Permission d’aimer (1973)
Le quartier-maître John Baggs Jr est hospitalisé à Seattle, port d'attache de son navire, pour une opération bégnine. Bénéficiaire d'une permission de minuit, il se rend au Neptune Bar où il rencontre Maggie, une jeune entraîneuse délurée dont il s'éprend. Il ne tarde pas à s'intéresser aussi à Doug, le jeune fils de Maggie, âgé de onze ans, qu'elle élève seule. Peu à peu, il prend conscience qu'il vient de créer une famille.
Directeur:
Mark Rydell
écrivain:
Darryl Ponicsan
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James Caan as John Baggs Jr. |
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Marsha Mason as Maggie Paul |
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Kirk Calloway as Doug |
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Eli Wallach as Lynn Forshay |
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Burt Young as Master at Arms |
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Bruno Kirby as Alcott (as Bruce Kirby Jr.) |
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Allyn Ann McLerie as Miss Watkins |
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Dabney Coleman as Executive Officer |
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Fred Sadoff as Dr. Osgood |
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Allan Arbus as Drunken Sailor |
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Jon Korkes as Dental Corpsman |
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Don Calfa as Lewis |
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Ted D'Arms as Cook |
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Sally Kirkland as Fleet Chick |
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Diane Schenker as Nurse |
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James Bigham as Seaman #1 |
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Wayne Hudgins as Seaman #2 |
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Rita Joelson Chidester as Wave |
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Knight Landesman as Yeoman |
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Paul Jackson as Sam |
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Chris F. Prebezac as Young Sailor |
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Sara Jackson as Woman |
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James De Closs as Sailor |
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Niles Brewster as Paymaster |
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Jonathan Estrin as Officer |
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John Kauffman as Sailor |
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Mark Rydell as Gutteral Mischief (as Marty Augustine) |
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David Proval as Sailor #1 |
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Christopher Rydell as Boy Fishing |
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Jon Locke as Go-Go Club Owner (as Joe Locke) |
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Frank Griffin as Obstetrician (as Frank H. Griffin Jr.) |
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Clayton Corzatte as Doctor |
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Spike Africa as Hot Dog Beggar (uncredited) |
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Robert Emmet Lunney as Marine Guard (uncredited) |
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Katherine Wilson as Dance Hall Girl (uncredited) |
| Sound | Leonard A. Engel | Music Editor |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Art | Joseph Hurley | Production Illustrator |
| Sound | Victor Goode | Boom Operator |
| Camera | László Pal | Camera Operator |
| Crew | Candy Flanagin | Special Effects |
| Editing | Mark Nakamine | Colorist |
| Editing | William D. Gordean | Assistant Editor |
| Directing | Charles Bonniwell | Second Assistant Director |
| Camera | Tom May | Key Grip |
| Editing | Sheldon Kahn | Assistant Editor |
| Art | Sam Moore | Property Master |
| Lighting | James O. Blair | Gaffer |
| Art | Ray Mercer Jr. | Property Master |
| Production | Tim Zinnemann | Production Manager |
| Sound | Kay Rose | Sound Editor |
| Camera | Jim Buchanan | Best Boy Grip |
| Camera | Orlando Suero | Still Photographer |
| Editing | Donn Cambern | Supervising Editor |
| Production | Tom Shaw | Production Manager |
| Camera | Nick McLean | First Assistant Camera |
| Directing | Tim Zinnemann | First Assistant Director |
| Sound | Theodore Soderberg | Sound Mixer |
| Production | Ronnie Caan | Location Assistant |
| Camera | Sven Walnum | Camera Operator |
| Costume & Make-Up | Dennis Fill | Costumer |
| Sound | Barry Thomas | Sound Mixer |
| Camera | Cal Roberts | Second Assistant Camera |
| Directing | Mark Rydell | Director |
| Writing | Darryl Ponicsan | Screenplay |
| Camera | Vilmos Zsigmond | Director of Photography |
| Writing | Darryl Ponicsan | Novel |
| Production | Mark Rydell | Producer |
| Art | Leon Ericksen | Production Design |
| Editing | Patrick Kennedy | Editor |
| Sound | John Williams | Original Music Composer |
| Costume & Make-Up | Rita Riggs | Costume Design |
| Directing | Betty A. Griffin | Script Supervisor |
| Production | Lynn Stalmaster | Casting |
