Mary Higgins Clark : Pour le meilleur et pour le pire (1992)
Kay est un ancien professeur de musique. Lors d’une cérémonie d’anniversaire, elle revient dans son école à la rencontre de ses élèves. Tout se passe pour le mieux jusqu’à ce qu’elle se retrouve séquestrée par un dangereux psychopathe, ancien élève secrètement amoureux d’elle. Un huit clos oppressant va alors se mettre en place…
Directeur:
Clive Donner
écrivain:
Marc Princi
 |
Kate Nelligan as Kay |
 |
Jennifer Beals as Virginia |
 |
Geraint Wyn Davies as Anton |
 |
Werner Stocker as Franz |
 |
Manfred Lehmann as Michael Steiner |
 |
Marga-Maria Werny as |
 |
Horst Scheel as |
 |
Madeleine Robinson as Mme Delalande |
|
Gertrud Prey as Else Weisskirch |
|
Hans Irle as Hermann Weisskirch |
 |
Wolfgang Bathke as Kleinert |
| Directing | Clive Donner | Director |
| Writing | Marc Princi | Screenplay |
| Writing | Mary Higgins Clark | Story |
| Production | Paul E. Painter | Executive Producer |
| Production | Eliane Huss | Location Manager |
| Directing | Heike Manzke | Continuity |
| Camera | Kai Sonnerberg | Clapper Loader |
| Lighting | Thomas Brügge | Electrician |
| Lighting | Mirko Maurer | Electrician |
| Crew | Terence Feely | Additional Dialogue |
| Sound | Carlo Siliotto | Conductor |
| Directing | Julian Bienert | Third Assistant Director |
| Costume & Make-Up | Katharina von Martius | Costume Designer |
| Production | Falko Lievre | Production Assistant |
| Sound | Carlo Siliotto | Original Music Composer |
| Directing | Bert Batt | Second Assistant Director |
| Production | Patrick Moine | Executive Producer |
| Production | Steve Walsh | Producer |
| Directing | Bert Batt | First Assistant Director |
| Lighting | Gregor Havenith | Gaffer |
| Production | Frank Döhmann | Line Producer |
| Production | Jean-Pierre Cottet | Executive Producer |
| Production | François Lesterlin | Co-Executive Producer |
| Production | Dagmar Stocker | Production Secretary |
| Production | Christa Bentlage | Production Secretary |
| Camera | Stefan Spreer | Camera Operator |
| Camera | Gernot Roll | Director of Photography |
| Art | Norbert Scherer | Production Design |
| Production | Gabi Tiedemann | Production Assistant |
| Production | Luitgard Heidelbach | Production Secretary |
| Costume & Make-Up | Nancy Geisler | Makeup & Hair |
| Production | Horst Scheel | Extras Casting |
| Sound | Lothar Segeler | Sound Editor |
| Sound | Katharina Schmidt | Sound Editor |
| Production | Bettina Bott | Production Accountant |
| Sound | Christian Wolff | ADR Editor |
| Art | Wolfgang Mohrhenn | Property Master |
| Sound | Mel Kutbay | Foley Recordist |
| Costume & Make-Up | Antje Krull | Wardrobe Master |
| Sound | Lula Sarchione | Music Producer |
| Sound | Robi Güver | Sound Mixer |
| Costume & Make-Up | Linda Mooney | Makeup & Hair |
| Crew | Ernestine Kahn | Dialogue Coach |
| Editing | Nina Viereck | First Assistant Editor |
| Crew | Helmke Chiarello | Unit Publicist |
| Costume & Make-Up | Natascha Curtius-Noss | Costume Assistant |
| Costume & Make-Up | Suleika Ulmen | Makeup & Hair |
| Production | Isabell Gronack | Production Assistant |
| Camera | Michael Börner | Key Grip |
| Lighting | Gert Kenkenberg | Electrician |
| Sound | Gregor Gebert | Boom Operator |
| Art | Heike Flatt | Assistant Art Director |
| Art | Alexander Scherer | Construction Manager |
| Editing | Hans-Joachim Bruss | Color Timer |
| Art | Jo Hattenhauer | Set Decoration |
| Costume & Make-Up | Sabine Böbbis | Costumer |
| Camera | Kerstin Stelter | Still Photographer |
| Lighting | Hans Gassler | Electrician |
| Sound | Manfred Arbter | Sound Re-Recording Mixer |
| Sound | Klaus Frers | Music Consultant |
| Sound | Jörn Poetzl | Foley Artist |
| Editing | Thomas Schwalm | Editor |
| Production | Gerhard Schmidt | Producer |
