The Vandal (2021)
Situé dans un monde rappelant l’Amérique du milieu du XXe siècle, The Vandal raconte l’histoire d’Harold. Après avoir subi une lobotomie, son grand amour disparaît soudainement. En résulte un traumatisme destructeur et le regain de sa quête tourmentée pour la paix.
Directeur: Eddie Alcazar
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Bill Duke as Harold |
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Abbey Lee as Nurse |
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Baadja-Lyne Odums as Eva |
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Maurice Compte as Doctor X |
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Thomas Hildreth as Cellmate |
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Harry Goaz as Art dealer |
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Sophia Esperanza as Guard |
| Directing | Eddie Alcazar | Director |
| Editing | Eddie Alcazar | Editor |
| Production | Javier Lovato | Producer |
| Sound | Paul Gonzales | Sound Mixer |
| Editing | Aubrey Woodiwiss | Colorist |
| Camera | Simon Hayes | Second Assistant Camera |
| Crew | Eric Towner | Thanks |
| Production | Eddie Alcazar | Producer |
| Production | Tony Candelaria | Co-Producer |
| Editing | Todd Crites | Additional Editing |
| Editing | Doug Pray | Additional Editing |
| Visual Effects | Manikandan Sathyabalan | VFX Supervisor |
| Camera | John Sekula | First Assistant Camera |
| Camera | Jake A. Poole | Grip |
| Crew | Luke Ciarrocchi | Thanks |
| Production | Thomas Hildreth | Producer |
| Production | Matthew Hazelrig | Co-Producer |
| Visual Effects | Kevin Glick | Animation |
| Visual Effects | Justin Kohn | Animation |
| Crew | Maura Takeshita | Scenic Artist |
| Production | Jeannine Fisher | Casting Director |
| Production | Darren Aronofsky | Executive Producer |
| Production | Scott Franklin | Executive Producer |
| Sound | Thor Flack | Sound Designer |
| Camera | James Bianchi | BTS Footage |
| Production | Ted Robbins | Executive Producer |
| Crew | Jason P. Walker | Special Effects |
| Sound | Max Wrightson | Music Score Producer |
| Lighting | T.J. Signaigo | Best Boy Electric |
| Crew | Danny Hiele | Cinematography |
| Editing | Ale Amato | Color Assistant |
| Crew | Steven Goldfisher | Legal Services |
| Crew | Flying Lotus | Thanks |
| Crew | Jason Kolowski | Thanks |
| Crew | Matthew Hazelrig | Cinematography |
| Crew | Steve Kaye | Mixing Engineer |
| Camera | Edwin Allen Richards IV | Key Grip |
| Writing | Eddie Alcazar | Writer |
| Production | Sandy Haddad | Executive Producer |
| Art | Paul Rice | Production Design |
| Camera | Joe Guzman | Key Grip |
| Production | James Allen | Key Production Assistant |
| Crew | Steven Soderbergh | Thanks |
| Visual Effects | Misha Klein | Lead Animator |
| Art | Akira Beard | Painter |
| Editing | Steve Forner | Editor |
| Visual Effects | Adam Watson | VFX Supervisor |
| Editing | Bree Brackett | Color Assistant |
| Art | Joshua Prigg | Storyboard Artist |
| Lighting | James Bond | Gaffer |
| Art | Jonathan Dockery | Painter |
| Visual Effects | Ethan Chancer | VFX Artist |
| Art | Calder Greenwood | Production Design |
| Crew | Quinn McSherry | Scenic Artist |
| Sound | Jacob Young | Sound Designer |
| Camera | Alex Ho | Best Boy Grip |
| Sound | Ethan Carranza | Sound Mixer |
| Art | David Offner | Art Direction |
| Costume & Make-Up | Francine Lecoultre | Costume Designer |
| Production | Matthew W. Krul | Executive Producer |
| Production | Jake Bloch | Co-Producer |
| Sound | Dean Hurley | Sound Re-Recording Mixer |
| Costume & Make-Up | John Mark | Assistant Costume Designer |
| Crew | Andrew Weisblum | Thanks |
| Directing | Stuart Sauvarin | First Assistant Director |
| Costume & Make-Up | Nicole Sanchez | Makeup & Hair |
| Costume & Make-Up | Janise Garcia | Assistant Costume Designer |
| Camera | Nicholas Kirsten | Key Grip |
| Crew | Jonathan Keogh | Thanks |
| Visual Effects | Robert Morgan | Animation |
| Sound | Kris Bowers | Original Music Composer |
