L'Enfer est pour les Héros (1962)
À l'automne 1944, dans les Ardennes, un groupe de G.I. est envoyé en première ligne, face à un blockhaus allemand. Pendant quelques heures, en attendant des renforts, et avec seulement une douzaine d'hommes, le groupe a pour mission de faire croire à l'ennemi qu'ils sont très nombreux à tenir la position. Reese, un ex-sous-officier, dégradé pour ivrognerie n'obéit pas aux ordres et décide d'attaquer le blockhaus de nuit avec quelques GIs ; parmi eux Henshaw, qui perd la vie. Lorsque les renforts arrivent, un officier supérieur apprend la désobéissance de Reese et lui promet la cour martiale. Au petit matin, les soldats partent à l'assaut du blockhaus, qui est pris grâce au sacrifice de Reese.
Directeur:
Don Siegel
écrivains:
Robert Pirosh, Richard Carr.
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Steve McQueen as Pvt. John Reese |
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Bobby Darin as Pvt. Dave 'J.J.' Corby |
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Fess Parker as Sgt. Bill Pike |
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Harry Guardino as Sgt. Jim Larkin |
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James Coburn as Cpl. Frank Henshaw |
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Mike Kellin as Pvt. Stan Kolinsky |
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Joseph Hoover as Capt. Roger Loomis |
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Bill Mullikin as Pvt. Joe Cumberly |
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L.Q. Jones as Supply Sgt. Frazer |
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Michele Montau as Monique Ouidel |
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Don Haggerty as Capt. Mace |
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Nick Adams as Homer Janeczek |
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Bob Newhart as Pvt. James E. Driscoll |
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Stephen Ferry as Sgt. Morgan |
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Simon Prescott as Thomas |
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Robert Phillips as Jeep driver |
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Richard Adams as Sergeant (uncredited) |
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Guy Way as Sergeant (uncredited) |
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Fred Cavens as Old Man (uncredited) |
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Louis J. Gasnier as Old Man (uncredited) |
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Chuck Hicks as Wounded Prisoner (uncredited) |
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Tipp McClure as German Prisoner (uncredited) |
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Fred Ross as Sergeant (uncredited) |
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Glenn Stensel as Medic (uncredited) |
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James Turley as Corporal (uncredited) |
| Directing | Don Siegel | Director |
| Writing | Robert Pirosh | Screenplay |
| Production | Henry Blanke | Producer |
| Art | Robert R. Benton | Set Decoration |
| Art | Hal Pereira | Art Direction |
| Art | Sam Comer | Set Decoration |
| Sound | Leonard Rosenman | Original Music Composer |
| Visual Effects | John P. Fulton | Visual Effects |
| Editing | Howard A. Smith | Editor |
| Art | Howard Richmond | Art Direction |
| Camera | Harold Lipstein | Director of Photography |
| Crew | Loren Janes | Stunt Double |
| Camera | Art Say | Still Photographer |
| Directing | William McGarry | Assistant Director |
| Sound | Philip Mitchell | Sound Recordist |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Sound | John Wilkinson | Sound Recordist |
| Writing | Richard Carr | Screenplay |
| Writing | Robert Pirosh | Story |
| Costume & Make-Up | Gary Morris | Makeup Artist |
| Directing | James A. Rosenberger | Assistant Director |
| Art | Gene Lauritzen | Construction Coordinator |
| Crew | Richard Parker | Special Effects Coordinator |
| Crew | Vince Deadrick Sr. | Stunts |
| Crew | Richard Elmore | Stunts |
| Crew | Fritz Ford | Stunt Double |
| Crew | Chuck Hicks | Stunts |
| Crew | David Perna | Stunts |
| Crew | Guy Way | Stunt Coordinator |
| Crew | Jesse Wayne | Stunts |
| Sound | Larry Bunker | Musician |
| Sound | Mahlon Clark | Musician |
| Sound | Bob DiVall | Musician |
| Sound | Norman Herzburg | Musician |
| Sound | William Kraft | Musician |
| Sound | Edgar Lustgarten | Musician |
| Sound | Shelly Manne | Musician |
| Sound | Leonard Rosenman | Conductor |
