Enfants de salauds (1969)
En Libye pendant la Seconde Guerre Mondiale, les pertes humaines et les dégâts matériels sont considérables. Pour faire amende honorable, le général Blore ordonne au colonel Masters de faire sauter un dépôt de carburant allemand. Afin d'accomplir cette mission, il recrute une bande de criminels, considérés comme seules pertes acceptables. Mais un problème de communication va remettre en cause toute l'expédition...
Directeur:
André de Toth
écrivains:
Lotte Colin, Melvyn Bragg.
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Michael Caine as Capt. Douglas |
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Nigel Davenport as Capt. Cyril Leech |
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Nigel Green as Col. Masters |
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Harry Andrews as Brig. Blore |
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Patrick Jordan as Maj. Alan Watkins |
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Daniel Pilon as Capt. Attwood (Blore's adjutant at Special Forces HQ) |
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Bernard Archard as Col. Homerton |
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Aly Ben Ayed as Sadok |
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Enrique Ávila as Kafkarides |
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Mohsen Ben Abdallah as Hassan |
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Mohamed Kouka as Assine |
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Τάκης Εμμανουήλ as Kostas Manou |
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Scott Miller as Boudesh |
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Vivian Pickles as German Nurse |
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Michael Stevens as Capt. Johnson |
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Anthony Stamboulieh as Barman in Arab Bar |
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Jose Halufi as Arab |
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Stanley Caine as German Officer |
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Dennis Brennan as Corporal |
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Jeremy Child as 2nd Lieutenant |
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Rafael Albaicín as Chief Arab at Oasis |
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Martin Burland as Dead Officer |
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George McKeenan as Corporal at Quayside |
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Bridget Espeet as Ann |
| Writing | Lotte Colin | Screenplay |
| Directing | André de Toth | Director |
| Writing | Melvyn Bragg | Screenplay |
| Writing | André de Toth | Writer |
| Visual Effects | Ray Caple | Matte Painter |
| Sound | Paddy Cunningham | Sound Recordist |
| Art | Elven Webb | Art Direction |
| Costume & Make-Up | Freddie Williamson | Makeup Artist |
| Sound | Gordon K. McCallum | Sound Mixer |
| Costume & Make-Up | Betty Glasow | Hairstylist |
| Production | Vicente Sempere | Production Manager |
| Directing | Roger Good | Assistant Director |
| Sound | Michel Legrand | Conductor |
| Costume & Make-Up | A.L. Lawrance | Makeup Artist |
| Directing | Carlos Gil | Second Assistant Director |
| Writing | George Marton | Story |
| Art | Thomas N. Morahan | Art Direction |
| Production | Eva Monley | Production Manager |
| Directing | Antonio Tarruella | Assistant Director |
| Art | Graham Sumner | Property Master |
| Art | Maurice Pelling | Art Direction |
| Directing | Nick Caris Carter | Assistant Director |
| Sound | Teddy Mason | Sound Editor |
| Editing | Alan Osbiston | Editor |
| Costume & Make-Up | John Brady | Wardrobe Designer |
| Directing | Phyllis Crocker | Continuity |
| Crew | Kit West | Special Effects |
| Lighting | Laurie Shane | Gaffer |
| Camera | Alan McCabe | Camera Operator |
| Camera | Trevor Wrenn | Camera Operator |
| Production | Andrew Birkin | Location Manager |
| Production | Harry Saltzman | Producer |
| Editing | Jack Slade | Editor |
| Camera | Edward Scaife | Director of Photography |
| Sound | Michel Legrand | Original Music Composer |
| Art | Mike Fowlie | Standby Property Master |
| Sound | Otto Snel | Sound Re-Recording Mixer |
| Crew | Arthur Beavis | Special Effects Assistant |
| Crew | Antonio Parra | Special Effects |
| Crew | John Richardson | Special Effects |
| Crew | Terry Schubert | Special Effects Assistant |
| Crew | Jack Wallis | Special Effects |
| Camera | Roger Berner | Clapper Loader |
| Art | Peter Mullins | Location Scout |
| Production | Andy Birmingham | Production Accountant |
| Crew | Harry Saltzman | Presenter |
