L'Enjeu (1998)
Le fils de Frank Connor, officier de police modèle qui a mis toute sa vie au service de la loi, est atteint d'une maladie mortelle. Seule une greffe de moelle épinière compatible peut le sauver. McCabe, criminel endurci, tueur condamné à la détention à perpétuité, possède la combinaison génétique adequate, il est le donneur ideal, le seul susceptible d'accomplir ce miracle. Frank persuade ses superieurs de transférer le tueur dans un hôpital de San Francisco. McCabe en profite pour s'évader, après avoir tué plusieurs innocents.
Directeur:
Barbet Schroeder
écrivain:
David Klass
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Michael Keaton as Peter McCabe |
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Andy Garcia as Frank Conner |
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Brian Cox as Captain Jeremiah Cassidy |
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Marcia Gay Harden as Dr. Samantha Hawkins |
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Erik King as Nate Oliver |
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Efrain Figueroa as Vargas |
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Joseph Cross as Matthew Conner |
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Janel Moloney as Sarah Davis |
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Richard Riehle as Ed Fayne |
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Tracey Walter as Medical Inmate |
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Keith Diamond as Derrick Wilson |
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Peter Weireter as SWAT Team Commander |
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Steve Park as Dr. Gosha |
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Dennis Cockrum as Pelican Bay Head Guard |
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John C. Meier as Rains, Cop shot in ER |
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Norman Howell as Kellen, Burnt Cop |
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John Rottger as Trimble, Burnt Cop |
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Donna Keegan as Donna, Burning Nurse |
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Michael Shamus Wiles as Tough Inmate |
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Scott Colomby as Patrol Cop |
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Steven Schub as SWAT in Airduct |
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Neal Matarazzo as Cell Guard |
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Jeff Mosley as San Francisco Police |
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Danny Rogers as Motorcyclist |
| Directing | Barbet Schroeder | Director |
| Writing | David Klass | Screenplay |
| Production | Gary Foster | Producer |
| Production | Susan Hoffman | Producer |
| Production | Barbet Schroeder | Producer |
| Camera | Luciano Tovoli | Director of Photography |
| Editing | Lee Percy | Editor |
| Crew | Danny Epper | Stunts |
| Crew | Darrin Prescott | Stunts |
| Sound | Trevor Jones | Original Music Composer |
| Costume & Make-Up | Gary Jones | Costume Design |
| Art | Geoffrey Kirkland | Production Design |
| Art | Sandy Getzler | Art Direction |
| Art | Jennifer Williams | Set Decoration |
| Camera | Merrick Morton | Still Photographer |
| Production | Howard Feuer | Casting |
| Production | Jeffrey Chernov | Executive Producer |
| Production | Josie Rosen | Co-Producer |
| Production | Lee Rich | Producer |
| Directing | Susan Malerstein | Script Supervisor |
| Sound | Ron Bochar | Supervising Sound Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Lewis Goldstein | Sound Effects Editor |
| Crew | Jeff Dashnaw | Stunt Coordinator |
| Crew | Kelly Kerby | Special Effects Coordinator |
| Costume & Make-Up | KG Ramsey | Key Hair Stylist |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Costume & Make-Up | Violet Ortiz | Hairstylist |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Production | Ross T. Fanger | Unit Production Manager |
| Costume & Make-Up | Larry Abbott | Makeup Artist |
| Costume & Make-Up | Marlene D. Williams | Hairstylist |
| Crew | Annie Ellis | Stunts |
| Crew | Troy Robinson | Stunts |
| Sound | Steve R. Nelson | Sound Mixer |
| Sound | Gina Alfano | Dialogue Editor |
| Sound | Deborah Wallach | ADR Editor |
| Art | C.J. Maguire | Property Master |
| Crew | Chantal Feghali | Post Production Supervisor |
| Crew | Jasmine Kosovic | Post Production Supervisor |
| Directing | David R. Ellis | Second Unit Director |
| Directing | David Hallinan | Second Assistant Director |
| Directing | Geoffrey Hansen | First Assistant Director |
| Art | Walt Hadfield | Construction Coordinator |
| Art | Kelly Hannafin | Set Designer |
| Art | Bo Johnson | Set Designer |
| Art | Rando Schmook | Set Designer |
| Sound | Kam Chan | Foley Editor |
| Sound | Benjamin Cheah | Foley Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Chris Fielder | Assistant Sound Editor |
| Sound | Tom Hartig | Boom Operator |
| Sound | Frank Kern | Foley Editor |
| Sound | Bruce Pross | Foley Supervisor |
| Sound | Nicholas Renbeck | Assistant Sound Editor |
| Sound | Steven Visscher | Foley Editor |
| Visual Effects | Paul J. Lombardi | Special Effects Supervisor |
| Crew | Brian Imada | Stunts |
| Crew | Steve Vandeman | Stunts |
| Camera | Arthur Blum | Dolly Grip |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Lighting | Greg Cantrell | Rigging Gaffer |
| Camera | Gary Capo | Second Unit Director of Photography |
| Camera | Jesse Chavez | Dolly Grip |
| Lighting | George Dunagan | Assistant Chief Lighting Technician |
| Camera | Ian Fox | Camera Operator |
| Lighting | Norman Glasser | Chief Lighting Technician |
| Camera | Bob Gorelick | Steadicam Operator |
| Camera | Bob Hall | First Assistant Camera |
| Camera | Leo J. Napolitano | Camera Operator |
| Camera | Arnaud Peiny | Best Boy Grip |
| Camera | Monty Rowan | Camera Operator |
| Lighting | Gihan 'Sandy' Seneviratne | Best Boy Electric |
| Camera | Philip Shanahan | Second Assistant Camera |
| Lighting | Earl C. Williman | Best Boy Electric |
| Costume & Make-Up | Cheryl Beasley Blackwell | Wardrobe Supervisor |
| Costume & Make-Up | Bruce Ericksen | Wardrobe Supervisor |
| Editing | Rebecca Nicolaou | First Assistant Editor |
| Sound | Suzana Perić | Music Editor |
| Crew | Spooky Stevens | Unit Publicist |
| Crew | Barbara Bass | Studio Teacher |
