La soeur de trop (2022)
Raina et Alex, sœurs jumelles, viennent de perdre leur mère adoptive, Marcie. Elle a été assassinée, mais les jeunes femmes l’ignorent et pensent qu’il s’agit d’une mort accidentelle. Trop bouleversée, Raina n’a pas la force d’aller à l’enterrement de sa mère et se réfugie dans l’alcool. Sa sœur lui en veut énormément et se rend chez elle pour le lui dire. Les jeunes femmes ont une violente dispute et se quittent en mauvais termes. Alex, qui travaille dans la mode, part pour New York à l'occasion de la Fashion Week. David, son mari infidèle, prévoit de retrouver une de ses maîtresses, Holly, le lendemain de son départ.
Directeur: Anthony C. Ferrante
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Scout Taylor-Compton as Alex / Raina / Trinity |
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T.K. Richardson as Joey |
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Angie Teodora Dick as Sarzo |
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Jon Prescott as David |
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Arlene Victoria Conrad as Gloria |
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Tracy Nelson as Marcie |
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Gary Hudson as Kendall |
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Ryan Stroud as Rhodes |
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Shirley Claudia Charles as Faye |
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Juliana Destefano as Mary |
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Angela Cole as Holly |
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Laura Faye Smith as Sally |
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Lisa Cole as Stetson |
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Xander Bailey as Beckett |
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Brock Kruckemeyer as Mike |
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Sarah French as Jane Craig |
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Scarlett Mellinger as Young Alex / Trinity |
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Sierra Mellinger as Young Raina |
| Writing | Stephen Romano | Writer |
| Directing | Anthony C. Ferrante | Director |
| Camera | Michael Su | Director of Photography |
| Production | Wendy Yarbrough | Associate Producer |
| Production | Cambria Hankin | Casting |
| Editing | Rob Pallatina | Editor |
| Production | Paul Bales | Co-Producer |
| Production | David DeCrane | Executive Producer |
| Production | David Michael Latt | Producer |
| Production | Tom Berry | Executive Producer |
| Art | Phil Valore | Production Design |
| Visual Effects | Glenn Campbell | Visual Effects Supervisor |
| Production | Sebastian Battro | Executive Producer |
| Costume & Make-Up | Natasha Kachine | Costume Design |
| Production | Pierre David | Executive Producer |
| Production | David Rimawi | Co-Producer |
| Art | Danica Waitley | Art Direction |
| Art | Tammy Klein | Graphic Designer |
| Lighting | Michael D. Radeff | Gaffer |
| Visual Effects | Sasha Burrow | Visual Effects Coordinator |
| Production | Jarrett Furst | Line Producer |
| Costume & Make-Up | Melanie Young | Makeup Designer |
| Production | Lindsey Rappaport | Unit Production Manager |
| Crew | Mark Quod | Post Production Supervisor |
| Camera | Jeff Carolan | First Assistant Camera |
| Camera | Zoe Hazan | Second Assistant Camera |
| Camera | Monan Tamale | Still Photographer |
| Production | Mario N. Bonassin | Post Production Coordinator |
| Sound | Scot Derwingson-Peacock | ADR Mixer |
| Directing | Nicholas Ryan | First Assistant Director |
| Lighting | Matthew Tokuno | Gaffer |
| Editing | Maximilian Elfeldt | Assistant Editor |
| Editing | Mark Quod | Colorist |
| Directing | Lindsey Rappaport | Second Assistant Director |
| Sound | Jaime Fish | Sound Mixer |
| Costume & Make-Up | Paige Kayla Miller | Hair Department Head |
| Editing | James Dymond | Assistant Editor |
| Costume & Make-Up | Melissa Hayes | Assistant Makeup Artist |
| Costume & Make-Up | Tessa Alexander | Assistant Makeup Artist |
| Production | Natalya Rahmann | Background Casting Director |
| Camera | Tony Su | Key Grip |
| Sound | Martin Richard Chappell | Sound Designer |
| Sound | Scot Derwingson-Peacock | Foley Editor |
| Sound | Mikel Shane Prather | Music Supervisor |
| Sound | Christopher Cano | Original Music Composer |
| Sound | Mikel Shane Prather | Original Music Composer |
| Sound | Chris Ridenhour | Original Music Composer |
