Mary Higgins Clark : Pour le meilleur et pour le pire (1992)
Kay est un ancien professeur de musique. Lors d’une cérémonie d’anniversaire, elle revient dans son école à la rencontre de ses élèves. Tout se passe pour le mieux jusqu’à ce qu’elle se retrouve séquestrée par un dangereux psychopathe, ancien élève secrètement amoureux d’elle. Un huit clos oppressant va alors se mettre en place…
Directeur:
Clive Donner
écrivain:
Marc Princi
 |
Kate Nelligan as Kay |
 |
Jennifer Beals as Virginia |
 |
Geraint Wyn Davies as Anton |
 |
Werner Stocker as Franz |
 |
Manfred Lehmann as Michael Steiner |
 |
Marga-Maria Werny as |
 |
Horst Scheel as |
 |
Madeleine Robinson as Mme Delalande |
|
Gertrud Prey as Else Weisskirch |
|
Hans Irle as Hermann Weisskirch |
 |
Wolfgang Bathke as Kleinert |
| Directing | Clive Donner | Director |
| Writing | Marc Princi | Screenplay |
| Writing | Mary Higgins Clark | Story |
| Production | Frank Döhmann | Line Producer |
| Production | François Lesterlin | Co-Executive Producer |
| Sound | Carlo Siliotto | Original Music Composer |
| Production | Luitgard Heidelbach | Production Secretary |
| Camera | Stefan Spreer | Camera Operator |
| Crew | Terence Feely | Additional Dialogue |
| Directing | Julian Bienert | Third Assistant Director |
| Art | Norbert Scherer | Production Design |
| Production | Steve Walsh | Producer |
| Sound | Carlo Siliotto | Conductor |
| Directing | Bert Batt | Second Assistant Director |
| Costume & Make-Up | Katharina von Martius | Costume Designer |
| Directing | Bert Batt | First Assistant Director |
| Lighting | Mirko Maurer | Electrician |
| Production | Eliane Huss | Location Manager |
| Camera | Michael Börner | Key Grip |
| Camera | Gernot Roll | Director of Photography |
| Production | Falko Lievre | Production Assistant |
| Lighting | Thomas Brügge | Electrician |
| Production | Jean-Pierre Cottet | Executive Producer |
| Production | Patrick Moine | Executive Producer |
| Lighting | Gregor Havenith | Gaffer |
| Production | Paul E. Painter | Executive Producer |
| Production | Isabell Gronack | Production Assistant |
| Production | Christa Bentlage | Production Secretary |
| Directing | Heike Manzke | Continuity |
| Camera | Kai Sonnerberg | Clapper Loader |
| Lighting | Hans Gassler | Electrician |
| Production | Dagmar Stocker | Production Secretary |
| Production | Gabi Tiedemann | Production Assistant |
| Lighting | Gert Kenkenberg | Electrician |
| Sound | Christian Wolff | ADR Editor |
| Sound | Lothar Segeler | Sound Editor |
| Sound | Lula Sarchione | Music Producer |
| Sound | Klaus Frers | Music Consultant |
| Costume & Make-Up | Sabine Böbbis | Costumer |
| Production | Horst Scheel | Extras Casting |
| Art | Jo Hattenhauer | Set Decoration |
| Production | Bettina Bott | Production Accountant |
| Costume & Make-Up | Linda Mooney | Makeup & Hair |
| Editing | Nina Viereck | First Assistant Editor |
| Sound | Mel Kutbay | Foley Recordist |
| Costume & Make-Up | Suleika Ulmen | Makeup & Hair |
| Sound | Jörn Poetzl | Foley Artist |
| Costume & Make-Up | Antje Krull | Wardrobe Master |
| Art | Wolfgang Mohrhenn | Property Master |
| Editing | Hans-Joachim Bruss | Color Timer |
| Art | Heike Flatt | Assistant Art Director |
| Costume & Make-Up | Nancy Geisler | Makeup & Hair |
| Crew | Ernestine Kahn | Dialogue Coach |
| Sound | Robi Güver | Sound Mixer |
| Costume & Make-Up | Natascha Curtius-Noss | Costume Assistant |
| Sound | Manfred Arbter | Sound Re-Recording Mixer |
| Sound | Katharina Schmidt | Sound Editor |
| Crew | Helmke Chiarello | Unit Publicist |
| Camera | Kerstin Stelter | Still Photographer |
| Art | Alexander Scherer | Construction Manager |
| Sound | Gregor Gebert | Boom Operator |
| Editing | Thomas Schwalm | Editor |
| Production | Gerhard Schmidt | Producer |
