Le Chat noir (1981)
Dans un village de Grande-Bretagne, la photographe Jill Travers rencontre un inquiétant individu précédé d'une réputation sulfureuse, Robert Miles. Passionné de sciences occultes, Miles hante les cimetières et les lieux de sépulture, communiquant avec l'au-delà par l'intermédiaire d'un chat noir dont les apparitions constituent autant de rencontres mortelles. Alertés par une cascade de morts violentes, Jill Travers et l'inspecteur Gorley mènent l'enquête sur les activités réelles de Miles et de son sinistre animal de compagnie...
Directeur:
Lucio Fulci
écrivains:
Biagio Proietti, Lucio Fulci.
 |
Patrick Magee as Prof. Robert Miles |
 |
Mimsy Farmer as Jill Trevers |
 |
David Warbeck as Inspector Gorley |
 |
Al Cliver as Sgt. Wilson |
 |
Dagmar Lassander as Lillian Grayson |
 |
Bruno Corazzari as Ferguson |
 |
Geoffrey Copleston as Inspector Flynn |
 |
Daniela Doria as Maureen Grayson |
| Production | Giulio Sbarigia | Producer |
| Directing | Victor Tourjansky | Assistant Director |
| Production | Adalberto Spadoni | Administration |
| Art | Franco Calabrese | Production Design |
| Art | Massimo Antonello Geleng | Art Direction |
| Production | Ennio Onorati | Production Manager |
| Production | David Ball | Production Assistant |
| Production | Antonio Da Padova | Unit Manager |
| Sound | Eros Giustini | Boom Operator |
| Sound | Pino Donaggio | Music |
| Sound | Edmondo Gintili | Foley |
| Crew | Daniela Tonti | Animal Coordinator |
| Production | Tommaso Pantano | Unit Manager |
| Sound | Fernando Caso | Sound Effects |
| Sound | Ugo Celani | Sound |
| Camera | Ennio Brizzolari | Key Grip |
| Editing | Rita Antonelli | First Assistant Editor |
| Directing | David Del Bufalo | Assistant Director |
| Directing | Roberto Giandalia | Second Unit Director |
| Sound | Alvaro Gramigna | Sound Effects |
| Camera | Maurizio Lucchini | Assistant Camera |
| Art | Alfredo D'Angelo | Art Department Assistant |
| Crew | Paolo Ricci | Special Effects |
| Crew | Nazzareno Cardinali | Stunt Coordinator |
| Camera | Roberto Forges Davanzati | Camera Operator |
| Camera | Gianfranco Massa | Still Photographer |
| Production | Harry Alan Towers | Associate Producer |
| Sound | Natale Massara | Conductor |
| Costume & Make-Up | Maria Pia Crapanzano | Hair Setup |
| Costume & Make-Up | Franco Di Girolamo | Makeup Artist |
| Directing | Daniela Tonti | Continuity |
| Writing | Biagio Proietti | Story |
| Production | Renato Angiolini | Production Executive |
| Lighting | Cristo Verrillo | Electrician |
| Costume & Make-Up | Mina Tacconi | Seamstress |
| Camera | Franco Bruni | Camera Operator |
| Writing | Biagio Proietti | Screenplay |
| Costume & Make-Up | Rosario Prestopino | Assistant Makeup Artist |
| Lighting | Alfredo Fedeli | Gaffer |
| Editing | Pietro Tomassi | Assistant Editor |
| Costume & Make-Up | Massimo Lentini | Costume Design |
| Sound | Pino Donaggio | Original Music Composer |
| Editing | Vincenzo Tomassi | Editor |
| Directing | Lucio Fulci | Director |
| Writing | Lucio Fulci | Screenplay |
| Camera | Sergio Salvati | Director of Photography |
| Writing | Edgar Allan Poe | Short Story |
