Le Trou Noir (1979)
Le vaisseau Palomino effectue une mission spatiale de reconnaissance jusqu'au moment où une alarme ne vienne réveiller la torpeur de l'équipage. Les ordinateurs de bord ont détecté une présence indicible à quelques années-lumières, sur la route du vaisseau et demandent une correction de trajectoire. Cette chose non référencée sur les cartes stellaires n'est autre qu'un trou noir...
Directeur:
Gary Nelson
écrivains:
Gerry Day, Jeb Rosebrook.
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Maximilian Schell as Dr. Hans Reinhardt |
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Anthony Perkins as Dr. Alex Durant |
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Robert Forster as Captain Dan Holland |
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Joseph Bottoms as Lieutenant Charles Pizer |
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Yvette Mimieux as Dr. Kate McCrae |
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Ernest Borgnine as Harry Booth |
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Tom McLoughlin as Captain S.T.A.R. |
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Roddy McDowall as V.I.N.CENT. (voice) (uncredited) |
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Slim Pickens as B.O.B. (voice) (uncredited) |
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Gary Nelson as Drone with Mask Removed (uncredited) |
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Steven Banks as Sentry Robot (uncredited) |
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Don Lewis as Sentry Robot (uncredited) |
| Production | Ron Miller | Producer |
| Editing | G. Gregg McLaughlin | Editor |
| Camera | Frank V. Phillips | Director of Photography |
| Directing | Gary Nelson | Director |
| Writing | Gerry Day | Screenplay |
| Sound | John Barry | Original Music Composer |
| Writing | Jeb Rosebrook | Screenplay |
| Crew | Howard Curtis | Stunts |
| Art | Wilbur L. Russell | Property Master |
| Art | Frank R. McKelvy | Set Decoration |
| Art | John B. Mansbridge | Art Direction |
| Art | Roger M. Shook | Set Decoration |
| Art | Robert McCall | Art Direction |
| Art | Peter Ellenshaw | Production Design |
| Art | Al Roelofs | Art Direction |
| Costume & Make-Up | Chuck Keehne | Costume Supervisor |
| Crew | Conrad E. Palmisano | Stunt Double |
| Production | John D. Bloss | Production Manager |
| Crew | James MacDonald | Special Sound Effects |
| Crew | Ben Hendricks | Special Sound Effects |
| Visual Effects | Ted Kierscey | Animation |
| Sound | John Jolliffe | Sound Effects Editor |
| Visual Effects | Dorse A. Lanpher | Animation |
| Visual Effects | Joe Hale | Animation |
| Camera | Lloyd Ahern II | Camera Operator |
| Sound | Wayne Allwine | Sound Effects Editor |
| Lighting | Carl Boles | Gaffer |
| Sound | Frank Regula | Sound Re-Recording Mixer |
| Sound | Helen Sneddon | Music Editor |
| Sound | Louis Terrusa | Sound Effects Editor |
| Camera | Wynn Hammer | Still Photographer |
| Sound | Robert Hathaway | Sound Re-Recording Mixer |
| Directing | Sandy Nelson | Script Supervisor |
| Costume & Make-Up | Gloria Montemayor | Hairstylist |
| Costume & Make-Up | Bill Thomas | Costume Design |
| Sound | Evelyn Kennedy | Supervising Music Editor |
| Costume & Make-Up | Robert J. Schiffer | Makeup Supervisor |
| Sound | George Fredrick | Sound Effects Editor |
| Writing | Bob Barbash | Story |
| Crew | Stevie Myers | Stunts |
| Production | Christopher N. Seiter | Unit Production Manager |
| Writing | Richard H. Landau | Story |
| Writing | Jeb Rosebrook | Story |
| Crew | Bob Herron | Stunt Double |
| Crew | Ben Hendricks | Special Sound Effects |
| Directing | Tom McCrory | Assistant Director |
| Crew | Bill Wylie | Special Sound Effects |
| Sound | Herb Taylor | Sound Supervisor |
| Sound | Bud Maffett | Sound Mixer |
| Costume & Make-Up | Jack Sandeen | Costumer |
| Camera | Don Capel | Key Grip |
| Costume & Make-Up | Mary Dye | Costumer |
| Camera | Cecil Wilson | Second Assistant Camera |
| Camera | Robert LaBonge | First Assistant Camera |
| Visual Effects | Harrison Ellenshaw | Matte Painter |
