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Jeremy Cox


Jeremy Cox

Lieu de naissance:

Vancouver, British Columbia, Canada:



Crédits

The Monkey (2025)
as Beauchamps
Backrooms (2026)
Director of Photography
Concrete Turned to Sand (2026)
Director of Photography
Mile End Kicks (2026)
Director of Photography
Keeper (2025)
Director of Photography
The Monkey (2025)
Second Unit Director of Photography
Inedia (2024)
Director of Photography
On a Sunday at Eleven (2024)
Director of Photography
Longlegs (2024)
Second Unit Director of Photography
Where the Time Goes (2023)
Director of Photography
Metamorphypus (2023)
Director of Photography
Until Branches Bend (2022)
Director of Photography
Like Father, Like Son (2022)
Director of Photography
Anyox (2022)
Director of Photography
Someone Like Me (2021)
Additional Photography
Spring Tide (2020)
Director of Photography
Flowers of the Field (2020)
Director of Photography
BARE BONES (2020)
Director of Photography
Love Is a Hand Grenade (2020)
Director of Photography
The Maids Will Come on Monday (2019)
Director of Photography
Recess: Third Street (2019)
Director of Photography
Labour/Leisure (2019)
Director of Photography
Raw Milk (2019)
Director of Photography
Girl on a Bus (2018)
Director of Photography
Medical Drama (2017)
Director of Photography
Medical Drama (2017)
Cinematography
Luk'Luk'I (2017)
Director of Photography
Never Steady, Never Still (2015)
Director of Photography
Penny’s For Tea (2015)
Director of Photography
Spaces and Reservations (2014)
Director of Photography
Life's Red Light (or 'Doomers') ()
Cinematography