Sweet November (2001)
Nelson Moss est un publicitaire ambitieux, obsédé par le travail. Seule sa carrière importe ; les autres ne sont là que pour l'aider à atteindre ses objectifs. Il n'a pas de temps à consacrer à ses amis ou à ses collègues, ainsi va la vie. En pleine concentration lors d'un important examen de conduite, Nelson est dérangé par une jeune femme arrivée en retard. Ne sachant pas la réponse à une question, il la lui demande discrètement. Mais voilà que le surveillant l'accuse, elle, de tricherie et déchire sa copie. Même s'il est pressé comme à son habitude, Nelson prend un peu de temps pour aller s'excuser. Elle s'appelle Sara Deever, elle est joviale, zen, pleine d'énergie. Malgré son manque flagrant de bonnes manières, elle voit en Nelson quelqu'un de bien. Elle a un certain don pour transformer les hommes et elle n'a besoin que d'un mois pour cela. C'est bientôt le mois de novembre et Sara invite Nelson à venir habiter chez elle en plus d'être son chauffeur.
Directeur:
Pat O'Connor
écrivain:
Kurt Voelker
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Keanu Reeves as Nelson Moss |
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Charlize Theron as Sara Deever |
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Jason Isaacs as Chaz Watley |
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Greg Germann as Vince Holland |
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Lauren Graham as Angelica |
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Michael Rosenbaum as Brandon / Brandy |
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Frank Langella as Edgar Price |
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Robert Joy as Raeford Dunne |
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Liam Aiken as Abner |
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Jason Kravits as Manny |
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June Carryl as Beatrice |
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Kelvin Han Yee as Burly Man |
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David Fine as Homeless Person |
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Chuck Isen as Bald Man |
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Diane Amos as Rachel, Coffee Shop Waitress |
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Ray Baker as Buddy Leach |
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Tom Bullock as Al |
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Adele Proom as Osiris |
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L. Peter Callender as Don Watson, DMV Proctor |
| Writing | Herman Raucher | Original Film Writer |
| Art | Kevin Constant | Art Direction |
| Editing | Anne V. Coates | Editor |
| Production | Elliott Kastner | Producer |
| Production | Deborah Stoff | Producer |
| Directing | Pat O'Connor | Director |
| Writing | Kurt Voelker | Screenplay |
| Art | Naomi Shohan | Production Design |
| Sound | Christopher Young | Original Music Composer |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Art | Bob Kensinger | Set Decoration |
| Production | Erwin Stoff | Producer |
| Production | Wendy Wanderman | Executive Producer |
| Camera | Edward Lachman | Director of Photography |
| Production | Steven Reuther | Producer |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Sound | Mark Pappas | Foley Editor |
| Lighting | John W. DeBlau | Gaffer |
| Editing | Mo Henry | Negative Cutter |
| Production | Donald H. Walker | Production Accountant |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Production | Risa Bramon Garcia | Casting |
| Directing | John M. Morse | Second Assistant Director |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Fred Runner | Boom Operator |
| Camera | Dave Childers | Key Grip |
| Sound | Steven F. Nelson | Sound Effects Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Production | Marty P. Ewing | Co-Producer |
| Art | Michael E. Goldman | Assistant Art Director |
| Production | Noelle Chapin | Production Coordinator |
| Production | Randi Hiller | Casting |
| Editing | Robb Sullivan | First Assistant Editor |
| Production | Ellen Lent | Location Manager |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Lighting | Terry Sullivan | Best Boy Electric |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Sound | Michael Dressel | Foley Supervisor |
| Crew | Webster Whinery | Stunt Coordinator |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Sound | Brian Best | Sound Effects Editor |
| Production | Gail Stempler | Location Manager |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Art | Rich Clot | Construction Foreman |
| Camera | Mitch Dubin | Camera Operator |
| Directing | Jonathan Watson | First Assistant Director |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Sean Rowe | Foley Artist |
| Production | Marty P. Ewing | Unit Production Manager |
| Production | Jodi Ehrlich | Associate Producer |
| Sound | Nelson Stoll | Sound Mixer |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Camera | Orlando Orona | Dolly Grip |
| Sound | Eric Thompson | Foley Mixer |
| Art | Rodney Armanino | Construction Coordinator |
| Sound | Tim Walston | Sound Designer |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | John Michael Fanaris | Sound Editor |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Editing | Dana Ross | Color Timer |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | Laura Macias | Foley Artist |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Writing | Paul Yurick | Story |
| Sound | John Finklea | Music Editor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Curtis Roush | Music Editor |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Directing | Leslie Park | Script Supervisor |
| Sound | Tanya Noel Hill | Music Editor |
| Crew | Robin Bonaccorsi | Stunts |
