Sweet November (2001)
Nelson Moss est un publicitaire ambitieux, obsédé par le travail. Seule sa carrière importe ; les autres ne sont là que pour l'aider à atteindre ses objectifs. Il n'a pas de temps à consacrer à ses amis ou à ses collègues, ainsi va la vie. En pleine concentration lors d'un important examen de conduite, Nelson est dérangé par une jeune femme arrivée en retard. Ne sachant pas la réponse à une question, il la lui demande discrètement. Mais voilà que le surveillant l'accuse, elle, de tricherie et déchire sa copie. Même s'il est pressé comme à son habitude, Nelson prend un peu de temps pour aller s'excuser. Elle s'appelle Sara Deever, elle est joviale, zen, pleine d'énergie. Malgré son manque flagrant de bonnes manières, elle voit en Nelson quelqu'un de bien. Elle a un certain don pour transformer les hommes et elle n'a besoin que d'un mois pour cela. C'est bientôt le mois de novembre et Sara invite Nelson à venir habiter chez elle en plus d'être son chauffeur.
Directeur:
Pat O'Connor
écrivain:
Kurt Voelker
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Keanu Reeves as Nelson Moss |
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Charlize Theron as Sara Deever |
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Jason Isaacs as Chaz Watley |
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Greg Germann as Vince Holland |
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Lauren Graham as Angelica |
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Michael Rosenbaum as Brandon / Brandy |
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Frank Langella as Edgar Price |
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Robert Joy as Raeford Dunne |
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Liam Aiken as Abner |
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Jason Kravits as Manny |
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June Carryl as Beatrice |
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Kelvin Han Yee as Burly Man |
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David Fine as Homeless Person |
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Chuck Isen as Bald Man |
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Diane Amos as Rachel, Coffee Shop Waitress |
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Ray Baker as Buddy Leach |
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Tom Bullock as Al |
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Adele Proom as Osiris |
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L. Peter Callender as Don Watson, DMV Proctor |
| Writing | Herman Raucher | Original Film Writer |
| Editing | Anne V. Coates | Editor |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Production | Deborah Stoff | Producer |
| Writing | Kurt Voelker | Screenplay |
| Art | Kevin Constant | Art Direction |
| Production | Steven Reuther | Producer |
| Production | Elliott Kastner | Producer |
| Sound | Christopher Young | Original Music Composer |
| Camera | Edward Lachman | Director of Photography |
| Art | Naomi Shohan | Production Design |
| Production | Wendy Wanderman | Executive Producer |
| Art | Bob Kensinger | Set Decoration |
| Production | Erwin Stoff | Producer |
| Directing | Pat O'Connor | Director |
| Production | Gail Stempler | Location Manager |
| Sound | Tim Walston | Sound Designer |
| Sound | Mildred Iatrou | Dialogue Editor |
| Production | Randi Hiller | Casting |
| Lighting | John W. DeBlau | Gaffer |
| Art | Rodney Armanino | Construction Coordinator |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Production | Noelle Chapin | Production Coordinator |
| Camera | Orlando Orona | Dolly Grip |
| Sound | Eric Thompson | Foley Mixer |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Sound | Laura Macias | Foley Artist |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Art | Michael E. Goldman | Assistant Art Director |
| Crew | Webster Whinery | Stunt Coordinator |
| Production | Jodi Ehrlich | Associate Producer |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Sound | Brian Best | Sound Effects Editor |
| Production | Marty P. Ewing | Co-Producer |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Camera | Dave Childers | Key Grip |
| Directing | Jonathan Watson | First Assistant Director |
| Sound | Nelson Stoll | Sound Mixer |
| Art | Rich Clot | Construction Foreman |
| Editing | Robb Sullivan | First Assistant Editor |
| Production | Marty P. Ewing | Unit Production Manager |
| Production | Donald H. Walker | Production Accountant |
| Production | Ellen Lent | Location Manager |
| Lighting | Terry Sullivan | Best Boy Electric |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Sound | Sean Rowe | Foley Artist |
| Directing | John M. Morse | Second Assistant Director |
| Camera | Mitch Dubin | Camera Operator |
| Sound | Fred Runner | Boom Operator |
| Sound | Michael Dressel | Foley Supervisor |
| Production | Risa Bramon Garcia | Casting |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Steven F. Nelson | Sound Effects Editor |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | John Michael Fanaris | Sound Editor |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Editing | Mo Henry | Negative Cutter |
| Editing | Dana Ross | Color Timer |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Sound | Mark Pappas | Foley Editor |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Writing | Paul Yurick | Story |
| Sound | Tanya Noel Hill | Music Editor |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Sound | G. Marq Roswell | Music Supervisor |
| Directing | Leslie Park | Script Supervisor |
| Sound | Curtis Roush | Music Editor |
| Sound | John Finklea | Music Editor |
| Crew | Robin Bonaccorsi | Stunts |
