Creep (2004)
Londres, par une froide et triste nuit d'hiver...A minuit, au sortir d'une soirée chic copieusement arrosée, Kate guette vainement un taxi avant de se résoudre à prendre le dernier métro. Sous l'effet de l'alcool, la jeune femme ne tarde pas à s'assoupir.A son réveil, la rame est déserte... Affolée, Kate se dirige vers la sortie, mais les grilles sont déjà fermées. Un train s'arrête alors, elle y monte, quelque peu inquiète d'en être la seule occupante.Au beau milieu du tunnel, le convoi s'arrête brutalement, toutes les lumières s'éteignent... Et le cauchemar commence...
Directeur:
Christopher Smith
écrivain:
Christopher Smith
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Franka Potente as Kate |
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Sean Harris as Craig |
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Vas Blackwood as George |
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Ken Campbell as Arthur |
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Jeremy Sheffield as Guy |
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Paul Rattray as Jimmy |
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Kelly Scott as Mandy |
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Strapper as Ray The Dog |
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Kathryn Gilfeather as Woman |
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Grant Ibbs as Man |
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Joe Anderson as Male Model |
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Sean De Vrind as Friend |
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Ian Duncan as Friend |
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Debora Weston as Mya |
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Emily Gilchrist as Karen |
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Elizabeth McKechnie as Woman |
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Craig Fackrell as Homeless Guy |
| Writing | Christopher Smith | Screenplay |
| Production | Robert Jones | Executive Producer |
| Production | Jason Newmark | Producer |
| Production | Emma Style | Casting |
| Directing | Christopher Smith | Director |
| Production | Julie Baines | Producer |
| Costume & Make-Up | Phoebe De Gaye | Costume Design |
| Camera | Danny Cohen | Director of Photography |
| Art | Nadine Hasenbein | Assistant Property Master |
| Art | Keith Stevenson | Set Dresser |
| Costume & Make-Up | Jan Sewell | Hair Designer |
| Art | Anke Pagels | Property Master |
| Art | Matthew Gray | Supervising Art Director |
| Costume & Make-Up | Mike H.G. Bates | Prosthetic Makeup Artist |
| Art | Gordon Fitzgerald | Property Master |
| Art | Richard Morrison | Title Designer |
| Art | Mark Hedges | Dressing Prop |
| Costume & Make-Up | Jan Sewell | Makeup Designer |
| Art | Thorsten Sabel | Set Dresser |
| Art | Dan Maslen | Storyboard Artist |
| Costume & Make-Up | Suzanne Bates | Prosthetic Makeup Artist |
| Costume & Make-Up | Nicola Pandel | Prosthetic Makeup Artist |
| Costume & Make-Up | Mike Stringer | Prosthetic Makeup Artist |
| Art | Daniel Painter | Storyboard Artist |
| Art | Lee Hedges | Dressing Prop |
| Art | Ulrike Gojowczyk | Props |
| Visual Effects | John Parnham | VFX Artist |
| Camera | Ed Miller | Additional Still Photographer |
| Lighting | Paul Duffy | Electrician |
| Sound | Julie Ankerson | Foley Artist |
| Sound | Martin Jensen | Foley Artist |
| Visual Effects | Peter Minister | VFX Artist |
| Camera | Lars Richter | Additional First Assistant Camera |
| Sound | Rick Dunford | ADR Editor |
| Visual Effects | Kimberley Broughton | VFX Artist |
| Visual Effects | Jenny Rose-Barber | VFX Artist |
| Sound | Rick Dunford | Dialogue Editor |
| Editing | Stuart Fyvie | Digital Colorist |
| Costume & Make-Up | Shane Kingdon | Costume Assistant |
| Camera | Martin Menke | Still Photographer |
| Production | Vanessa Baker | ADR Voice Casting |
| Visual Effects | Tom Hocking | Digital Compositor |
| Visual Effects | Gruff Owen | Digital Compositor |
| Visual Effects | Mark Kilburn | VFX Artist |
| Sound | Michael A. Carter | ADR Mixer |
| Lighting | Oliver Poole | Electrician |
| Camera | Kim Seber | Focus Puller |
| Camera | Thomas Korda | Steadicam Operator |
| Lighting | Tony C. Miller | Gaffer |
| Crew | Katja Hollmann | Digital Supervisor |
| Visual Effects | Dawn Whitehead-Binns | VFX Artist |
| Production | Tina Falcone | Assistant Accountant |
| Production | Trevor Stanley | Production Accountant |
| Camera | Nathan Mann | Focus Puller |
| Camera | Kenneth Cornils | Key Grip |
| Costume & Make-Up | Rachel Vallance | Costume Assistant |
| Production | Brendan Donnison | ADR Voice Casting |
| Camera | John Evans | Second Assistant Camera |
| Sound | Michael Spencer | Sound Recordist |
| Camera | Simon De Glanville | Camera Trainee |
| Camera | Paul Hymns | Key Grip |
| Camera | Bernd Spauke | Still Photographer |
| Lighting | Mark Clayton | Gaffer |
| Production | Maxine Stanley | Post Production Accountant |
| Sound | James Seddon | Dolby Consultant |
| Art | Ashley Winter | Art Direction |
| Crew | Richard Lloyd | Post Production Supervisor |
| Sound | Peter Baldock | Supervising Sound Editor |
| Sound | Richard Todman | Music Editor |
| Directing | Elizabeth Tremblay | Script Supervisor |
| Sound | Gary Dodkin | Boom Operator |
| Crew | Nrinder Dhudwar | Stunt Coordinator |
| Art | John Frankish | Production Design |
| Art | Ellen Latz | Art Direction |
| Visual Effects | Phil Attfield | Visual Effects Supervisor |
| Art | Emma Field-Rayner | Set Decoration |
| Sound | Michael A. Carter | Sound Re-Recording Mixer |
| Visual Effects | Simon Frame | Visual Effects Supervisor |
| Production | Algernon Sloane | Location Manager |
| Editing | Kate Evans | Editor |
| Costume & Make-Up | Uli Nunn | Hairstylist |
| Camera | Roger Tooley | Steadicam Operator |
| Production | Marc Grewe | Production Manager |
| Crew | Keeley Naylor | Unit Publicist |
| Costume & Make-Up | Nicola Frost | Makeup Artist |
| Lighting | Georg Nonnenmacher | Gaffer |
| Camera | Lewis Buchan | Camera Operator |
| Editing | Andrew Melhuish | First Assistant Editor |
| Sound | The Insects | Original Music Composer |
| Crew | Katja Jerabek | Stunt Double |
| Production | Matthew Hobbs | Production Coordinator |
| Sound | Nick Baldock | Sound Editor |
| Sound | Alison Wright | Music Supervisor |
| Directing | Max Keene | First Assistant Director |
