Le colline hanno gli occhi (1977)
Bob ed Ethel Carter sono in viaggio verso la California con tutta la loro famiglia. Bob, poliziotto in pensione, desideroso di visitare una miniera d'argento abbandonata, lasciata l'autostrada e porta la famiglia in un deserto collinoso nonostante il vecchio benzinaio gli abbia oscuramente preannunciato grossi pericoli. Le colline, infatti, sono popolate da una famiglia selvaggia...
Direttore: Wes Craven
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Susan Lanier as Brenda Carter |
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Robert Houston as Bobby Carter |
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Martin Speer as Doug Wood |
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Dee Wallace as Lynne Wood |
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Russ Grieve as Big Bob Carter |
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John Steadman as Fred |
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James Whitworth as Jupiter |
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Virginia Vincent as Ethel Carter |
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Lance Gordon as Mars |
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Michael Berryman as Pluto |
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Janus Blythe as Ruby |
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Cordy Clark as Mama |
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Brenda Marinoff as Katy |
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Peter Locke as Mercury |
| Camera | Eric Saarinen | Director of Photography |
| Directing | Wes Craven | Director |
| Production | Peter Locke | Producer |
| Editing | Wes Craven | Editor |
| Sound | Don Peake | Original Music Composer |
| Costume & Make-Up | Joanne Jaffe | Costume Design |
| Production | Gus Schirmer | Casting |
| Writing | Wes Craven | Writer |
| Crew | Ron Stein | Stunts |
| Lighting | Dennis Bishop | Gaffer |
| Crew | Tom Morrocco | Animal Coordinator |
| Crew | Jim Dannaldson | Animal Coordinator |
| Sound | D. G. Fisher | Assistant Sound Designer |
| Camera | Larry Boyd | Grip |
| Art | Tom Pickette | Location Scout |
| Crew | Bob Eber | Second Unit |
| Camera | Ken Wheeland | Best Boy Grip |
| Crew | Karen Grant | Second Unit |
| Production | Tom Pickette | Location Coordinator |
| Sound | Jan Schulte | Sound Mixer |
| Crew | Moe DiSesso | Animal Coordinator |
| Crew | Ron Stein | Stunt Coordinator |
| Crew | Al Jones | Stunts |
| Costume & Make-Up | Paula Cain | Wardrobe Supervisor |
| Crew | Peter Locke | Presenter |
| Crew | Greg Auer | Special Effects |
| Camera | Leslie Otis | Assistant Camera |
| Sound | Peter Hitchcock | Sound Effects |
| Crew | John Frazier | Special Effects |
| Sound | David Marsh | Sound Effects |
| Directing | Joanie Blum | Script Supervisor |
| Production | Rose Marie Yurinko | Producer's Assistant |
| Crew | Tim Wawrzeniac | Second Unit |
| Crew | Craig Felburg | Second Unit |
| Camera | Richard Scheid | Grip |
| Production | Rhonda Hopkins | Production Assistant |
| Editing | Robert Alsheimer | Assistant Editor |
| Production | Florence M. Amico | Production Assistant |
| Crew | Rick Braverman | Second Unit |
| Camera | Bill Moore | Grip |
| Art | J. Larry Carroll | Set Designer |
| Sound | David Lee Fein | Sound Effects |
| Camera | Ray Fischer | Still Photographer |
| Sound | Hal Watkins | Sound Engineer |
| Crew | Carolyn Ames | Second Unit |
| Sound | Don Peake | Conductor |
| Sound | Jill Debin | Sound Effects |
| Camera | Lynn Rogers | Key Grip |
| Costume & Make-Up | Donald Mulderick | Makeup Artist |
| Production | Walter R. Cichy | Production Manager |
| Costume & Make-Up | Ken Horn | Special Effects Makeup Artist |
| Art | Mary Church | Props |
| Art | Robert A. Burns | Art Direction |
| Costume & Make-Up | Dave Ayres | Special Effects Makeup Artist |
| Directing | Valley Hoffman | Assistant Director |
