Sweet November (2001)
Nelson Moss est un publicitaire ambitieux, obsédé par le travail. Seule sa carrière importe ; les autres ne sont là que pour l'aider à atteindre ses objectifs. Il n'a pas de temps à consacrer à ses amis ou à ses collègues, ainsi va la vie. En pleine concentration lors d'un important examen de conduite, Nelson est dérangé par une jeune femme arrivée en retard. Ne sachant pas la réponse à une question, il la lui demande discrètement. Mais voilà que le surveillant l'accuse, elle, de tricherie et déchire sa copie. Même s'il est pressé comme à son habitude, Nelson prend un peu de temps pour aller s'excuser. Elle s'appelle Sara Deever, elle est joviale, zen, pleine d'énergie. Malgré son manque flagrant de bonnes manières, elle voit en Nelson quelqu'un de bien. Elle a un certain don pour transformer les hommes et elle n'a besoin que d'un mois pour cela. C'est bientôt le mois de novembre et Sara invite Nelson à venir habiter chez elle en plus d'être son chauffeur.
Directeur:
Pat O'Connor
écrivain:
Kurt Voelker
 |
Keanu Reeves as Nelson Moss |
 |
Charlize Theron as Sara Deever |
 |
Jason Isaacs as Chaz Watley |
 |
Greg Germann as Vince Holland |
 |
Lauren Graham as Angelica |
 |
Michael Rosenbaum as Brandon / Brandy |
 |
Frank Langella as Edgar Price |
 |
Robert Joy as Raeford Dunne |
 |
Liam Aiken as Abner |
 |
Jason Kravits as Manny |
 |
June Carryl as Beatrice |
 |
Kelvin Han Yee as Burly Man |
 |
David Fine as Homeless Person |
 |
Chuck Isen as Bald Man |
|
Diane Amos as Rachel, Coffee Shop Waitress |
 |
Ray Baker as Buddy Leach |
|
Tom Bullock as Al |
|
Adele Proom as Osiris |
|
L. Peter Callender as Don Watson, DMV Proctor |
| Writing | Herman Raucher | Original Film Writer |
| Directing | Pat O'Connor | Director |
| Writing | Kurt Voelker | Screenplay |
| Sound | Christopher Young | Original Music Composer |
| Camera | Edward Lachman | Director of Photography |
| Editing | Anne V. Coates | Editor |
| Art | Naomi Shohan | Production Design |
| Art | Kevin Constant | Art Direction |
| Art | Bob Kensinger | Set Decoration |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Production | Elliott Kastner | Producer |
| Production | Steven Reuther | Producer |
| Production | Deborah Stoff | Producer |
| Production | Erwin Stoff | Producer |
| Production | Wendy Wanderman | Executive Producer |
| Production | Marty P. Ewing | Co-Producer |
| Production | Risa Bramon Garcia | Casting |
| Production | Randi Hiller | Casting |
| Production | Marty P. Ewing | Unit Production Manager |
| Directing | Jonathan Watson | First Assistant Director |
| Directing | John M. Morse | Second Assistant Director |
| Crew | Webster Whinery | Stunt Coordinator |
| Production | Jodi Ehrlich | Associate Producer |
| Art | Michael E. Goldman | Assistant Art Director |
| Editing | Robb Sullivan | First Assistant Editor |
| Camera | Mitch Dubin | Camera Operator |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Nelson Stoll | Sound Mixer |
| Sound | Fred Runner | Boom Operator |
| Production | Noelle Chapin | Production Coordinator |
| Production | Donald H. Walker | Production Accountant |
| Production | Ellen Lent | Location Manager |
| Production | Gail Stempler | Location Manager |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Lighting | John W. DeBlau | Gaffer |
| Lighting | Terry Sullivan | Best Boy Electric |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Camera | Dave Childers | Key Grip |
| Camera | Orlando Orona | Dolly Grip |
| Art | Rodney Armanino | Construction Coordinator |
| Art | Rich Clot | Construction Foreman |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Sound | Brian Best | Sound Effects Editor |
| Sound | Steven F. Nelson | Sound Effects Editor |
| Sound | Tim Walston | Sound Designer |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | Michael Dressel | Foley Supervisor |
| Sound | Mark Pappas | Foley Editor |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Sean Rowe | Foley Artist |
| Sound | Laura Macias | Foley Artist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | John Michael Fanaris | Sound Editor |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Editing | Mo Henry | Negative Cutter |
| Editing | Dana Ross | Color Timer |
| Writing | Paul Yurick | Story |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Directing | Leslie Park | Script Supervisor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | John Finklea | Music Editor |
| Sound | Tanya Noel Hill | Music Editor |
| Sound | Curtis Roush | Music Editor |
| Crew | Robin Bonaccorsi | Stunts |
