Meurtrière par amour (1998)
Annie Dolan entre dans une église pour se confesser. Devant le prêtre abasourdi, la jeune femme s'accuse d'un meurtre. L'homme de Dieu lui conseille de se rendre au poste de police le plus proche afin de faire enregistrer ses aveux. La mort dans l'âme, Annie pousse la porte d'un commissariat mais, au dernier moment, prend peur et prétend avoir eu des visions et des cauchemars avant de s'enfuir. Intriguée, Gayle Bennett, une psychologue travaillant avec la police, décide de retrouver la jeune femme. Mise en confiance, celle-ci lui fait le récit de sa descente aux enfers. Tout a commencé deux ans auparavant, quand Anne a fait la connaissance de Creg...
Directeur: David Greene
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Tracey Gold as Annie Nolan |
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Tom Irwin as Craig Mitchell |
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Sharon Gless as Dr. Gayle Bennett |
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Michael Dorn as Lieutenant Steve Driscoll |
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Mark Camacho as Detective Levine |
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Brigid Tierney as Alissa Mitchell |
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Mitchell David Rothpan as Dougie Mitchell |
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Gillian Ferrabee as Wendy Mitchell |
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Stephanie Bauder as Christine |
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Danny Gilmore as Kyle Meechum |
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John Koensgen as Reverend Ryan |
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Tedd Dillon as Eric |
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Manuel Tadros as Carlo |
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Sonja Ball as Radio Announcer |
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Gregory Calpakis as Enrico |
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Derek Johnston as Tom |
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Sabine Karsenti as Julie |
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Patrick Labbé as Ken |
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David Siscoe as The Technician |
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Donovan Reiter as Local Police Officer |
| Writing | Mel Frohman | Story |
| Directing | David Greene | Director |
| Writing | Mel Frohman | Teleplay |
| Writing | Russ Firestone | Story |
| Sound | Peter Manning Robinson | Original Music Composer |
| Art | Claude Paré | Production Design |
| Production | Manon Bougie | Associate Producer |
| Editing | Debra Karen | Editor |
| Costume & Make-Up | Paul-André Guérin | Costume Design |
| Production | Danny Rossner | Producer |
| Production | Murray Shostak | Producer |
| Production | Tony Masucci | Executive Producer |
| Camera | Thomas Burstyn | Director of Photography |
| Production | Andrea Black | Co-Executive Producer |
| Production | Russ Firestone | Co-Executive Producer |
| Production | Melissa Skoff | Casting |
| Production | Andrea Kenyon | Casting |
| Directing | Kim Berlin | First Assistant Director |
| Directing | Caroline Béliveau | Second Assistant Director |
| Directing | Claudette Messier | Script Supervisor |
| Camera | Dominique Ricard | Camera Operator |
| Camera | Yves Drapeau | First Assistant Camera |
| Camera | Pierre Fournier | Second Assistant Camera |
| Lighting | Sylvain Bernier | Gaffer |
| Lighting | Bernard April | Best Boy Electric |
| Camera | Stephen Wells | Key Grip |
| Camera | Lennard Wells | Best Boy Grip |
| Sound | Ismaël Cordeiro | Sound Recordist |
| Sound | Martine Babeu | Boom Operator |
| Art | André Chamberland | Set Decoration |
| Art | Ève Boulonne | Set Decoration |
| Costume & Make-Up | Francine Gagnon | Key Makeup Artist |
| Costume & Make-Up | Melina Di Cristo | Makeup Artist |
| Costume & Make-Up | Réjean Goderre | Key Hairdresser |
| Directing | Stuart Allen | Second Unit Director |
| Sound | Arun Majumdar | Supervising Sound Editor |
| Sound | Steven Gurman | Supervising Dialogue Editor |
| Sound | Cory Rizos | Sound Editor |
| Sound | Glenn Tussman | Sound Editor |
| Sound | Richard Betanzos | Sound Re-Recording Mixer |
| Sound | Scott Donald | Dialogue Editor |
| Sound | André Vincelli | Dialogue Editor |
| Sound | Paul Hubert | Foley Artist |
| Sound | Éric Lagacé | Foley Recordist |
