bob Eber | Second Unit |
| Crew | Rick Braverman | Second Unit |
| Crew | Craig Felburg | Second Unit |
| Crew | Karen Grant | Second Unit |
| Crew | Carolyn Ames | Second Unit |
| Editing | Robert Alsheimer | Assistant Editor |
| Sound | Don Peake | Conductor |
| Sound | Peter Hitchcock | Sound Effects |
| Sound | David Marsh | Sound Effects |
| Sound | David Lee Fein | Sound Effects |
| Sound | Jill Debin | Sound Effects |
| Sound | Hal Watkins | Sound Engineer |
| Camera | Lynn Rogers | Key Grip |
| Costume & Make-Up | Donald Mulderick | Makeup Artist |
| Costume & Make-Up | Ken Horn | Special Effects Makeup Artist |
| Art | Robert A. Burns | Art Direction |
| Costume & Make-Up | Dave Ayres | Special Effects Makeup Artist |
| Production | Walter R. Cichy | Production Manager |
| Directing | Valley Hoffman | Assistant Director |
| Art | Mary Church | Props |
