Central do Brasil (1998)
Dora, ex-institutrice, gagne sa vie en écrivant des lettres pour les migrants illettrés à la gare centrale de Rio. Ana et son jeune fils Josue font appel à ses services pour retrouver le père de Josue. Lorsque Dora rentre dans son petit appartement de banlieue, elle fait le tri des lettres de la journée, en envoie certaines, jette les autres et en garde une partie dans un tiroir. C'est ce qui arrive à la lettre de Josue. Quand sa mère meurt, renversée par un bus, Josue demande à Dora de l'aider à retrouver son père. D'abord insensible, Dora finit par accepter de l'aider.
Directeur:
Walter Salles
écrivains:
Walter Salles, João Emanuel Carneiro, Marcos Bernstein.
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Fernanda Montenegro as Isadora 'Dora' Teixeira |
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Vinícius de Oliveira as Josué Fontenele de Paiva |
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Marília Pêra as Irene |
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Othon Bastos as César |
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Otávio Augusto as Pedrão |
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Matheus Nachtergaele as Isaías Paiva |
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Caio Junqueira as Moisés Paiva |
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Stella Freitas as Yolanda |
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Maria Menezes as Waitress |
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Sergio Kato as Dora's Client |
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Soia Lira as Ana Fontenele |
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Rita Assemany as Jessé's Wife |
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Harildo Déda as Bené |
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Gildásio Leite as Man on the bus |
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Nanego Lira as Nordeste preacher |
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José Pereira da Silva as Dora's Client |
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Everaldo Pontes as Dora's Client |
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Inaldo Santana as Dora's Client |
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Gideon Rosa as Jessé |
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Antonieta Noronha as Violeta |
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Socorro Nobre as Dora's Client |
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Iami Rebouças as Woman in the photograph |
| Writing | Walter Salles | Screenplay |
| Art | Cassio Amarante | Production Design |
| Directing | Walter Salles | Director |
| Art | Carla Caffé | Production Design |
| Writing | João Emanuel Carneiro | Screenplay |
| Sound | Antonio Pinto | Original Music Composer |
| Sound | Bruno Tarrière | Sound mixer |
| Production | Thomas Garvin | Executive Producer |
| Camera | Walter Carvalho | Director of Photography |
| Writing | Marcos Bernstein | Screenplay |
| Editing | Isabelle Rathery | Editor |
| Sound | Jean-Claude Brisson | Sound Designer |
| Editing | Felipe Lacerda | Editor |
| Production | Sérgio Machado | Casting |
| Production | Elisa Tolomelli | Executive Producer |
| Production | Arthur Cohn | Producer |
| Costume & Make-Up | Cristina Camargo | Costume Design |
| Costume & Make-Up | Antoine Garabedian | Makeup Artist |
| Art | Marcelo Larrea | Set Designer |
| Production | Donald Ranvaud | Executive Producer |
| Art | Mônica Costa | Set Designer |
| Sound | Jaques Morelenbaum | Original Music Composer |
| Sound | Mark A. Van Der Willigen | Sound Designer |
| Production | Afonso Coaracy | Line Producer |
| Sound | François Groult | Sound Designer |
| Production | Lillian Birnbaum | Executive Producer |
| Production | Jack Gajos | Producer |
| Production | Paulo Carlos De Brito | Producer |
| Directing | Kátia Lund | Assistant Director |
| Camera | Marcelo Brasil | First Assistant Camera |
| Editing | Yvan Lucas | Color Timer |
| Production | Martine De Clermont-Tonnerre | Producer |
| Crew | Sergio Farjalla Jr. | Special Effects Coordinator |
| Directing | Sérgio Machado | Assistant Director |
| Crew | Paula Chevallet | Thanks |
| Visual Effects | Mauricio Couto Bevilaqua | Special Effects Supervisor |
| Lighting | Júnior Malta | Electrician |
| Directing | João Emanuel Carneiro | Assistant Director |
| Production | Walter Salles | Producer |
| Directing | Vinicius Coimbra | Assistant Director |
| Sound | Zezé di Camargo | Additional Soundtrack |
| Sound | Luciano Camargo | Additional Soundtrack |
