Le Jour du fléau (1975)
Hollywood, années 1930. Tod Hackett, un jeune peintre qui tente de faire son chemin en tant que directeur artistique dans le monde rude du cinéma, tombe amoureux de sa voisine Faye Greener, une actrice en herbe qui préfère la vie que Homer Simpson, un comptable solitaire, peut lui offrir.
Directeur:
John Schlesinger
écrivain:
Waldo Salt
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Donald Sutherland as Homer Simpson |
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Karen Black as Faye Greener |
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Burgess Meredith as Harry Greener |
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William Atherton as Tod Hackett |
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Geraldine Page as Big Sister |
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Richard Dysart as Claude Estee |
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Bo Hopkins as Earle Shoop |
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Pepe Serna as Miguel |
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Lelia Goldoni as Mary Dove |
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Jackie Earle Haley as Adore Loomis |
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Billy Barty as Abe Kusich |
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Gloria LeRoy as Mrs. Loomis |
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Natalie Schafer as Audrey Jennings |
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Jane Hoffman as Mrs. Odlesh |
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Paul Stewart as Helverston |
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John Hillerman as Ned Grote |
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Paul Jabara as Nightclub Entertainer |
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Norman Leavitt as Mr. Odlesh |
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Madge Kennedy as Mrs. Johnson |
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Ina Gould as Lee Sister #1 |
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Florence Lake as Lee Sister #2 |
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Margaret Willey as Mrs. Gingo |
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John War Eagle as Mr. Gingo |
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Gloria Stroock as Alice Estee |
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Nita Talbot as Joan |
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Nicholas Cortland as Projectionist |
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Alvin Childress as Butler |
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Byron Paul as Guest #1 |
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Virginia Baker as Guest #2 |
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Roger Price as Guest #3 |
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Angela Greene as Guest #4 |
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Robert O. Ragland as Guest #5 |
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Abbey Greshler as Guest #6 |
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Ann Coleman as Girl #1 |
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Gyl Roland as Girl #2 |
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William Castle as Director |
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Fred Scheiwiller as 1st Asst. Director |
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Wally Rose as 2nd Asst. Director |
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Grainger Hines as French Lt. |
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DeForest Covan as Shoe Shine Boy |
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Michael Quinn as Major Domo |
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Robert Pine as Apprentice #1 |
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Jerry Fogel as Apprentice #2 |
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Dennis Dugan as Apprentice #3 |
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David Ladd as Apprentice #4 |
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Bob Holt as Tour Guide |
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Queenie Smith as Palsied Lady |
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Margaret Aikens Jenkins as Choral Director |
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Jonathan Kidd as Undertaker |
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Wally K. Berns as Theater Manager |
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Dick Powell Jr. as Dick Powell |
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Al Bain as Autograph Hunter (uncredited) |
| Directing | John Schlesinger | Director |
| Sound | John Barry | Original Music Composer |
| Camera | Conrad Hall | Director of Photography |
| Writing | Nathanael West | Novel |
| Writing | Waldo Salt | Screenplay |
| Crew | Jeannie Epper | Stunts |
| Editing | Jim Clark | Editor |
| Production | Marion Dougherty | Casting |
| Art | Richard Macdonald | Production Design |
| Art | John J. Lloyd | Art Direction |
| Art | George James Hopkins | Set Decoration |
| Crew | Gene LeBell | Stunts |
| Art | Dan Perri | Title Designer |
| Crew | Tim Smyth | Special Effects |
| Visual Effects | Albert Whitlock | Visual Effects |
| Costume & Make-Up | Del Armstrong | Makeup Designer |
| Costume & Make-Up | Lynn Del Kail | Hair Designer |
| Lighting | Richard Martens | Gaffer |
| Crew | Phil Adams | Stunt Coordinator |
| Directing | Karen Hale Wookey | Script Supervisor |
| Camera | Thomas Laughridge | Camera Operator |
| Sound | Tom Overton | Sound Recordist |
| Sound | Gerry Humphreys | Sound Mixer |
| Sound | David Campling | Sound Editor |
| Directing | Tim Zinnemann | Assistant Director |
| Production | Michael Childers | Associate Producer |
| Crew | Marge Champion | Choreographer |
| Production | Dianne Crittenden | Casting |
| Costume & Make-Up | Ann Roth | Costume Designer |
| Production | Sheldon Schrager | Associate Producer |
| Production | Jerome Hellman | Producer |
| Production | Sheldon Schrager | Unit Production Manager |
| Camera | Dave Friedman | Still Photographer |
| Art | Allan Gordon | Property Master |
| Crew | Michael Maslansky | Unit Publicist |
