L'Empreinte de Frankenstein (1964)
C'est dans un laboratoire de campagne que le Baron Frankenstein (Peter Cushing), aidé par son assistant Hans (Sandor Eles), continue ses expériences, commencées et interrompues il y a quelques années. Tout se gâte lorsque le prêtre de l'endroit constate un vol de cadavre qui était exposé dans une cabane de paysan. Il investit le laboratoire où les savants sont en train de ranimer le cœur du cadavre. Constatant le travail du diable, il commence à détruire tout ce qui lui tombe sous la main. Frankenstein et Hans ne peuvent que s'enfuir. Ils s'enfuient à Karlstadt, château familial du Baron et lieu où ont débuté ses premières expériences.
Directeur:
Freddie Francis
écrivain:
Anthony Hinds
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Peter Cushing as Baron Frankenstein |
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Peter Woodthorpe as Prof. Zoltan |
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Duncan Lamont as Karlstaad |
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Sandor Elès as Hans |
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Katy Wild as Beggar Girl |
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David Hutcheson as Bürgermeister |
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James Maxwell as Priester |
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Howard Goorney as Drunk |
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Kiwi Kingston as The Monster |
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Caron Gardner as Burgermeister's Wife |
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Tracy Stratford as Rena as a Child (uncredited) |
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Tony Arpino as Body Snatcher (uncredited) |
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Timothy Bateson as Hypnotized Man (uncredited) |
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Jim Brady as Villager (uncredited) |
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Frank Forsyth as Manservant (uncredited) |
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Steven Geray as Dr. Sergado (uncredited) |
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Patrick Halpin as Villager (uncredited) |
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Patrick Horgan as David Carrell (uncredited) |
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Kenneth Kove as Curé (uncredited) |
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Derek Martin as Roustabout (uncredited) |
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Maria Palmer as Rena's Mother (uncredited) |
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William Phipps as Rena's Father (uncredited) |
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Alister Williamson as Landlord (uncredited) |
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Fred Wood as Karlstaad Pedestrian (uncredited) |
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Anthony Blackshaw as Policeman |
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David Conville as Policeman |
| Directing | Freddie Francis | Director |
| Writing | Anthony Hinds | Screenplay |
| Production | Anthony Hinds | Producer |
| Camera | John Wilcox | Director of Photography |
| Costume & Make-Up | Roy Ashton | Makeup Artist |
| Costume & Make-Up | Frieda Steiger | Hairstylist |
| Sound | Don Banks | Original Music Composer |
| Art | Don Mingaye | Art Direction |
| Production | Don Weeks | Production Manager |
| Crew | Les Bowie | Special Effects |
| Sound | Philip Martell | Conductor |
| Writing | Mary Shelley | Characters |
| Sound | Tom Buchanan | Boom Operator |
| Directing | William P. Cartlidge | Assistant Director |
| Directing | Hugh Harlow | Second Assistant Director |
| Art | Arthur Banks | Construction Manager |
| Art | Fred Carter | Draughtsman |
| Crew | Feliks Sergejak | Scenic Artist |
| Sound | Roy Hyde | Sound Editor |
| Sound | Ken Rawkins | Sound Recordist |
| Crew | Peter Diamond | Stunts |
| Camera | Ronnie Maasz | Camera Operator |
| Camera | Tom Edwards | Still Photographer |
| Camera | Ginger Gemmel | Second Assistant Camera |
| Camera | Geoff Glover | Focus Puller |
| Camera | Anthony B. Richmond | Clapper Loader |
| Costume & Make-Up | Rosemary Burrows | Costume Mistress |
| Editing | James Needs | Supervising Editor |
| Editing | Chris Barnes | First Assistant Editor |
| Directing | Pauline Harlow | Continuity |
