Permission d’aimer (1973)
Le quartier-maître John Baggs Jr est hospitalisé à Seattle, port d'attache de son navire, pour une opération bégnine. Bénéficiaire d'une permission de minuit, il se rend au Neptune Bar où il rencontre Maggie, une jeune entraîneuse délurée dont il s'éprend. Il ne tarde pas à s'intéresser aussi à Doug, le jeune fils de Maggie, âgé de onze ans, qu'elle élève seule. Peu à peu, il prend conscience qu'il vient de créer une famille.
Directeur:
Mark Rydell
écrivain:
Darryl Ponicsan
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James Caan as John Baggs Jr. |
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Marsha Mason as Maggie Paul |
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Kirk Calloway as Doug |
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Eli Wallach as Lynn Forshay |
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Burt Young as Master at Arms |
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Bruno Kirby as Alcott (as Bruce Kirby Jr.) |
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Allyn Ann McLerie as Miss Watkins |
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Dabney Coleman as Executive Officer |
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Fred Sadoff as Dr. Osgood |
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Allan Arbus as Drunken Sailor |
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Jon Korkes as Dental Corpsman |
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Don Calfa as Lewis |
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Ted D'Arms as Cook |
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Sally Kirkland as Fleet Chick |
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Diane Schenker as Nurse |
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James Bigham as Seaman #1 |
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Wayne Hudgins as Seaman #2 |
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Rita Joelson Chidester as Wave |
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Knight Landesman as Yeoman |
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Paul Jackson as Sam |
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Chris F. Prebezac as Young Sailor |
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Sara Jackson as Woman |
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James De Closs as Sailor |
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Niles Brewster as Paymaster |
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Jonathan Estrin as Officer |
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John Kauffman as Sailor |
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Mark Rydell as Gutteral Mischief (as Marty Augustine) |
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David Proval as Sailor #1 |
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Christopher Rydell as Boy Fishing |
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Jon Locke as Go-Go Club Owner (as Joe Locke) |
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Frank Griffin as Obstetrician (as Frank H. Griffin Jr.) |
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Clayton Corzatte as Doctor |
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Spike Africa as Hot Dog Beggar (uncredited) |
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Robert Emmet Lunney as Marine Guard (uncredited) |
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Katherine Wilson as Dance Hall Girl (uncredited) |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Production | Tim Zinnemann | Production Manager |
| Production | Tom Shaw | Production Manager |
| Directing | Charles Bonniwell | Second Assistant Director |
| Directing | Tim Zinnemann | First Assistant Director |
| Art | Joseph Hurley | Production Illustrator |
| Art | Ray Mercer Jr. | Property Master |
| Art | Sam Moore | Property Master |
| Sound | Victor Goode | Boom Operator |
| Sound | Kay Rose | Sound Editor |
| Sound | Theodore Soderberg | Sound Mixer |
| Sound | Barry Thomas | Sound Mixer |
| Crew | Candy Flanagin | Special Effects |
| Lighting | James O. Blair | Gaffer |
| Camera | Jim Buchanan | Best Boy Grip |
| Camera | Tom May | Key Grip |
| Camera | Nick McLean | First Assistant Camera |
| Camera | Cal Roberts | Second Assistant Camera |
| Camera | Orlando Suero | Still Photographer |
| Camera | Sven Walnum | Camera Operator |
| Camera | László Pal | Camera Operator |
| Costume & Make-Up | Dennis Fill | Costumer |
| Sound | Leonard A. Engel | Music Editor |
| Production | Ronnie Caan | Location Assistant |
| Editing | Donn Cambern | Supervising Editor |
| Editing | William D. Gordean | Assistant Editor |
| Editing | Sheldon Kahn | Assistant Editor |
| Editing | Mark Nakamine | Colorist |
| Directing | Mark Rydell | Director |
| Writing | Darryl Ponicsan | Novel |
| Writing | Darryl Ponicsan | Screenplay |
| Camera | Vilmos Zsigmond | Director of Photography |
| Production | Mark Rydell | Producer |
| Sound | John Williams | Original Music Composer |
| Editing | Patrick Kennedy | Editor |
| Production | Lynn Stalmaster | Casting |
| Art | Leon Ericksen | Production Design |
| Costume & Make-Up | Rita Riggs | Costume Design |
| Directing | Betty A. Griffin | Script Supervisor |
